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“... The Force (1966), has a title surely designed to evoke Thomas’s ‘The force that through the green fuse drives the flower’. In Redgrove’s work, as in Thomas’s, sexual energy and the force of the natural world are conjoined. The Force is, among other things, a celebration of Redgrove’s first marriage and family, but it’s filled with wildly ...”

“... now if one who comes of the same stock has not a right to give his opinion in such like cases. David Hume liked this story, and in 1741 retold it in his marvellous essay ‘Of the Standard of Taste’, where he wrestled with the question of whether such delicacy of judgment was really possible. Some people doubted any such thing, but he did not. Writing in ...”

“... border route. I remember . . . the incredibly blue sea and the mountain chain, on its slopes green vineyards with a hint of gold between them, and a sky as blue as the sea.’ It was France as she’d not had occasion to see it before. It extended south beyond the bays and on to the shores of the Maghreb, over the Rif mountains, across the desert and ...”

“... and Frankenstein, to George Cukor’s Gaslight (1944), the Sherlock Holmes movie The Woman in Green (1945) and Invasion of the Bodysnatchers (1956). The border between fiction and reality in the early years of the Cold War was blurred further as novelists began to mine the seam of science and skulduggery. A pulp thriller from 1955, The Splintered ...”

“... The ludicrous Mr Kenneth Baker blames the Church, and in particular the Bishop of Liverpool, David Sheppard, probably because he’s the only socialist in sight.22 February. A large crowd gathers outside Bootle Magistrates Court, to jeer as the vans carrying the two ten-year-olds accused of the toddler’s murder are driven away. One man eludes the ...”

“... new recruits inspired by the example of Khomeini himself. Hizbullah ‘had two progenitors’, David Hirst wrote in his seminal book on Lebanon, Beware of Small States (2010). ‘If Iran was one – with Syria, so to speak, as midwife – Israel was unquestionably the other. Iran furnished the model and the means, Syria the facilities, Israel – with its ...”

“... of the unpublished ‘Constellation’) is printed in two colours of ink-green for one kind of available material (points), red for the other (blocs); the unpublished ‘Strophe’ will have ‘mobile pagination’; ‘Trope’ invites the player to begin his cyclical journey through its four sections ...”

“... improving organisational capacity of the SNP during the 1960s; the discovery of North Sea oil; or David McCrone and Steven Kendrick’s elegant theory, which emphasises the role of television in a distinctly Scottish news media, producing a ‘Scottish frame of reference’ for contentious state planning decisions that could be exploited by the SNP.The story ...”

“... post, next to a Union Jack, and ‘Live in London’, beside an emoji of a small house and a very green tree. She liked to imagine that one day she would live in a house like that with her husband, Hassan, and their two daughters. Hassan used to work at the mosque. Later on, when he was spending more time away, Rania would send him loving messages along with ...”

“... that surrounds discussions of sexual conduct, whether risky and deviant or not. When I spoke to David Attenborough he was amazed to hear that someone he knew might have been named by others as part of the scene surrounding Gamlin at All Souls Place. I don’t hesitate to believe him: he clearly knew nothing about it. Others saw much more than he did and can ...”

“... families. This budget helps hardworking people keep more of the money they have earned. His boss, David Cameron, criticising Labour in Parliament last month: They met with a bunch of migrants in Calais, they said they could all come to Britain. The only people they never stand up for are the British people and hardworking taxpayers. The former Conservative ...”

“... to be done to explain that his paintings were not just garish expressions of his own neuroses. David Sylvester and Michel Leiris, who both wrote perceptively about his work, emerged as friends and champions. As early as 1951, Sylvester asserted that Bacon was ‘the major English artist of his time’. He soon had access to Bacon’s studio and saw ...”

“... I came in the latter category. I went round to see him after Home and he said how much he liked David Storey. ‘He’s the ideal author … never says a word!’ In Chariots of Fire he shared a scene with Lindsay Anderson, both of them playing Cambridge dons. Lindsay was uncharacteristically nervous but having directed John G. in Home felt able to ask his ...”

“... and the final natural but charged image that gives the poem its conclusion and title.’ As David Kalstone pointed out in Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell, however, the poem was not simply a homage to Bishop and her work, but a way of using her tone and then moving away from it, a way of separating himself from her ...”

“... from a group of people, a remarkable chorus, club or consensus composed of Robert Burns, David Hume and Henry Cockburn, while the nearby estate of Auchinleck, mentioned in an additional stanza contained in one version of the poem, was called ‘romantic’ by a son of the house, James Boswell. Kyle counts, then, as a highly romantic vicinity. But it ...”