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“... project to Warner Brothers. The whole cringe-making story is told in The Man Who Heard Voices by Michael Bamberger (Gotham, 2006). He describes a painful supper at which Shyamalan joins a group of Disney executives: ‘What are you saying, Nina? What are you saying the script needs? Three weeks? Three months?’ Nina said nothing. Her face said: Not three ...”

“... of names she gave herself and those near her (most famously changing Ida Baker into ‘I Lesley Moore’) was an indication of how she used her experiences as experiments to be made real through fiction. Her engagement to a musician, her strange one-day marriage to George Bowden, her subsequent pregnancy by the musician’s brother, her lesbian ...”

“... the other three-quarters of the Beyond the Fringe team (Alan Bennett, Jonathan Miller and Dudley Moore), who would go on to present their own take on the nuclear threat, in a sketch called ‘Civil War’.In that sketch, a worried Moore listens trustingly as a succession of posh-voiced government spokesmen seek to reassure ...”

“... for cinematography – and the scene is much the most powerful in the film. It almost makes Michael Nyman’s hyperbolic score (the music in Planet of the Apes is subtle by comparison) tolerable. In all such scenes of epiphany (Charlton Heston breaking down at the sight of the half-buried Statue of Liberty at the end of Planet of the Apes is ...”

“... Mantovani, and Field-Marshal Viscount Montgomery is discovered between Maria Montez and Dudley Moore. Kim Novak and Ivor Novello are neighbours, but then so are Mozart and Malcolm Muggeridge, and the French sandwich of Arletty and Yvonne Arnaud contains Anthony Armstrong-Jones. The name of Neville Chamberlain seems to set off a nervous chain-reaction of ...”

“... in the way a teddy bear lies, opened up upon a child’s basket in the early pen drawing of Juliet Moore asleep. Equally, the stiff folds of the leather coat in the drawing (based on a self-portrait) of 1943 are distinguished with the same short parallel strokes that are frequently employed for the exciting fringes of sharp shadow in the etchings – these ...”

“... it against what he himself then elicits from this Canto: the question about Binyon and Sturge Moore, ‘whether the two senior writers could not have established themselves – at least for some purposes – as masters of ateliers in which the two young hopefuls might have enrolled as apprentices’. For the answer to the question ‘could they not?’ is ...”

“... funny. ‘Mr Shaw is (I suspect) the only man on earth who has never written any poetry.’ George Moore ‘is in a perpetual state of temporary honesty’. Wells ‘is the only one of his many brilliant contemporaries who has not stopped growing. One can lie awake at night and hear him grow.’ As for arguing, Chesterton and Shaw quarrelled publicly for a ...”

“... vestige of reticence or shame) was the petit mal, dread of whose grand sequel blighted his life. Michael Thorn opens with a deferential salutation to ‘Professor Martin’s magisterial biography’. This is, however, decoy fire. What follows is a prolonged undermining of The Unquiet Heart (often without naming the author or his book). Thorn has many bones ...”

“... to publish – John James, Chris Torrance, Lee Harwood, Andrew Crozier, Peter Riley, J.H. Prynne, Michael Haslam, Douglas Oliver, Barry MacSweeney, Denise Riley – they must nonetheless wonder, from time to time, whether theirs is a case of having missed the boat which would only have been worth catching if they’d been on it in the first place. Perhaps ...”

“... Isadora Duncan, Alla Nazimova, Pola Negri, Tamara Karsavina, Katharine Cornell, Marie Laurencin, Michael Strange and Eva Le Gallienne in the 1920s and 1930s to Greta Garbo, Marlene Dietrich, Hope Williams, Libby Holman, Ona Munson (Belle Watling in Gone with the Wind), Poppy Kirk (a Schiaparelli model and prominent diplomat’s wife) and many others in ...”

“... to her, asking if she could get me into the movies. Within a few weeks I got a letter from Lola Moore, for forty years the biggest kids’ agent in Hollywood. She represented Tommy Rettig, who was in River of No Return, Jon Provost, who played Timmy in Lassie, Karolyn Grimes, who played Jimmy Stewart’s daughter in It’s a Wonderful Life, and Eugene ...”

“... the Topeka High librarian to direct me to the shortest poem she knew and she suggested Marianne Moore’s ‘Poetry’, which, in the 1967 version, reads in its entirety: I, too, dislike it. Reading it, however, with a perfect    contempt for it, one discovers in it, after all, a place for the genuine. I remember thinking my classmates were suckers for ...”

“... look at the scene of the accident.We are en route down the A65 for the funeral of a close friend, Michael Hindle, my solicitor. Almost at Skipton we are in a traffic jam. There has been a fatal accident, with an ambulance already here, a police car and what looks like a body bag. We wait, and as we wait a herd of cows in a field overlooking the road slowly ...”

“... development within an artistic tradition, a development irreducible to non-aesthetic determinants? Michael Podro, in his difficult, scholarly and condensed book The Critical Historians of Art, carefully charts a debate on just these issues among a group of German art historians in the century between 1827 and 1927. By no means all of his selected group are ...”