Patrons
Peter Burke, 15 October 1987
Patronage, Art and Society in Renaissance Italy
edited by F.W. Kent and Patricia Simons.
Oxford/Humanities Research Centre, 331 pp., £35, June 1987,0 19 821978 4 Show More
edited by F.W. Kent and Patricia Simons.
Oxford/Humanities Research Centre, 331 pp., £35, June 1987,
Pienza: The Creation of a Renaissance City
by Charles Mack.
Cornell, 250 pp., $43.95, June 1987,9780801416996 Show More
by Charles Mack.
Cornell, 250 pp., $43.95, June 1987,
Piety and Patronage in Renaissance Venice: Bellini, Titian and the Franciscans
by Rona Goffen.
Yale, 285 pp., £30, July 1986,0 300 03455 5 Show More
by Rona Goffen.
Yale, 285 pp., £30, July 1986,
Venetian Humanism in an Age of Patrician Dominance
by Margaret King.
Princeton, 524 pp., £42.90, April 1986,0 691 05465 7 Show More
by Margaret King.
Princeton, 524 pp., £42.90, April 1986,
The Venetian Patriciate: Reality versus Myth
by Donald Queller.
Illinois, 386 pp., $29.95, September 1986,0 252 01144 9 Show More
by Donald Queller.
Illinois, 386 pp., $29.95, September 1986,
Tradesman and Traders: The World of the Guilds in Venice and Europe, c.1250-c.1650
by Richard MacKenney.
Croom Helm, 289 pp., £35, January 1987,0 7099 1763 5 Show More
by Richard MacKenney.
Croom Helm, 289 pp., £35, January 1987,
Florence, Rome and the Origins of the Renaissance
by George Holmes.
Oxford, 273 pp., £25, November 1986,0 19 822576 8 Show More
by George Holmes.
Oxford, 273 pp., £25, November 1986,
From Humanism to the Humanities: Education and the Liberal Arts in 15th and 6th-Century Europe
by Anthony Grafton and Lisa Jardine.
Duckworth, 224 pp., £29.95, January 1987,0 7156 2100 9 Show More
by Anthony Grafton and Lisa Jardine.
Duckworth, 224 pp., £29.95, January 1987,
Renaissance and Revolt: Essays in the Intellectual and Social History of Early Modern France
by J.H.M. Salmon.
Cambridge, 306 pp., £30, June 1987,0 521 32769 5 Show More
by J.H.M. Salmon.
Cambridge, 306 pp., £30, June 1987,
“... somewhat less at ease with texts, Professor Goffen is at her best when, following the example of David Rosand, she discusses the relation of the paintings to their physical context in the Frari, emphasising what it might be convenient to call their ‘intermonumentality’: in other words, the way in which they echo, quote or refer to other images in the ... ”