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Unaccountables

Donald Davie, 7 March 1985

The Letters of Hugh MacDiarmid 
edited by Alan Bold.
Hamish Hamilton, 910 pp., £20, August 1984, 0 241 11220 6
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Between Moon and Moon: Selected Letters of Robert Graves 1946-1972 
edited by Paul O’Prey.
Hutchinson, 323 pp., £14.95, November 1984, 9780091557508
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... means that if you scratched his back, he was under no obligation to scratch yours: Edwin Morgan, Robert Garioch and Ian Hamilton Finlay are three Scottish poets whose work he dismisses where he might have been expected, if only for tactical reasons, to approve it. It is the same with Scottish literature of the past. MacDiarmid is almost alone among its ...

Dialect with Army and Navy

David Wheatley: Douglas Dunn and Politovsky, 21 June 2001

The Donkey’s Ears: Politovsky’s Letters Home 
by Douglas Dunn.
Faber, 176 pp., £7.99, May 2000, 0 571 20426 0
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The Year's Afternoon 
by Douglas Dunn.
Faber, 81 pp., £7.99, October 2000, 0 571 20427 9
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... where they hoped to engage the waiting Japanese. Mistaking a group of Hull trawlers for enemy craft they opened fire, a mere 18,000 miles off target. Leaving two dead fishermen and an unseemly diplomatic incident in its wake, the fleet loped on down to Spain and Africa, into the Indian Ocean and finally the Pacific, where military annihilation swiftly ...

War Chariots

Tom Stevenson: On the US and Taiwan, 4 July 2024

... the main author of Trump’s 2018 National Defence Strategy; the former national security adviser Robert O’Brien, who describes China as part of an ‘axis of anti-American autocracies’; and Robert Lighthizer, the leading Republican trade warrior who speaks of China as a totalitarian state – will return to ...

A Small, Sharp Stone

Ange Mlinko: Lydia Davis’s Lists, 2 December 2021

Essays One 
by Lydia Davis.
Hamish Hamilton, 512 pp., £20, November 2019, 978 0 241 37147 3
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Essays Two 
by Lydia Davis.
Hamish Hamilton, 571 pp., £20, December, 978 0 241 55465 4
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... Bovary, Michel Leiris) rivals her reputation as an author – should have produced 1100 pages of craft talk? Or is the capacity for craft talk a symptom of scruples functioning as creative constraint? ‘This was the sort of question I typically spent some time worrying over: Do you ease a scruple? Or do you calm a ...

A Review of Grigson’s Verse

Graham Hough, 7 August 1980

History of Him 
by Geoffrey Grigson.
Secker, 96 pp., £4.50, June 1980, 0 436 18841 4
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... very strong as a man who understands these matters. In a comprehensive attack on the reputation of Robert Lowell, in 1973, he wrote as follows: ‘Endless, aimless consecutive sentences. The words do not coalesce into a good substance. They are difficult to say and knobbly to hear, their awkwardnesses are unconvincing, unjustifiable, they do not measure or ...

Let’s go to Croydon

Jonathan Meades, 13 April 2023

Iconicon: A Journey around the Landmark Buildings of Contemporary Britain 
by John Grindrod.
Faber, 478 pp., £10.99, March, 978 0 571 34814 5
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... overlooked co-author of the ham-fisted National Gallery extension (with her much praised husband, Robert Venturi), wrote that ‘architects lost their social concern: the architect as macho evolutionary was succeeded as the architect as dernier cri of the artworld.’ Simpson doesn’t conform to any of these templates. He is an apostate to all current ...

Newtopia

Christopher Hitchens, 24 August 1995

To Renew America 
by Newt Gingrich.
HarperCollins, 260 pp., £18, July 1995, 9780060173364
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... which was radical in 1965, is uncontroversial today and we now know that it was even held by Robert McNamara at the very time he was ordering the carpet-bombing of Vietnam. Now here’s the interesting thing. Gingrich opposed the war and took a draft deferment every bit as opportunist as Clinton’s. He also supported the Martin Luther King movement, and ...

Cough up

Thomas Keymer: Henry Fielding, 20 November 2008

Plays: Vol. II, 1731-34 
by Henry Fielding, edited by Thomas Lockwood.
Oxford, 865 pp., £150, October 2007, 978 0 19 925790 4
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‘The Journal of a Voyage to Lisbon’, ‘Shamela’ and ‘Occasional Writings’ 
by Henry Fielding, edited by Martin Battestin, with Sheridan Baker and Hugh Amory.
Oxford, 804 pp., £150
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... mock pomposity in Joseph Andrews. In a work published just days after the fall from office of Sir Robert Walpole – ‘prime minister’ in a sense that had no constitutional legitimacy at the time, and implied an alarming concentration of power – there was nothing innocent about the joke. Walpole’s self-promotion was a standard target, but Fielding’s ...

England and Other Women

Edna Longley, 5 May 1988

Under Storm’s Wing 
by Helen Thomas and Myfanwy Thomas.
Carcanet, 318 pp., £14.95, February 1988, 0 85635 733 2
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... Jonathan Barker’s Art of Edward Thomas – seems more fortuitous than co-ordinated. Thomas, as Robert Frost reminded him, ‘knew the worth of [his] bays’. However, it is unwise to die in war when a hegemonic project like Modernism is getting under way. Frost’s reputation survived because, feigning simplicity, he appealed to the people, to ...

Strawberries in December

Paul Laity: She Radicals, 30 March 2017

Rebel Crossings: New Women, Free Lovers and Radicals in Britain and the United States 
by Sheila Rowbotham.
Verso, 512 pp., £25, October 2016, 978 1 78478 588 8
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... up in the ‘new unionism’ that energised British socialism at the end of the 1880s, as the old craft unions made way for organisations that were more militant and more inclusive, willing to accept unskilled workers and women. New unionism’s openness to women meant that Born and Daniell could get involved in organising strikes and recruiting members. The ...

Faces of the People

Richard Altick, 19 August 1982

Physiognomy in the European Novel: Faces and Fortunes 
by Graeme Tytler.
Princeton, 436 pp., £19.10, March 1982, 0 691 06491 1
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A Human Comedy: Physiognomy and Caricature in 19th-century Paris 
by Judith Wechsler.
Thames and Hudson, 208 pp., £18.50, June 1982, 0 500 01268 7
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... it coloured their thinking about morality and psychology, to say nothing of their actual craft, is far from clear. The physiognomic origins and structure of the composite portrait are illustrated only by examples, insufficient to clinch the case, from Le Rouge et le Noir, Villette, Tieck’s Vittoria Accorombona, Fromentin’s Dominique and ...

Money Man

Michael Neill: Shakespeare in Company, 6 February 2014

Shakespeare in Company 
by Bart van Es.
Oxford, 357 pp., £25, February 2013, 978 0 19 956931 1
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... political and social context to focus on the immediate conditions that governed Shakespeare’s craft – those created by the professional company he kept. Even if Shakespeare wasn’t a great company keeper in the Falstaffian sense, company of several kinds shaped his way of writing: the company of non-dramatic poets with whom he competed in his early ...

Black Hole Flyby

David Kaiser: Primordial Black Holes, 6 June 2024

... them as a robust prediction of relativity. Among the most important clarifications came from J. Robert Oppenheimer, who was teaching theoretical physics at Berkeley in the 1930s when he and a graduate student, Hartland Snyder, worked out what would happen to a star after it exhausted its nuclear fuel. With no more outward-directed pressure coming from ...

Frets and Knots

Anthony Grafton, 4 November 1993

A History of Cambridge University Press. Vol. I: Printing and the Book Trade in Cambridge, 1534-1698 
by David McKitterick.
Cambridge, 500 pp., £65, October 1992, 0 521 30801 1
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... Cambridge, he takes pains to show how religious controversy and pedagogical needs, quarrels over craft organisation and innovations in technology interacted in that uniquely contested and productive place, the printer’s shop. The book is studded with details of authors’ lives and publishers’ practices – with a wealth of precise and striking ...

The Everyday Business of Translation

George Steiner, 22 November 1979

The True Interpreter 
by Louis Kelly.
Blackwell, 282 pp., £15
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... Again, translation was the only mode of access. From the time of Browning and Swinburne to that of Robert Lowell, Anglo-American poetry has, under a modernistic veneer, been anxiously conservative. It has assembled the treasures of the past and mimed them with passionate nostalgia before closing time. Hence the primal dramatic function of allusion and ...

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