Standing up to the city slickers
C.K. Stead, 18 February 1988
“... sheer talent) is in his practice as a poet. He was never disposed, as they were, to re-enact old laws about rhyme and regular metrics, nor to insist that 20th-century experimentation with form had been charlatanism and non-poetry. Like any serious poet writing today, Murray inherits and profits by what has been done in a variety of schools and by a number of ... ”
