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“... Authors can be terrible liars, and never more so than when they are in the autobiographical vein. Like salesmen, they are at their most dangerous when most sincere. Roth’s publishers trumpet The Facts: A Novelist’s Autobiography as the facts, a novelist’s autobiography – ‘Roth and his battles, defictionalised and unadorned’. It’s the more suspicious since Roth’s previous writings have played ducks and drakes with factuality and fictionality ...”

“... Howard Jacobson began writing novels late in life. As he tells it, the life was nothing much to write about. He was born in Manchester in 1942. His family was Jewish with a modest upward mobility track leading from Salford to Whitefield via Prestwich. The Jacobsons evidently made it to Prestwich. The young Howard went to grammar school and read English at Cambridge ...”

“... London now has an autumn season when the big fiction blockbusters are delivered to a public with longer evenings for reading and Christmas money to spend. It may not be anywhere near as clearly marked off as it is in New York and the launching machinery still creaks a bit, but its component parts are familiar from the smoother-running American model ...”

“... Ian Bell protests his disqualifications as a biographer rather too much: ‘I have approached Stevenson in the most unscholarly way. I am a journalist, and do not pretend to be anything else.’ But Bell, as he is at pains to point out, is a Scottish journalist and it is through the privilege of shared race and place of origin that he claims a blood-intimacy denied scholars ...”

“... Recently in this journal C.K. Stead explained the dilemma of being a popular Australasian performer in England: ‘He can only be fully understood at home: but there he’s likely to encounter sullenness and resentment, which is overcome, paradoxically, by the irresistible force of a fame earned where the comprehension of what he is doing must be less than complete ...”

“... years of the Cold War. This curious fact is noted in David Monaghan’s monograph The Novels of John le Carré (1985). Smiley married his wife Ann towards the end of the World War Two. He was evidently then well into his thirties. In 1960, in A Murder of Quality, he was described as ‘the very prototype of an unsuccessful middle-aged bachelor in a ...”

“... it as ‘vomit’. Nevertheless, helped by a determined defence from its British publisher, John Calder (who claimed to discern in Burroughs the James Joyce of our day), Naked Lunch went on to become a terrific post-Chatterley best-seller. The Place of Dead Roads is published with a grant from the Arts Council: a double seal of Establishment approval ...”

“... In 1851 the trade referred its dispute to a tribunal headed by the author and judge Lord John Campbell. His decision was delivered on 19 May 1852 and published in its entirety by the triumphant Times. Campbell came down uncompromisingly for free trade. The Regulations, they said, were indefensible, and contrary to the freedom which ought to prevail ...”

“... it’s the old story in nice new Faber covers. In essence, Peters aims to do for the life what John Carey did for the works with his applauded Thackeray, Prodigal Genius (1977): that is to say: re-tread familiar ground with brisk, commonsensical illumination. This she does well. Thackeray’s Universe is attractively written and profits the reader with a ...”

“... sick of being a person – Christopher Isherwood, or Isherwood, or even Chris,’ he had told John Lehmann a few years earlier. In America, both Auden and Isherwood would outgrow the need for ‘boys’. Between purging bouts of transcendentalism, Isherwood drank too much (although he was never, Parker insists, alcoholic) and did not succeed – beyond ...”

“... There are up to ten thousand American academics who could claim the job description ‘literary critic’ as they make their way to the annual convention of the Modern Languages Association. J. Hillis Miller is one of the handful who matter. Like those mystic few who know the Coca Cola formula, such people shouldn’t be allowed to travel on the same plane ...”

“... Robert Darnton’s reputation was founded on his monumental The Business of Enlightenment (1979). In this study of ‘the life-cycle of a single book’ Darnton tracked the creation, manufacture, distribution and reception of the fourth edition of Diderot’s Encyclopédie, 1775-1800. His account drew on the archive of the Société Typographique de Neuchâtel, on the Franco-Swiss border ...”

“... Government dealings with the country’s agencies for culture and higher learning used to be determined by the arm’s-length principle. That is to say, much like an 18th-century patron, the ministry would give the Arts Council or the University Grants Committee a large sum of money, trusting that they would apply it to Britain’s best advantage. Better poetry and better education would happen ...”

“... Field’s VN: The Life and Art of Vladimir Nabokov is a biography which can make one wonder what biography is all about. On the face of it, the book marks the end of a tempestuous literary love affair. As his publishers proclaim, Field has devoted his professional life to the study of Nabokov. His first book, Nabokov: His Life in Art (1967) stands as a landmark in its subject’s emergence from literary obscurity to literary respectability ...”

“... With Wise Virgin, A.N. Wilson continues his bleak investigation of trauma. The Healing Art (his most acclaimed novel so far) scrutinised human sensibility under the sentence of terminal cancer. Wise Virgin takes the life term and solitary confinement of bereaved blindness. It’s played out with Wilson’s customary geometric neatness of design. Giles Fox, as the novel’s retrospect finds him, was once a fulfilled man – someone who could have represented the happy ending of some other story ...”