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Broken Knowledge

Frank Kermode, 4 August 1983

The Oxford Book of Aphorisms 
edited by John Gross.
Oxford, 383 pp., £9.50, March 1983, 0 19 214111 2
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The Travellers’ Dictionary of Quotation: Who said what about where? 
edited by Peter Yapp.
Routledge, 1022 pp., £24.95, April 1983, 0 7100 0992 5
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... of the koan. Emerson’s ‘All the thoughts of a turtle are turtle’ is the germ of a lot of Wallace Stevens; it has the quality of wonder. Poems, then, may grow out of aphorisms; they may also sink into aphorisms, as when Churton Collins scribbles on some famous lines of Milton: ‘We are no more responsible for evil thoughts which pass through our ...

Bloom’s Gnovel

Marilyn Butler, 3 July 1980

The Flight to Lucifer: A Gnostic Fantasy 
by Harold Bloom.
Faber, 240 pp., £4.95, May 1980, 0 374 15644 1
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... to the understanding of Blake, Wordsworth, Shelley, Keats, Tennyson, Browning, Yeats, as well as Wallace Stevens and still-living American poets. That concern with establishing a canon of great literature, and with the interpretation of all poems within the canon, is traditional to literary scholarship, and generally treated with scorn by theorists. Yet ...

A Human Kafka

Gabriel Josipovici, 5 March 1981

The World of Franz Kafka 
edited by J.P. Stern.
Weidenfeld, 263 pp., £9.95, January 1981, 0 297 77845 5
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... be found in Roy Fuller’s essay. Fuller rightly compares Kafka with that other insurance lawyer, Wallace Stevens, who, when the time came to retire, insisted on carrying on, since he felt that only by having his regular, quite unpoetical job to fill up his day could he go on being the instinctive and prolific writer he was. And he quotes ...

Anglo-America

Stephen Fender, 3 April 1980

The London Yankees: Portraits of American Writers and Artists in England, 1894-1914 
by Stanley Weintraub.
W.H. Allen, 408 pp., £7.95, November 1979, 0 491 02209 3
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The Americans: Fifty Letters from America on our Life and Times 
by Alistair Cooke.
Bodley Head, 323 pp., £5.95, October 1979, 0 370 30163 3
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... was centred on London. Well, not all: Dreiser, Eugene O’Neill, William Carlos Williams and Wallace Stevens (like Pound and his protégés, an early contributor to Poetry, Chicago) stayed behind; so did the group of young painters and photographers associated with Alfred Stieglitz’s quarterly Camera Work. Besides, it was always possible to import ...

Davie’s Rap

Neil Corcoran, 25 January 1990

Under Briggflatts: A History of Poetry in Great Britain 1960-1988 
by Donald Davie.
Carcanet, 261 pp., £18.95, October 1989, 0 85635 820 7
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Annunciations 
by Charles Tomlinson.
Oxford, 55 pp., £5.95, November 1989, 0 19 282680 8
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Possible Worlds 
by Peter Porter.
Oxford, 68 pp., £6.95, September 1989, 0 19 282660 3
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The boys who stole the funeral: A Novel Sequence 
by Les Murray.
Carcanet, 71 pp., £6.95, October 1989, 0 85635 845 2
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... is called ‘Stratagems of the Spirit’. Its title comes from the book’s epigraph from Wallace Stevens (a poet who has always been important to Porter, and in interestingly varied ways). Stevens’s ‘Credences of Summer’ make his frequently-made post-Arnoldian point about the way a poetry must substitute ...

The Poetry of John Ashbery

John Bayley, 2 September 1982

Shadow Train 
by John Ashbery.
Carcanet, 50 pp., £3.25, March 1982, 0 85635 424 4
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... the effect without any expectation of getting beyond the effect. Most, though by no means all, of Wallace Stevens’s poetry works on this principle. In Wordsworth the language of much of the Prelude is very different from that of a narrative poem like ‘Resolution and Independence’. Criticism of poetry in American universities, dominated as it is by ...

A Winter Mind

John Burnside, 25 April 2013

... I had gathered as a child. By then, I had become a secret devotee of snow: my favourite poem was Wallace Stevens’s ‘The Snow Man’, my favourite painting Pieter Bruegel’s Winter Landscape with Skaters and Bird Trap. The film scene that ran on a neverending loop in my head was the snowy automobile and sleigh ride in The Magnificent Ambersons; my ...

Ever so comfy

James Wood, 24 March 1994

Collected Poems 1953-1993 
by John Updike.
Hamish Hamilton, 387 pp., £20, October 1993, 0 241 00167 6
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Dante’s Drum-Kit 
by Douglas Dunn.
Faber, 145 pp., £6.99, November 1993, 0 571 17055 2
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Old Men and Comets 
by D.J. Enright.
Oxford, 64 pp., £6.99, November 1994, 0 19 283176 3
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Plato’s Ladder 
by Stephen Romer.
Oxford, 79 pp., £6.99, November 1992, 0 19 282986 6
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The Country at My Shoulder 
by Moniza Alvi.
Oxford, 56 pp., £6.99, September 1993, 0 19 283125 9
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British Subjects 
by Fred D’Aguiar.
Bloodaxe, 64 pp., £5.95, July 1993, 1 85224 248 5
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Night Photograph 
by Lavinia Greenlaw.
Faber, 54 pp., £5.99, October 1993, 0 571 16894 9
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Nil Nil 
by Don Paterson.
Faber, 53 pp., £5.99, April 1993, 0 571 16808 6
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Out of Danger 
by James Fenton.
Penguin, 103 pp., £7.50, December 1993, 0 14 058719 5
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... and curve and tenor’ of the sky is poetry, you’ll like Romer. Certain phrases suggest that Wallace Stevens is the azure sea in which he would like to swim. But he has none of the rigour nor the glassy brilliance of Stevens’s impalpable lexicon. This, from the end of ‘Serenissima’, is typical: I decided my ...

Poetry is a horrible waste of time

Frances Wilson: Thomas Lovell Beddoes, 28 October 1999

Thomas Lovell Beddoes: Selected Poetry 
edited by Judith Higgens and Michael Bradshaw.
Carcanet, 116 pp., £8.95, June 1999, 1 85754 408 0
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... so much but was unable to construct a fully formed, readable dramatic character: because, as Wallace Stevens said, ‘no one is ever simply himself but is always compounded of other people.’ For Beddoes the self was a graveyard, and his own was cluttered with the bodies of Keats and Shelley, Marlowe and Webster. Writing tragic drama legitimised ...

The Case for Geoffrey Hill

Tom Paulin, 4 April 1985

Geoffrey Hill: Essays on his Work 
edited by Peter Robinson.
Open University, 259 pp., £18, March 1985, 0 335 10588 2
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... belongs at the bottom of Pope’s quivering bog. Hooker is convinced that Hill is the equal of Wallace Stevens and he is incapable of distinguishing a literary pastiche from a poem which can honour its influences. Quoting Hill’s lines, ‘Each day the tide withdraws; chills us; pastes/The sands with dead gulls, oranges, dead men,’ he fails to ...

Poetry and Soda

Barbara Everett, 5 February 1981

The Penguin Book of Unrespectable Verse 
edited by Geoffrey Grigson.
Penguin, 335 pp., £1.75, November 1980, 0 14 042142 4
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The Penguin Book of Light Verse 
edited by Gavin Ewart.
Penguin, 639 pp., £9.50, October 1980, 0 14 042270 6
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... desolation gave me nightmares when I read it as a young child) just turns into premature Wallace Stevens, as Praed’s beautiful ‘Goodnight to the Season’ is Regency Philip Larkin. But all Victorian-and-later light verse has, I think, this pragmatic tilt to the depressing, perhaps in this case from the absence of what Nabokov called ...

Fit and Few

Donald Davie, 3 May 1984

The Making of the Reader: Language and Subjectivity in Modern American, English and Irish Poetry 
by David Trotter.
Macmillan, 272 pp., £20, March 1984, 0 333 30632 5
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... of Anti-Pathos’, which connects with sparkling audacity Brecht, Gramsci, Wyndham Lewis, and the Wallace Stevens who wrote ‘The Comedian as the Letter C’; it reappears in Chapter Nine, entirely concerned with American poetry and comparing Frank O’Hara with Ed Dorn (not the expected names? No, thank heaven); and in Chapter 11, where three English ...

Diary

Marina Warner: Gone Bananas, 25 May 1995

... pokes out from the end of a bizarrely corrugated thick stem in a manner that is definitely lewd. Wallace Stevens captured the look of it in a poem called ‘Floral Decoration for Bananas’, and I had no idea what he was describing until I saw it for myself: Fibrous and dangling down Oozing cantankerous gum Out of their purple maws, Darting out of ...

Real isn’t real

Michael Wood: Octavio Paz, 4 July 2013

The Poems of Octavio Paz 
edited and translated by Eliot Weinberger.
New Directions, 606 pp., £30, October 2012, 978 0 8112 2043 9
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... are to Baudelaire and Nerval, but his work is often close to that of William Carlos Williams and Wallace Stevens. Weinberger tells us that when he (correctly) identified a touch of Whitman in the title and rhythms of the poem ‘I Speak of the City’, Paz said: ‘No, I was thinking of Langston Hughes: The Negro Speaks of Rivers.’ This thought ...

Not Just Anybody

Terry Eagleton: ‘The Limits of Critique’, 5 January 2017

The Limits of Critique 
by Rita Felski.
Chicago, 238 pp., £17, October 2015, 978 0 226 29403 2
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... it has flourished so prodigally there. Frank Kermode once wrote that reading a certain poem by Wallace Stevens made the hair on the back of his neck stand on end, a statement it would be as hard to imagine issuing from the lips of a young American professor in pursuit of tenure as it would be unthinkable in the writing of Georg Lukács. It is the kind ...

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