At the National Gallery of Scotland
Peter Campbell: Joan Eardley, 13 December 2007
“... grown up with. Thus Constable’s Suffolk, Cézanne’s Provence and Eardley’s Catterline. (Even Turner, a great exception, might at a pinch be reckoned to have a single subject: changing light and weather.) In her land and seascapes Eardley knifes, drips and brushes paint with broad gestures which (to pick on another comparison of limited ... ”