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“... future. But as well as these English inspirations – Cambridge, Barnsley, the shires of Hardy and Betjeman – there was also the bright American world of the New Criticism, John Crowe Ransom, I.A. Richards, Allen Tate, and young up-and-coming members like Randall Jarrell, a world in which the academic and the poet were ...”

“... the J.C. Squire literary atmosphere, which Dunn summons up by a pretence of       being a John Buchan of the underdog With my waistcoated breast puffed against the wind. And yet however well organised it is, much of the overt ‘feeling’ in these poems, as in many of those in the anthology, remains second-hand, not truly sui generis; and the reason ...”

“... Powell is 92 this year. He has written 19 novels, four volumes of memoirs, one sort of biography (John Aubrey and His Friends), three plays, two books of collected literary criticism, and now, with the arrival of Journals 1990-92, three volumes of diaries. The D&O is there from the first words of his first novel, Afternoon Men, published 65 years ...”

“... a seminary, first for Catholics and then for Anglicans. Although the fellowship included John Foxe, whose Actes and Monuments (1563) was, for several centuries, the bestselling English book after the Bible, there were few scholars of note. But then the purpose of Oxbridge colleges in the 16th and 17th centuries ‘was to impart knowledge, not to ...”

“... years, who is spattered with ordure in The Dunciad; ‘stage-struck priests’ like the Rev. John Home, whose Douglas gave rise to a Scottish roar from the pit: ‘Whaur’s yer Wullie Shakespeare noo?’ There is word of parsonical whorings and slayings, of deep draughts in taverns and stews; there are all manner of clerical bruisers, men like the Revds ...”

“... Webb was to drown nearly fifty years later. ‘Captain Webb the Dawley man’ is celebrated in a Betjeman poem: We saw the ghost of Captain Webb, Webb in a water sheeting Come swimming along in the old canal To the Saturday evening meeting. He was the first man to swim the Channel in 1875, also without much difficulty, and his fame persuaded him to have a ...”

“... like the whiff of cordite long after the gun has been fired. When I mention this to David Cornwell/John le Carré, he says: ‘I can still feel it in my nostrils now.’ Historians, like spooks, need a sensitive nose, Orwell’s ‘Sniff, sniff’ for the detection of ‘all the smelly little orthodoxies which are now contending for our souls’.3 (And, in ...”

“... when we would like to know just how much inventing has been done. Did Philip Larkin really say of John Wain: ‘No advantage of birth or position or looks or talent – nothing, and look where he is now’? If I was John Wain, I would want to be sure of the exact words. According to Amis, Wain used to think of Larkin as a ...”

“... from the 1989 collection A Careless Widow, has the redolence of a Pinter play, or a poem by Betjeman, but with these suggestions metamorphosed into the absolute originality of a short story creation. Gertrude Stein famously said of Oakland, California that there was ‘no there, there’. In Pritchett’s tales there is always a ‘there’, all the ...”

“... effectively. No wonder Larkin and Amis included his best-known pieces in their anthologies, and Betjeman earlier hailed him as a poet ‘far better than Bloomsbury would have us think’, who had written some of the century’s most memorable lines. Quite true, and yet there does linger something profoundly uneasy in the spirit of the poems and of the man ...”

“... and Hawksmoor’. Invoking those artists rather flatters whoever designed it (Orbach proposes John James). The third prodigy of the English baroque, Thomas Archer, like Vanbrugh worked nearby in Dorset and Hampshire (both of which south Wiltshire might comfortably be part of). Vanbrugh is the possible author of Netherhampton House, between Salisbury and ...”

“... status of a sacred monster. Although Carpenter skilfully weaves the friends – Connolly, Betjeman, Anthony Powell, Brian Howard, Robert Byron – into a completed composition, the others serve chiefly to start a scene or two and swell the progress of Waugh himself. Of course this gives a misleading picture of period and individuals, but that is in a ...”

“... Every handful of John Updike’s silver has its square coin, its bad penny, its fake. This exquisitely careful writer tends to relax into flamboyance: it is the verbal equivalent of ostentatious tipping. Floating in his air of serene bestowal, the generous author throws his words at anyone who will have them. Keen watchers of such moments will enjoy the introduction to his Collected Poems: ‘In hotel rooms and airplanes, on beaches and Sundays, at junctures of personal happiness or its opposite, poetry has comforted me with its hope of permanence, its packaging of flux ...”

“... Park in Hampshire – as well as jokier numbers – Terry Farrell’s boathouse at Henley and John Outram’s Isle of Dogs pumping-house. It stretches to high technology in Michael Hopkins’s stand at Lord’s cricket ground and to eclectic neo-vernacular in Jeremy Dixon’s crow-stepped-gabled housing in Docklands. Among the targets for the Prince’s ...”

“... work or even to lead his readers through a particular poem. Valéry, Allen Tate, William Empson, John Crowe Ransom, Robert Penn Warren and Robert Lowell were instructive in that way. But it is rare for a poet to lead readers through a poem, draft by draft, or explain how he settled for one word rather than another. Yeats did not offer to explain how he got ...”