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At the Saatchi Gallery

Peter Campbell: London’s new art gallery, 8 May 2003

... wood panelling, windows and the sky beyond, than it was in the collection’s former gallery in St John’s Wood, where it reflected a glass roof. You walk into it down a narrowing, steel-walled, waist-high passage, where black oil rises to the rim and stretches out all around you. The tank is neatly tailored to follow the room’s walls, mouldings and ...

In the City

Peter Campbell: Public sculpture, 22 May 2003

... Chartered Accountants were a young professional organisation when, in 1888, they commissioned John Belcher to design their Institute on a site behind Moorgate. It is bordered by narrow streets – Great Swan Alley and Moorgate Place. The architect and the sculptor he commissioned, Hamo Thornycroft, were both members of the Art Workers’ Guild, and ...

Buffers

David Trotter, 4 February 1988

Argufying: Essays on Literature and Culture 
by William Empson, edited by John Haffenden.
Chatto, 657 pp., £25, October 1987, 0 7011 3083 0
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... here provide a fascinating context for, but do not in any way extend, the preoccupations of the major books. Their importance may rather be that they make it hard to distinguish between the two Empsons, the white-coated technocrat and the plain man costumed in tweedy prejudices. They suggest that, far from shelving his prejudices when he turned to ...

Echoes

Tom Phillips, 2 April 1981

English Art and Modernism 1900-1939 
by Charles Harrison.
Allen Lane, 416 pp., £20, February 1981, 0 7139 0792 4
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... once his reputation has passed a certain threshold, is immune from criticism. In the case of major artists, this can itself be destructive (it is possible to attribute Moore’s decline in the Sixties to such irresponsible cossetting), while feebler celebrities are merely given a licence to print money (literally – vide the misleading and ...

Minute Particulars

David Allen, 6 February 1986

New Images of the Natural in France: A study in European Cultural History 1750-1800 
by D.G. Charlton.
Cambridge, 254 pp., £25, December 1984, 0 521 24940 6
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Voyage into Substance: Art, Science, Nature and the Illustrated Travel Account 1760-1840 
by Barbara Maria Stafford.
MIT, 645 pp., £39.95, July 1984, 0 262 19223 3
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... one by an American art historian, the other by a British professor of French, which represent major journeys of exploration deep into its heart. Professor Charlton’s is the less ambitious of the two. Because its approach is less overwhelmingly a visual one, it also offers the easier way in. Following in the footsteps of Daniel Mornet, over seventy years ...

How to Be Good

Elaine Showalter: Carol Shields, 11 July 2002

Unless 
by Carol Shields.
Fourth Estate, 213 pp., £16.99, May 2002, 0 00 713770 2
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... disease,’ Adrian Mitchell wrote, ‘to stay small, to create perfect miniatures, to take no major risks.’ On the other hand, you could say, as John Gross has done, that the fault is in the eye of the beholder: ‘While Americans think we’re miniaturists, English people tend to think Americans suffer from ...

Sergeant Farthing

D.A.N. Jones, 17 October 1985

A Maggot 
by John Fowles.
Cape, 460 pp., £9.95, September 1985, 0 224 02806 5
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The Romances of John Fowles 
by Simon Loveday.
Macmillan, 164 pp., £25, August 1985, 0 333 31518 9
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... skinhead, did not his clothes deny it.’ That quotation well illustrates the style in which John Fowles begins this historical novel, or mystery story, lingering over his descriptions. The reviewer-like use of the present tense, the schoolmasterly ‘not what it means today’, and the reference to ‘a modern skinhead’, invite readers to visualise ...

NHS SOS

James Meek, 5 April 2018

... people need at home or on their doorstep and admit to the big hospitals only patients with major trauma, or suffering diseases that demand intensive care, or complex surgical or biochemical expertise. Big hospitals are to become centres of research, high technology, rare skills and dramatic, life-saving interventions. Everything else will be diffused ...

Round the (Next) Bend

Simon Adams: Sir Walter Ralegh, 6 July 2000

The Letters of Sir Walter Raleigh 
edited by Agnes Latham and Joyce Youings.
Exeter, 403 pp., £45, July 1999, 0 85989 527 0
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... than Philip. James now learned that the Spanish Government was planning to undertake a major naval expedition against the Muslim corsairs of Algiers and offered to contribute a number of warships to the expedition. British warships were as welcome in Spain as the Algerine corsairs, but how could Gondomar reject the offer politely? His solution was ...

An English Vice

Bernard Bergonzi, 21 February 1985

The Turning Key: Autobiography and the Subjective Impulse since 1800 
by Jerome Hamilton Buckley.
Harvard, 191 pp., £12.75, April 1984, 0 674 91330 2
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The Art of Autobiography in 19th and 20th-Century England 
by A.O.J. Cockshut.
Yale, 222 pp., £10.95, September 1984, 0 300 03235 8
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... published nearly twenty-five years ago, remains an indispensable pioneering work; more recently John Pilling’s Autobiography and Imagination provided some interesting studies of particular autobiographies by eminent Anglophone or Continental writers but without much discussion of the nature of autobiographical form. Jerome Hamilton Buckley and ...

The Schoolmen ride again

Richard Mayne, 15 May 1980

Cinema: A Critical Dictionary: The Major Film-Makers 
edited by Richard Roud.
Secker, 1120 pp., £25, February 1980, 9780436428302
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The Dream that Kicks: The Prehistory and Early Years of Cinema in Britain 
by Michael Chanan.
Routledge, 356 pp., £12.50, January 1980, 0 7100 0319 6
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... are acknowledged masters like Dreyer, Renoir, Bresson, Olmi or Satyajit Ray. Others include less major talents – Vigo, Cocteau, Antonioni, Straub. But how does Lubitsch qualify? Or Sternberg, Hitchcock, Hawks and Orson Welles? Their inclusion seems to me like bracketing Conrad with Edna Ferber or Dashiell Hammett – worthy enough artificers, but not ...
... should do things much less ambiguously: their acts cannot be filtered through the head of John Dowell, the rich American simpleton (if indeed that is what he is) who tells the story. Moreover Dowell has to be there with the others, objectively represented as well as in voice-over; and it is beyond the power of any actor to play an impotent bonehead ...

People as Actors

J.Z. Young, 24 January 1980

Social Being 
by Rom Harré.
Blackwell, 438 pp., £15, November 1980, 9780631106913
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... language developed by the Oxford School of Philosophers’ – especially, one may add, by John Austin. Unfortunately Dr Harré finds it necessary to develop his thesis by the use of language that is very far from ordinary. Those who are not familiar with the jargons of philosophy and sociology will find it hard to follow. Nevertheless, for me, the ...

Goethe In Britain

Rosemary Ashton, 19 March 1981

Goethe’s Plays 
translated by Charles Passage.
Benn, 626 pp., £12.95, July 1980, 0 510 00087 8
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The Classical Centre: Goethe and Weimar 1775-1832 
by T.J. Reed.
Croom Helm, 271 pp., £14.95, November 1979, 0 85664 356 4
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Goethe on Art 
translated by John Gage.
Scolar, 251 pp., £10, March 1980, 0 85967 494 0
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The Younger Goethe and the Visual Arts 
by W.D. Robson-Scott.
Cambridge, 175 pp., £19.50, February 1981, 0 521 23321 6
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... of the two Fausts, has brought out a large volume containing translations of all Goethe’s other major plays, and brief accounts of more than forty other plays, fragments, sketches, operettas, masks and adaptations. Passage faithfully renders Goethe’s prose in prose, his iambic rhyme in iambic rhyme, his blank verse in blank verse. But his blank verse is ...

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