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Princess Diane

Penny Boumelha, 21 February 1985

Diane Arbus: A Biography 
by Patricia Bosworth.
Heinemann, 367 pp., £14.95, January 1985, 0 434 08150 7
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Inside the Onion 
by Howard Nemerov.
Chicago, 63 pp., £8.45, April 1984, 0 226 57244 7
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... knew in the art and photography worlds was there, including Emile de Antonio, Henry Geldzahler, Andy Warhol, Robert Frank, Walker Evans, Tom Hess, Lisette Model, Richard Avedon, Marvin Israel, and the pop art collectors Robert and Ethel Scull.’ Bosworth’s concentration on the sex-and-society aspect of her subject’s life means that she rarely ...

Scaling Up

Peter Wollen: At Tate Modern, 20 July 2000

... he attempted to solve by aestheticising his boxes with reflective surfaces and a sheen of colour. Andy Warhol, equally module-obsessed, took a rather different road, using ready-made Brillo boxes as his white cubes, although the Tate, strangely, exhibits just one, curiously displayed in a closet, rather than an ensemble which could be contrasted ...

Woman/Manly

Kristin Dombek: Kim Gordon, 19 March 2015

Girl in a Band 
by Kim Gordon.
Faber, 288 pp., £14.99, February 2015, 978 0 571 31383 9
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... she’d learned about in art school in LA – the New York of Judson Church and Yvonne Rainer, of Andy Warhol and Patti Smith and Lou Reed. It was disappearing as she arrived, as cities do. She wasn’t sure whether she should be a dancer or artist or filmmaker or writer or musician; what mattered was less what kind of artist than to be one, there. Sid ...

Preposterous Timing

Hal Foster: Medieval Modern Art, 8 November 2012

Medieval Modern: Art out of Time 
by Alexander Nagel.
Thames and Hudson, 312 pp., £29.95, November 2012, 978 0 500 23897 4
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Depositions: Scenes from the Late Medieval Church and the Modern Museum 
by Amy Knight Powell.
Zone, 369 pp., £24.95, May 2012, 978 1 935408 20 8
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... Is the substitutional logic of icons truly akin to the serial logic of, say, the silkscreens of Andy Warhol? Is the ‘conglomerate’ aspect of an altarpiece really like the ‘open’ aspect of, say, an assemblage by Kurt Schwitters? In my view the differences often overtake the similarities, but part of the point here is to irk diehard modernists ...

Subject, Spectator, Phantom

J. Hoberman: The Strangest Personality Ever to Lead the Free World, 17 February 2005

Nixon at the Movies: A Book about Belief 
by Mark Feeney.
Chicago, 422 pp., £19.50, November 2004, 0 226 23968 3
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... as an unshaven thug, while Walt Kelly cast him as a villainous polecat in the comic strip Pogo; Andy Warhol produced a silk-screened Nixon with skin as biliously green as the Wicked Witch of the West and, in a riotous series of drawings, Philip Guston transformed the president’s ski nose and heavy jowls into a glumly expressive set of male ...

Eyeballs v. Optics

Julian Bell: Western art, 13 December 2001

Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters 
by David Hockney.
Thames and Hudson, 296 pp., £35, October 2001, 0 500 23785 9
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... in the Ingres drawings that first interested him; refers it forward to the 1960s line sketches of Andy Warhol; refers it back to Holbein’s English Court drawings of the 1520s and 1530s; refers yet further back to the one preparatory silverpoint known to come from van Eyck’s hand; and forces you to see that the same thing is happening across five ...

Madder Men

Hal Foster: Richard Hamilton on Richard Hamilton, 24 October 2019

Richard Hamilton: Introspective 
by Phillip Spectre.
König, 408 pp., £49, September 2019, 978 3 88375 695 0
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... accompanied Duchamp to his first retrospective in Pasadena, California, where Hamilton met Andy Warhol and Claes Oldenburg (who became a good friend); in 1966 he collaborated on another Duchamp survey, at the Tate, the centrepiece of which was his own painstaking reconstruction of The Large Glass (the fragile original couldn’t travel from the ...

Nom de Boom

Ian Penman: Arthur Russell's Benediction, 15 August 2024

Travels over Feeling: Arthur Russell, a Life 
by Richard King.
Faber, 296 pp., £30, April, 978 0 571 37966 8
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... and the community.’ New York had a (pre-digital, pre-Aids) lineage that included La Monte Young, Andy Warhol, Patti Smith and a lot of loft-based jazz. A fertile and fluid exchange between discrete communities: high, low, queer, druggy, artsy, radical, hedonist. There’s a lovely moment, recorded in Travels over Feeling, where Gordon and Russell go to ...

‘Someone you had to be a bit careful with’

David Sylvester: Gallery Rogues, 30 March 2000

Groovy Bob: The Life and Times of Robert Fraser 
by Harriet Vyner.
Faber, 317 pp., £20, October 1999, 0 571 19627 6
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... artists exhibited by Fraser included the following. Americans: Rauschenberg, Twombly, Oldenburg, Warhol, Dine, Chamberlain, Ruscha, Lindner and Matta. Europeans: Magritte, Dubuffet, Michaux, Bellmer, Klapheck. Britons: Bacon, Hamilton, Paolozzi, Blake, Harold Cohen, Riley, Caulfield, Gilbert and George. Kasmin’s Americans included ...

Afloat with Static

Jenny Turner: Hey, Blondie!, 19 December 2019

Face It 
by Debbie Harry.
HarperCollins, 352 pp., £20, October 2019, 978 0 00 822942 9
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... its Exploding Plastic Inevitable with Nico on vocals, Gerard Malanga on whips and leathers, Andy Warhol doing lights. Friends of friends drew her into a hippie band, Wind in the Willows, for which she played ‘finger cymbals, tamboura and tambourine’ but was mostly ‘a decorative asset’. She quit, and moved in with the drummer, who got her ...

Behind the Gas Lamp

Julian Barnes: Félix Fénéon, 4 October 2007

Novels in Three Lines 
by Félix Fénéon, translated by Luc Sante.
NYRB, 171 pp., £7.99, August 2007, 978 1 59017 230 8
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... overlooked milestone in the history of Modernism’. The publishers, for good measure, throw in Andy Warhol. To begin at the beginning: they are ‘nouvelles en trois lignes’. The news in three lines, laid out – as a page of Le Matin reproduced here shows – under the sub-heads of Parisian Suburbs, Départements (i.e. provincial stories) and ...

Who’s the alpha male now, bitches?

Andrew O’Hagan, 22 October 2015

... put them down. Valerie Solanos wrote a manifesto that wants to be a feminist tract before shooting Andy Warhol. But not even Warhol, who understood something essential about fame, could have guessed that, one day, such would-be killers, or putative cleaners-up of our corrupt and oppressive world, would carry the ...

Rinse it in dead champagne

Colm Tóibín: The women who invented beauty, 5 February 2004

War Paint: Helena Rubinstein and Elizabeth Arden: Their Lives, Their Times, Their Rivalry 
by Lindy Woodhead.
Virago, 498 pp., £20, April 2003, 1 86049 974 0
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Diana Vreeland 
by Eleanor Dwight.
HarperCollins, 308 pp., £30, December 2002, 0 688 16738 1
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... pure vacuity, a signature appearance, massive energy, flair and confidence made her a godsend to Andy Warhol and his friends. Her witticisms, such as they were (the Warhol magazine Interview called them ‘crypticisms’), were widely reported. ‘Communism is OK, if you’ve got a car and driver.’ Or: ‘The Civil ...

Climbing

David Craig, 5 September 1985

... the past two decades and specifically on the New Journalism that reported the trips of people like Andy Warhol and the Merry Pranksters by letting them invade the prose rather than drawing back to explain or judge. This was a culture of heightened, even deranged perception, of pushing well beyond the limits usually deemed sane or civilised, with the help ...

Diary

John Burnside: Death and Photography, 18 December 2014

... through dismay to a stoic and compassionate acceptance after his vision of the angel. Andy Warhol recognised the power of that form of the gaze in the five hundred or so Screen Tests he made between 1964 and 1966: ‘I only wanted to find great people and let them be themselves and talk about what they usually talked about and I’d film them ...

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