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“... Sequence, he co-founded with Lindsay Anderson and Gavin Lambert. Along with Anderson and Tony Richardson, Reisz aimed to bring a version of auteurism to British film, and they did as much with the documentary movement Free Cinema. In 1959, Reisz directed We Are the Lambeth Boys, and he made his first feature film a year later, Saturday Night and Sunday ...”

“... they were accessible to all who could pay the price of admission. One of the leading characters in John Brewer’s The Pleasure of the Imagination was a visitor to pleasure gardens. Anna Margaretta Larpent was a moderately prosperous lady living in London in the late 18th century, married to the state official responsible for vetting plays before they reached ...”

“... been awarded to the UK’s BAM Nuttall, Balfour Beatty and Kier Group, but also to Ireland’s John Sisk & Son, Austria’s Alpine BeMo and the Spanish firms Dragados SA and Ferrovial Agroman (a subsidiary of the infrastructure giant that owns BAA). The tunnel-boring machines have been shipped in from Germany, the rig used to nail Canary Wharf’s concrete ...”

“... expedition, though they were in different ships. The next of Taylor’s common seamen is William Richardson of Whitby, whose narrative, already familiar from Spencer Childers’s 1908 edition A Mariner of England, is printed here for the first time ‘unimproved’, from the original manuscript in the National Maritime Museum. ...”

“... to be repeated a mind-numbing 840 times. The piece wasn’t performed in full until 1963, when John Cage managed it with a relay team of 11 pianists: it took 18 and a half hours. The relationship with Valadon was, as far as we know, the last sexual relationship Satie had.His despondency slowed down his rate of production. For at least two years, his friend ...”

“... series of highlights (Diary and Letters of Madame d’Arblay, 1842-46), they were savaged by John Wilson Croker in the Tory Quarterly Review. Hatchet jobs were Croker’s speciality: it was his review of Endymion that Byron joked was the cause of Keats’s death in Don Juan (‘’Tis strange the mind, that very fiery particle,/Should let itself be ...”

“... increasingly besieged by female ones. The English novel, forged in the 18th century by men (Defoe, Richardson, Smollett, Fielding, Sterne), was, as he saw it, being taken over by women. There were now probably more women than men writing novels, and there was no doubt that more women than men were reading them. For most of the 1860s, Mrs Henry Wood and ...”

“... its inversion of perspective as Gulliver’s Travels; and as sentimental as the novels of Samuel Richardson, a patron for whom Pilkington provided inside information on the workings of the female heart and the doings of London libertines, and from whom she learned to write to the moment, and to keep in mind new possibilities for a woman’s story. Clarke ...”

“... champion of boxing in a place where people do nothing but wrestle. Or it’s like trying to get John Wayne or Clint Eastwood to look persuasive in Gone with the Wind. I’m not suggesting that Tarantino doesn’t know what he is doing, and he can certainly get jokes of this clashing kind to work for him. One of the film’s finest moments concerns the Texas ...”

“... professional. In the mid-17th century, the Royal Society established a committee including Dryden, John Evelyn and Edmund Waller, ‘to improve the English tongue’. Nothing much came of this. In 1658, Milton’s nephew Edward Philips had published a New World of English Words which reached its seventh edition by 1720. Swift busied himself with the state of ...”

“... and perhaps not all of them – could ever bear to read. Defoe always fancied himself a poet. John Richetti notes that he wrote more lines of verse than either Milton or Dryden, though it is now almost all forgotten. ‘To some extent, that is a shame,’ Richetti observes, not quite believing that he is putting right a wrong. The best of Defoe’s poetry ...”

“... trouble in drumming up a fan club. Satanism is in this sense just the flipside of suburbia. As John Carey has observed, the grotesque freaks who populate the fringes of a Dickens novel represent the sadistic vengeance which the text wreaks on its own decorous middle-class story-line. Nobody would ask Oliver Twist to dinner if they could hook Fagin ...”

“... luvvies; it began with quite serious purposes and ambitions. With his rancorous first biographer, John Hawkins (Johnson coined the term ‘unclubbable’ for Hawkins, who after a few years, was ostracised from the Turk’s Head), Johnson had already founded the Ivy Lane Club, which ran for several years but broke up around 1756. The new club was a rather ...”

“... novels of the 1720s were noisily disparaged by canonical pioneers of the genre such as Samuel Richardson (though Richardson neglected to add that in his professional, book-trade capacity he had printed some of her steamiest works, including the bestselling Love in Excess). The quiet absorption by later 18th-century ...”

“... been to move their own special machinery into place on him. But it has happened with Swift, with Richardson, with Dickens and the Romantic poets, and it is now happening with Jane Austen. Not that Tony Tanner’s study is wilfully abstract or – except for his use of the unnecessary term ‘discourse’ – filled with modern jargon. It is, on the ...”