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“... wonders what an editor not privy to Lawrence’s situation as he was writing made of all this. As John Worthen justly observes, ‘it is hard to imagine Lawrence writing like this before meeting Frieda or hearing Frieda talk.’ It is also hard to imagine any biographer telling the tale with more dispassionate sympathy and insight than Worthen does: his ...”

“... Clearly, the latter, though they are one to whom everyone is keen to pretend to defer. When John Reid, the health secretary, was discussing his reasons for not wanting to ban smoking in public places, he said he ‘worried about the unanimity of middle-class health professionals’ on this issue, and wondered what other sources of pleasure were ...”

“... its worst approaches the vulgarity of the gossip-column. Does it illuminate the Utopianism of H.G. Wells to write of him: ‘As he jumped from bed to bed in his personal life, he preached of a new order’? Two ‘throw-away’ phrases illuminate the Manuels’ method: ‘the muck of scholarly analysis’ and ‘the windy exposition of an abstract ...”

“... for, so instead the city became a way of resisting metaphors that came too readily to hand. H.G. Wells turned to the metropolis to cast a sceptical eye on those who understood ‘evolution’ and ‘progress’ as synonymous terms. The path of life was not ‘some steadily rising mountain-slope’: The real form of a phylum, or line of descent, is far more ...”

“... And what pictures those of Mr Kersting are. If one needs to be seduced into visiting Cleeve, or Wells, or Norbury, or St Mawes, or Astbury, or Abbey Dore, or Caerphilly, or Kells, or Caerlaverock, or Threave, these photographs make such places (among numerous others) irresistible. Mr Kersting is superb, and Mr Platt comes close to matching him. My ...”

“... will be available for use and the universe will grind to a halt. In The Time Machine (1895), H.G. Wells evoked this grim prospect. As his travellers approach the far distant future, ‘the darkness grew apace … All the sounds of man … the stir that makes the background of our lives – all that was over.’In the 1940s, Claude Shannon – an American ...”

“... mention the 1860 battle (nor sub Huxley or Darwin or Hooker). Another portrait, another angle. John Collier’s 1890 painting is the most familiar image: a stiff, hard, sad old man, a man of power – he was ‘the Pope’ and ‘the General’ even before he had rank to pull. Collier was good at old men in pain – he caught Darwin’s next-to-last ...”

“... riding a goat cart in Central Park’ before going off to Harvard, where his classmates included John Reed, T.S. Eliot and Conrad Aiken. From birth to death, Fortune – in the form of knowing nearly everyone who counted and being able to defend at least two sides of every major public issue of his time – always favoured him. The list of his friends, his ...”

“... John Norton-Griffiths, ‘Empire Jack’, engineer and strapping essence of imperial British manliness, was sent to Romania in 1916 to destroy that country’s oil industry before the Germans overran it. He had the Romanian government’s permission but local staff would occasionally try to interfere as he went at the oil wells with fire, dynamite and his personal sledgehammer ...”

“... students and Linson’s artist friends in New York, literary figures like Willa Cather and H.G. Wells, and leading news correspondents Crane met in Cuba such as Charles Michelson, Ernest McCready and Richard Harding Davis. These are rich materials but at the same time they are incomplete and sparse. Crane was not a prolific letter-writer and he left no ...”

“... and the latest drug culture. It was to cocaine (the snuffed, not the smoked variety) what John Barleycorn was to booze, what Naked Lunch was to heroin and what Dog Soldiers was to hallucinogens. Anyone who read Bright Lights, Big City could feel an expert on the modish drug of choice, even if he had never put anything stronger than Friar’s Balsam up ...”

“... about – in the parlance of creative writing schools – what they “know”.’ She quotes John Gardner saying that ‘great writers tell the truth exactly – and get it right.’ But, she says, ‘for the modern British – more to the point, English – novelist, this notion of truth is a little obscured and inaccessible.’ Historical novels and ...”

“... exaggerating the poverty of his family, looking at the world, as his widow, Dee Wells, puts it, with ‘big desiring eyes’, and, despite a career of equal brilliance as philosopher and hedonist, often a little anxious about where he stood on the borders of outside and inside. Certainly Oxford, despite that lectureship, was reluctant to ...”

“... demands. The investigation into the paradoxical nature of the poetry is urbanely continued by John Wilders, who takes issue with L.C. Knights’s depreciating distinction between the Metaphysical poets and those of the Restoration, as the difference between a poetic inquiry into the complex, contradictory nature of man and the simpler, Hobbist, empiricist ...”

“... Item: in 1684, there appeared John Oldham’s posthumous Remains in Verse and Prose, with a prefatory elegy by John Dryden, ‘Farewell, too little and too lately known’. Dryden’s poem has been much admired and praised – but not by Claude Rawson, who calls it variously ‘pompous’, ‘self-serving’, ‘overrated’, ‘unctuously self-exalting’, ‘self-promoting’, ‘pontifical’ and ‘patronising’ Item: in a chapter on Richardson (wittily called ‘Richardson, alas’ after ‘Hugo, hélas’), Rawson quotes a curious letter in which the novelist asks a friend to come to Tunbridge Wells, where she will be able to see a figure more ‘grotesque’ even than Beau Nash or Colley Cibber, ‘a sly sinner, creeping along the very edges of the walks, getting behind benches ...”