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Uncuddly

Christopher Tayler: Muriel Spark’s Essays, 25 September 2014

The Golden Fleece: Essays 
by Muriel Spark, edited by Penelope Jardine.
Carcanet, 226 pp., £16.99, March 2014, 978 1 84777 251 0
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... the NHS ward that serves as a site of spiritual desolation in Memento Mori (1959). In ‘The Black Madonna’, a story published in 1958, a Catholic couple’s creed, it’s suggested, is at odds with their materialist smugness, a smugness that’s given a very specific satirical colouring: The Parkers were among the few tenants of Cripps House who owned a ...

Fundamentally Goyish

James Wood: Zadie Smith, 3 October 2002

The Autograph Man 
by Zadie Smith.
Hamish Hamilton, 420 pp., £16.99, September 2002, 0 241 13998 8
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... epigraphs: from Marilyn Monroe, Kafka, Lenny Bruce (who occupies an entire page), Billy Wilder, Madonna (or the ‘popular singer Madonna Ciccone’, as Smith has it, a tic that runs throughout the book), Walter Benjamin (or ‘the popular wise guy Walter Benjamin’). Each chapter has a cute digest at its ...

At the National Gallery

Charles Hope: ‘Titian’s First Masterpiece’, 24 May 2012

... best attested early works. The figures are strangely tentative and childish, and only the Madonna has any personality at all, a rather sentimental one. The landscape, on the other hand, is beautiful in places, and utterly different from that of any painting known to have been made in Venice in the first decade of the 16th century. The dating of the ...

At the Barbican

Saul Nelson: Jean-Michel Basquiat, 4 January 2018

... and for his knack for hanging out with all the right people (Haring! Debbie Harry! Burroughs! Madonna!). Pieces about him often adopt a breathy, tragic tone. ‘Did he have a chance?’ one reviewer of the Barbican show asked. ‘Did all those punk luminaries ever think to stop him taking drugs?’ The first painting the visitor sees – to one side of ...

At the National Gallery

Peter Campbell: Titian, 6 March 2003

... twenties in the first picture. Around that time he was painting both devotional works like Gypsy Madonna (seen here), in which the reserve and modesty of the Virgins of his erstwhile master Giovanni Bellini is replaced by a more robust humanity, and pastoral pieces like the Louvre Concert champêtre (long attributed to Giorgione, now more often to ...

White Coats v. Bow Ties

Nicholas Penny, 11 February 1993

Jacopo della Quercia 
by James Beck.
Columbia, 598 pp., $109.50, February 1992, 0 231 07200 7
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Michelangelo and the Creation of the Sistine Chapel 
by Robin Richmond.
Barrie and Jenkins, 160 pp., £18.99, April 1992, 0 7126 5290 6
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Rembrandt. The Master and his Workshop: Paintings 
by Christopher Brown, Jan Kelch and Pieter van Thiel.
Yale, 396 pp., £35, September 1991, 0 300 05149 2
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Michelangelo’s Drawings: The Science of Attribution 
by Alexander Perrig.
Yale, 299 pp., £35, June 1991, 0 300 03948 4
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Michelangelo and his Drawings 
by Michael Hirst.
Yale, 128 pp., £14.95, August 1990, 0 300 04391 0
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The Poetry of Michelangelo: An Annotated Translation 
by James Saslow.
Yale, 559 pp., £22.50, April 1991, 0 300 04960 9
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... Ilaria to which Beck thinks we must not pay too much attention are also evident, however, in the Madonna and Child that Jacopo carved for Ferrara at a slightly earlier date. Here they lighten the massive folds of cloak over the Virgin’s knees and give a spring to the pose of the Child who stands on her lap. Even the little pointed shoe which emerges from ...

At the Royal Academy

Peter Campbell: Edvard Munch’s troubles, 20 October 2005

... with repulsion), jealousy, separation, melancholy, anxiety; there is a blissfully sensual Madonna from 1894-95 (a foetus and spermatozoa decorate the frame in a lithographed version). These pictures are all in one way or another autobiographical. When Munch paints figures in a landscape that carry those feelings, or even unpeopled landscapes, it is ...

1662

D.A.N. Jones, 5 April 1984

Old Catholics and Anglicans: 1931-1981 
edited by Gordon Huelin.
Oxford, 177 pp., £12.50, April 1983, 0 19 920129 3
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Anglican Essays 
by C.H. Sisson.
Carcanet, 141 pp., £6.95, April 1983, 0 85635 456 2
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The Song of Roland 
by C.H. Sisson.
Carcanet, 135 pp., £7.95, October 1983, 9780856354212
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The Regrets 
by Joachim du Bellay, translated by C.H. Sisson.
Carcanet, 147 pp., £4.50, January 1984, 0 85635 471 6
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... with the Church of England, Coptic and Ethiopian, Polish (with a figure of the redoubtable Black Madonna of Czestochowa) and Old Catholic. The Old Catholics are pretty well spread about the world. During the last war they were helpful to Anglicans in Java and even in Nazi Germany: their Dutch and Swiss congregations support an Anglican diocese in South ...

Making it

Nicholas Penny, 5 November 1992

The Sculpture of Jacopo Sansovino 
by Bruce Boucher.
Yale, 304 pp., £95, November 1991, 0 300 04759 2
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Giambattista and Lorenzo Bregno: Venetian Sculpture in the High Renaissance 
by Anne Markham Schulz.
Cambridge, 564 pp., £85, November 1991, 0 521 38406 0
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... This is precisely what he did on his return to Rome, where, between 1518 and 1521, he carved the Madonna del Parto for Santa Maria del Pepolo – perhaps the most monumental of all the sculptures of this subject created in the Renaissance, not excepting those by Michelangelo, whose Virgins in Bruges and in the Medici Chapel are more vulnerable in mood and ...

Diary

Iain Sinclair: In Guy Vaes’s Footsteps, 21 May 2020

... the door behind the bar, was the church of Notre-Dame du Finistère, which housed a statue of the Madonna and Child in oak and walnut; a 15th-century devotional figurehead shipped to Brussels from Aberdeen. It must have been a nice refinement to lie in bed, in post-coital reverie, listening to the sanctified chime of the neighbourhood bells. The ...

Smoke and Lava

Rosemary Hill: Vesuvius Observed, 5 October 2023

Volcanic: Vesuvius in the Age of Revolutions 
by John Brewer.
Yale, 513 pp., £30, October, 978 0 300 27266 6
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... in 1807 – was lugged up Vesuvius in a sedan chair by relays of guides, one of whom, Salvatore Madonna, was still complaining of shoulder strain as he recalled the ascent years later to Buckingham’s nephew. After the difficulty of the journey up there was a temptation to take the easy – if undignified – way down by sitting back and sliding. Small ...

On Eiléan Ní Chuilleanáin

David Wheatley, 27 January 2022

... ascribed to Yeats’s religious images. In ‘Our Lady of Youghal’, a lost ivory plaque of the Madonna and Child lies underground but appears to orchestrate its own dazzling rediscovery (‘inside a tower of leaves,/the virgin’s almond shrine, its ivory lids parting /behind lids of gold, bursting out of the wood’).There’s an elegiac strain in much of ...

At the Movies

Michael Wood: ‘The Da Vinci Code’, 8 June 2006

The Da Vinci Code 
directed by Ron Howard.
May 2006
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... is that they are not multicultural enough. They see a mother and child and they think of the Madonna, forgetting all about Isis. They see a swastika and think of the Nazis, ignoring ancient Persia and India. The lecturer pursues the same strategy through image after image. All Langdon says in the novel is: ‘I’m here tonight to talk about the power of ...

In Delville Wood

Neal Ascherson: Shrapnel balls and green acorns, 7 November 2013

... Delville, Mametz, Gommecourt. A blazing gleam on the skyline is a warriors’ icon: the gilded Madonna on the church at Albert who was hit by German artillery in 1915 and hung head downwards for most of the war. And every so often, here and in Flanders and the open Artois prairies, rise the temples: massive stone palaces of mourning in a wild variety of ...

At the Ashmolean

Charles Hope: Raphael’s Drawings, 27 July 2017

... to the overall effect. The results can be seen particularly well in a series of drawings of the Madonna and Child, sometimes with the infant St John, made in the preparation of some of his best-known pictures, in which the children are endowed with an agility and poise quite incongruous for their supposed age but perhaps justifiable on the grounds of their ...

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