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“... delicate passages: as with Mayakovsky, they are mostly about animals. In a poem called ‘Lines to Robert Lowell’, for instance, there are these lines on Arthur Miller’s dog Hugo: You’re not a dachshund, you’re a slipper, a moccasin with a gaping sole, shabby with use. A certain Unknown Being puts you on his left foot and shuffles across the ...”

“... the poems incite. This pacific art has learnt from the poet to whom Heaney offers here an elegy, Robert Lowell, but the effect is altogether different from Lowell’s Atlantic astonishments. But then Heaney’s trust in other poets is itself part of his art, as in the rueful comfort to be divined within the conclusive ...”

“... Robert Lowell​ has a poem called ‘Picture in The Literary Life, a Scrapbook’ which begins:A mag photo, I before I was I, or my books –a listener … A cheekbone gumballs out my cheek;too much live hair.Not knowing the photo of Lowell, I go instead to the picture of Seamus Heaney on the front of the companion volume to this one, New Selected Poems 1966-87, painfully young, worried-looking, Noh-rice-flour-pale, against a dark brick wall ...”

“... More recently, doubts have deepened and the practice has come to be questioned at a radical level. Robert Frost’s ornery dictum, that poetry is ‘what gets lost in translation’, has acquired classic gobbet status, and it is certainly hard to argue against that verdict. We like to think that a poem, if it has any value, possesses a quiddity for which no ...”

“... most of his off-campus time in the company of mad or near-mad poets like Delmore Schwartz and Robert Lowell. Even the professors he saw most of – Van Doren, Richard Blackmur – published poems and were reckoned to be mildly cranky. Van Doren, for instance, would later advise Berryman that ‘scholarship’ was fit only ‘for those with ...”

“... original publisher withdrew, and the judges quit in protest over his treatment. One of them was Robert Lowell, whom Seidel had interviewed for the Paris Review the previous year. Final Solutions, which was eventually published by Random House, is laboriously indebted to Lowell, though the poems often resemble what ...”

“... of their kind or jewels of their country. Many of them are American: Whitman, Stevens, Ashbery, Robert Lowell, Berryman, Cummings, and I suppose Auden. The English are Larkin and Betjeman. Russians and other foreigners include Pushkin, Blok, Gogol, Akhmatova, Mandelstam, Tsvetaeva, Nabokov, Canetti, Milosz and Popa. The only difference I see between ...”

“... of The Letters of Flannery O’Connor and Caroline Gordon. The two women were introduced by Robert Lowell, who had met O’Connor at Yaddo in 1948. Gordon had impeccable literary credentials. As a young writer, she had been mentored by Ford Madox Ford, who had her read an early draft of her first novel, Penhally, out loud to him. She was edited by ...”

“... of the literary scene. Among the authors he charmed were William Carlos Williams, Allen Tate and Robert Lowell. How a biographer inflects the story of Ford in the telling will depend on his own moral and aesthetic assumptions. Sympathetic accounts can deal with the lying by polishing up the excuse offered by the author himself (though it works better ...”

“... American past. One result was Pariotic Gore, a vast and laborious book he did not enjoy writing. Robert Lowell called it the American Plutarch, which is ingenious but wrong. Patriotic Gore is probably, from the point of view of British readers, over-represented in Dabney’s selection, though it could be argued that the long pieces on Ulysses S. Grant ...”

“... and the London literary scene, where, in another part of the wood, Auden took pleasure in telling Robert Lowell, with his history of mental illness: ‘Gentlemen don’t go mad.’ This is the scene which was and may still be regarded as the post-Bloomsbury stronghold of the national literature. There’s an affinity between the candour and humour of ...”

“... best minds of his times and so many of its most gifted poets, including Pound, Wallace Stevens and Robert Lowell. Santayana was important because he really did understand the modern age; he was no stick-in-the-mud traditionalist. He read Freud and Faulkner and Lowell with zest and perception. He was a philosopher whose ...”

“... some time after Laurence Sterne’s death in 1768 that this passage was itself plagiarised from Robert Burton’s attack on literary imitators in his introduction to The Anatomy of Melancholy. ‘As apothecaries,’ Burton observed, ‘we make new mixtures every day, pour out of one vessel into another … Again, we weave the same web still, twist the same ...”

“... is alive. Jimi Hendrix is alive. Lyndon Johnson is alive. James Jones is alive. Jim Morrison and Robert Penn Warren are alive. Richard Nixon is dead; and a Soviet-bloc skier named Ivana Trump – someone overhears Sixties psychic Jeanne Dixon saying – will assign her name to a novel she does not write with the full and worldwide backing of one of ...”

“... two long interviews with the man himself, and she told the young editors George Plimpton and Robert Silvers that she would give the interview to the Paris Review, so long as they made her an associate editor. They took the material (Number 12 in their famous series ‘The Art of Fiction’) and Stein got her place on the masthead, but they removed her ...”