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“... claim on its inside cover. It’s not the fraudulence of this that strikes the eye so much as the self-pity. The bosses of the new conservatism go about the place talking (but by no means looking) like the members of some dissident and persecuted underground. All you have to do, in order to sympathise with these neo-zealots, is pretend to yourself that the ...”

“... from which we have all emigrated, that its loss is part of our common humanity. Which seems to me self-evidently true: but the writer who is out-of-country, even out-of-language may experience this loss in an intensified form. It is made more concrete for him by the physical fact of discontinuity, of his present being in a different place from his past, of ...”

“... in Hollywood, but none of his scripts was ever produced. He worked as a speech-writer for Robert Kennedy, a career cut short by JFK’s assassination. Recently, there has been a considerable resurgence of interest in his writing, previously limited to a small but dedicated following among writers such as Richard Ford, Stewart O’Nan and Michael ...”

“... that this fear was disguised, even from those who felt it, by publically-accredited rhetorics of self-reliance. Like the new historicists he admires, Leverenz has decided that self-fashioning is animated by forces outside the individual, that these are only superficially situated in specific historical events (Like the ...”

“... a rosy reflection of all whom we care for enough, the Other rendered perfect in a paradise of our self-love. If MacSweeney’s poem takes its measure from The Infant and the Pearl, it’s nonetheless a more desperate work, cutting away to contemporary horrors with intent to shock. In ‘Cavalry at Calvary’, written to the Guardian journalist Maggie ...”

“... unself-conscious or natural. Even when male literary theorists (such as Wayne Booth, Robert Scholes and Terry Eagleton) have taken an interest in feminist criticism, they have seen problems of sexual difference as women’s problems, addressing – to use Jonathan Culler’s terms – the issue of ‘reading as a woman’ but assuming that ...”

“... just to accept but to respect – comes back from the brink of death to be his old death-dealing self. Within the delicate predatory network of the book we are to tremble back along the lines to an earlier exchange of curbed hostilities, no less banal and no less desolately oppressive but the other way round, when Peter earlier went upstairs to his father ...”

“... serious interest in Ireland. In the meantime, however, the United Irishmen were pushed back into self-reliance, manifested in Robert Emmet’s attempted insurrection of 1803. Elliott gives this as much space as Hoche’s expedition, though it had no concrete connection with France. Like the rest of her book, apart from ...”

“... insignificant bombing of Montmartre. But it’s in Normance that Céline first hits on this self-image: ‘I’m just a chronicler, that’s all! … all I have is a little talent for chronicling … it’s nothing but a mishmash? fine! but since it’s direct experience, what counts most is the chronicler’s integrity!’ And yet it isn’t clear what ...”

“... truth’. Rose is also compellingly readable on the Stevenson biography, and its bizarre trio of self-exculpating and condemnatory appendixes by three Plath ‘friends’. There was obviously something about Plath that stung people who knew her into frantic self-justification. Rose asks: ‘What it is on Plath’s part ...”

“... nothing of real and permanent value. Cage was America’s best Dadaist, best Surrealist, best self-publicist, self-archivist, and its worst composer. He was a deeply playful and deluded man, whose project (he felt he had achieved it) was to ‘show the practicality of making works of art non-intentionally’, who ...”

“... not, in fact, own the ‘facts’ of his life, or of Plath’s: some of us might be said to be self-possessed, but none of us is in full possession of facts about ourselves beyond our reported date of birth, and – if we’re lucky – our parentage. In an essay in 1967 Hughes stated that ‘the struggle truly to possess his own experience, in other words ...”

“... writing poetry in Europe – but he evidently took pride in his facility and his craftsmanship. Robert Lowell responded with a fellow craftsman’s appreciativeness when he observed of Auden’s multifarious prose: ‘Much hard, ingenious, correct toil has gone into inconspicuous things: introductions, anthologies and translations. When one looks at them ...”

“... Michael Fried, who is also a poet, has a dense, self-questioning, fervent prose style. Somewhat perversely he has, over the last three decades – that is, since his doctoral dissertation on Manet was printed as a special issue of Artforum in 1969 – put this prose to the service of art-historical scholarship. It might have been otherwise ...”

“... painted in Rome in 1622. The daughter of a Christian Circassian chieftain, she had married Robert Shirley in Persia and is shown draped in a kind of tent of gold fabric – the effect of her clothes is splendidly exotic. Her thin-lipped, quizzical half-smile is less contrived than those of many of the court beauties. Clothes like hers offer a break ...”