The Moronic Inferno
Martin Amis, 1 April 1982
“... March (1953), at times very shakily: for all its marvels, Augie March, like Henderson the Rain King, often resembles a lecture on destiny fed through a Thesaurus of low-life patois. Herzog erred on the side of private gloom, Humboldt on the side of sunny ebullience (with stupendous but lopsided gains for the reader). Mr Sammler’s Planet (1970) came ... ”