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Oh, the Irony

Thomas Jones: Ian McEwan, 25 March 2010

Solar 
by Ian McEwan.
Cape, 285 pp., £18.99, 0 224 09049 6
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... it has been used for comic minor characters with no inner life: Thwackum and Square in Tom Jones, say, or Sir Walter Elliot in Persuasion. McEwan’s new novel, Solar, unlike any of his previous work, is avowedly comic. And much of it is extremely funny, most of the time on purpose, as it plots its antihero’s cynical and self-serving efforts to ...

Formulaic Thrills

Thomas Jones: A mathematical murder mystery, 20 January 2005

The Oxford Murders 
by Guillermo Martínez, translated by Sonia Soto.
Abacus, 197 pp., £9.99, January 2005, 0 349 11721 7
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... thinking, to deduce x: the identity of the murderer. Take, by way of concrete illustration, Michael Innes’s Death at the President’s Lodging (1936). The president in question is Dr Josiah Umpleby, head of St Anthony’s College, Oxbridge (not to be confused with St Antony’s, Oxford, which wasn’t founded till 1950; Innes’s setting is a ...

V-2 into Space

Adam Mars-Jones: Michael Chabon, 2 March 2017

Moonglow 
by Michael Chabon.
HarperCollins, 448 pp., £18.99, January 2017, 978 0 00 754891 0
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... of the desk-bound and lionised, and J.M. Coetzee too showed signs of becoming a chronic case. Now Michael Chabon has produced Moonglow, supposedly based on conversations from 1989 between a writer called Michael Chabon and his dying grandfather, an engineer for whom space travel in general and rockets in particular were an ...

Diary

Michael Stewart: Staggeringly Complacent, 6 June 1985

... the Lord Weinstock, the Lord Aldington, the Lord Kearton, not to mention plain Mr Harvey-Jones of ICI – were deeply unhappy about some of the Government’s economic policies. Nonsense, replied Mr Lawson robustly: they may whinge in public, but in private all these industrialists will tell you that we’re really putting up a jolly good ...

Gove or Galtieri?

Colin Kidd: Popular Conservatism, 5 October 2017

Crown, Church and Constitution: Popular Conservatism in England 1815-67 
by Jörg Neuheiser, translated by Jennifer Walcoff Neuheiser.
Berghahn, 320 pp., £78, May 2016, 978 1 78533 140 4
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Conservative Parties and the Birth of Democracy 
by Daniel Ziblatt.
Cambridge, 450 pp., £26.99, April 2017, 978 0 521 17299 8
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Edmund Burke and the Invention of Modern Conservatism, 1830-1914: An Intellectual History 
by Emily Jones.
Oxford, 288 pp., £60, April 2017, 978 0 19 879942 9
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Kind of Blue: A Political Memoir 
by Ken Clarke.
Pan, 525 pp., £9.99, June 2017, 978 1 5098 3720 5
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... we concede that May, however ghastly, is a more attractive option than flesh-creeping figures like Michael Gove or Liam Fox. Rather, Ziblatt prompts consideration of more fundamental options. Having the whole appalling crew in power from time to time has been the necessary cost of avoiding a fragile and fearful democracy that never knows when the next military ...

Diary

David Denby: Deaths on Camera, 8 September 2016

... Award for Between the World and Me, his essay on race and violence. Coates’s close friend Prince Jones was killed in Virginia in 2000. ‘When Prince Jones died, there were no cameras. There was nobody looking. The officer that killed him was not prosecuted. He was not even disciplined by the police force.’ In the ...

Brand New Day

Niela Orr: ‘The Wiz’ and the Prez, 18 March 2021

... music was mostly written by the Black lyricist and composer Charlie Smalls, and produced by Quincy Jones. It tells a story of Black freedom and resistance through boogie-woogie, disco, funk and soul. The movie was an adaptation of a successful stage play, which swapped Kansas for Harlem, the Munchkins for graffiti artists and the Good Witch of the North for ...

Shatost

John Bayley, 16 June 1983

Dostoevsky and ‘The Idiot’: Author, Narrator and Reader 
by Robin Feuer Miller.
Harvard, 296 pp., £16, October 1981, 0 674 21490 0
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Dostoevsky 
by John Jones.
Oxford, 365 pp., £15, May 1983, 9780198126454
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New Essays on Dostoyevsky 
edited by Malcolm Jones and Garth Terry.
Cambridge, 252 pp., £25, March 1983, 0 521 24890 6
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The Art of Dostoevsky: Deliriums and Nocturnes 
by Robert Louis Jackson.
Princeton, 380 pp., £17.60, January 1982, 0 691 06484 9
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... turn parody into new reality and the Gothic into his own version of the electrically banal. John Jones may be right to write off The Idiot in his study and leave it out of discussion. Even its humour is disproportionate, and it is peculiarly difficult to separate in it the essential from the inessential, the blind alley (Myshkin) from the continuing way. Yet ...

Diary

Tobias Jones: San Giovanni Rotondo, 13 May 1999

... on for advice, and when he arrived at the grotto he received a visitation from the Archangel Michael, who ordered him to consecrate a Christian altar on the site. It’s not known what happened to the man with the arrow in his forehead, but the result of his misadventure was the famous Santuario di San Michele. In 999 AD, the Holy Roman Emperor, Otto ...

Hazlitteering

John Bayley, 22 March 1990

Hazlitt: A Life. From Winterslow to Frith Street 
by Stanley Jones.
Oxford, 397 pp., £35, October 1989, 0 19 812840 1
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Shakespearean Constitutions: Politics, Theatre, Criticism 1730-1830 
by Jonathan Bate.
Oxford, 234 pp., £27, September 1989, 0 19 811749 3
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... back an imaginary past, an epoch of freedom and justice. The phrase is not Hazlitt’s but Stanley Jones’s, and gives an idea of the crispness of Jones’s style, as the instance does of the erudition with which he has reached into every cranny of Hazlitt’s distracted polemical existence. His book is a monument of ...

How Do You Pay?

Bee Wilson: Falling for Michael Moore, 1 November 2007

Citizen Moore: An American Maverick 
by Roger Rapoport.
Methuen, 361 pp., £8.99, July 2007, 978 0 413 77649 5
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Manufacturing Dissent 
directed by Rick Caine and Debbie Melnyk.
October 2007
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Sicko 
directed by Michael Moore.
October 2007
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... Because the man himself is so ungainly, it is easy to overlook Michael Moore’s voice. Where his body seems ungovernable and a source of embarrassment to him – he often can’t bear to watch himself on screen – his voice is confident, almost suave. There’s a moment in his least known movie, The Big One (1997), where he launches effortlessly into a gravelly imitation of Dylan singing ‘The Times They Are A-Changin’’ before reverting, with a chuckle, to his own spoken voice ...

Sweetly Terminal

Edward Pearce, 5 August 1993

Diaries 
by Alan Clark.
Weidenfeld, 421 pp., £20, June 1993, 0 297 81352 8
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... my friends, I mean my close friends. Then he made matters worse by saying he had had a talk with Michael (Heseltine). ‘He is formidable.’ ‘He’, pause, ‘is’, pause, ‘formidable’. I got him back to the station at four thirty, smelling powerfully of brandy. Seeing I was a bit dejected, Bruce said he would plug me with John Major and David ...

Taking Flight

Thomas Jones: Blake Morrison, 7 September 2000

The Justification of Johann Gutenberg 
by Blake Morrison.
Chatto, 259 pp., £14.99, August 2000, 0 7011 6965 6
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... endorse this: ‘The books here on my shelves have countless examples of similar behaviour.’When Michael Ryan murdered 14 people in Hungerford in 1987 (and then killed himself), the idea was put about that he’d been motivated by watching Rambo videos. That someone could, apparently without motive, massacre strangers on the streets of a Berkshire town was ...

Spot the Mistakes

Thomas Jones: Ann Patchett, 25 August 2011

State of Wonder 
by Ann Patchett.
Bloomsbury, 353 pp., £12.99, June 2011, 978 1 4088 1859 6
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... was the final episode of the fifth season of Dynasty, when Amanda Carrington’s wedding to Prince Michael of Moldavia is interrupted by a gang of Balkan rebels bursting into the royal chapel and shooting everyone down with machine-guns. The vaporous metaphorical role played by music in Bel Canto is taken in Patchett’s new novel, State of Wonder, by medical ...

Sour Notes

D.A.N. Jones, 17 November 1983

Peter Hall’s Diaries: The Story of a Dramatic Battle 
edited by John Goodwin.
Hamish Hamilton, 507 pp., £12.95, November 1983, 0 241 11047 5
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... come to suppose that everything can be done by Notes. When I was a student I appeared in a play by Michael Codron, directed by his friend, Adrian Brown: just before we went on, Codron appeared to give us a Note. ‘Adrian is making this too heavy and Germanic,’ he said. ‘I want it to be light, French, a soufflé.’ This confused us performers and wrecked ...

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