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“... I was friendly with Jeanette Winterson in the 1980s – we even went away for a weekend together. I went slightly cool on the friendship, though she didn’t exactly do anything wrong. We ran into each other occasionally after the publication of Oranges Are Not the Only Fruit, and we once read to an audience of nine in Burnley (I doubt if even one of the nine was there to hear me ...”

“... To rate his achievement at its least, Martin Amis has been for upwards of 25 years the By Appointment purveyor of classic sentences to his generation. In Money (1984) he achieved something that was as much of a breakthrough for our insular literature as Bellow’s had been in The Adventures of Augie March (1953) for American writing, a manner electric, impure and unimpressed, except sometimes by itself, mixing refracted slang with swaggeringly artificial cadence ...”

“... Back when the Independent was young and thriving, the paper used to sponsor lunchtime ‘theatre conferences’ at the Edinburgh Festival in association with the Traverse. The description ‘theatre conferences’ makes these public discussions sound starchier than they were. I was happy to do my bit chairing events in exchange for the train fare and somewhere to sleep ...”

“... Alan Hollinghurst​ ’s tally as a published novelist is six books over 29 years, so that’s more than two thousand pages of astonishing responsiveness to light, sound, painting, the past, social nuance, music, sensation both sexual and otherwise, buildings inside and out, the inner life of sentences – this is only the beginning of a list. He is saturated in the literary past but unhindered by it, able to adapt a 19th-century manner to subjects the past could not accommodate; he’s hardly unaware of the siren voices of modernism but remains safely tied to the mast ...”

“... What good​  was a soft boy in a hard world?’ It’s a question asked by the hero’s older brother in Douglas Stuart’s Shuggie Bain, worthy winner of the 2020 Booker Prize, and it is just as much the preoccupation of his follow-up, Young Mungo, as shown by the new novel’s dedication: ‘For Alexander and all the gentle sons of Glasgow ...”

“... These three books show some of the range of contemporary gay thinking in Britain and America, and also manifest a clear hierarchy of intellectual ambition. Here are Gay Studies Advanced, Intermediate and also Rudimentary. Colin Spencer’s Homosexuality: A History is the work of a hobbyist, who offers what is essentially a scrap-book of the various ways that homosexuality has been inflected in different periods and cultures ...”

“... Claudia Roth Pierpont met Philip Roth at a birthday party in 2002. She was a fan, but managed not to alienate him with clumsy enthusiasm. A couple of years later he sent her a photocopy of a newspaper article he thought she might be interested in. They met for coffee and became more relaxed with each other. Later he recruited her as a member of the small rotating committee of friends, an editorial micro-minyan, to whom he sent drafts of his books ...”

“... maimed body as something that, being broken, was only fit for abuse.’ In his new novel, Pilcrow, Adam Mars-Jones slips in a quick reference to ‘One Arm’, when the narrator, a disabled boy called John Cromer, tells us that he and a schoolfriend ‘wept together over “One Arm” – Jimmy’s tears the more surprising since he knew the story so ...”

“... be called ‘faction’ – a whimsical, inventive playing with stray lumps of common knowledge. Adam Mars-Jones (with a name like that you would expect him to keep up with the Martians) is the son of the judge who presided at the trial of the Black Panther some five years ago: hence a part-speculative, part-intimately well-informed, part-jaunty ...”

“... is still being borne by the gay community. In The Darker Proof, a collection of stories by Adam Mars-Jones and Edmund White, we are offered penetrating and sometimes harrowing insights into that reality. The Darker Proof occupies a hitherto untenanted space at the centre of the crisis, a space untouched by the hysteria of the popular press and by ...”

“... You might think that Adam Thirlwell, as an author of self-absorbed sex comedies, had no obvious credentials for writing about the Arab Spring (the title of his first novel, Politics, was a joke). But according to the narrator of his avant-gardeish new novella Kapow!, his lack of knowledge about the subject is what makes the project so interesting and avant-gardeish ...”

“... is so much harder than it seems,’ the narrator of Lurid & Cute says. It’s a difficulty that Adam Thirlwell’s fiction up to this point has neatly illustrated. Reluctant to surrender his authority as a critic, he interrupts each of his three previous novels with an almost identical off-stage persona, the writer as tour guide, who with perky erudition ...”

“... British reviewers. ‘Superhero fantasy is unsuitable as a theme for serious literary fiction,’ Adam Mars-Jones wrote in the Observer, ‘for much the same reason that Pot Noodles are out of place at dinner parties.’ In The Fortress of Solitude, the comic-book fantasy paradoxically shores up the novel’s naturalistic storyline. Shortly after he ...”

“... Paul Monette, David Leavitt and Armistead Maupin in the US, Alan Hollinghurst, Paul Bailey, Adam Mars-Jones in Britain – enjoy this crossover status. International comparisons, however, can be misleading, since they disguise the very different ways in which each country is culturally organised and politically structured. In Germany, where no ...”

“... less melodramatic, less obsessed with symptomatology, a discourse of quarantine rather than fever. Adam Mars-Jones’s stories, which have been appearing since the mid-Eighties, are quite unlike Guibert’s autonecrophobia. And they also eschew almost all reference to public events, concentrating rather on the phenomenology of bereavement, the ...”