Search Results

“... Speaking​ of his remarkable version of Arthur Rimbaud’s Illuminations, John Ashbery said: ‘I myself try to be very literal, and I frequently use cognates even when they might sound a little strange in English.’ ‘Are there times when that doesn’t work?’ his interviewer, Claude Peck, asked. Ashbery replied without hesitation: ‘Oh sure, on every page, many times ...”

“... his tink tink, tink tinkbespeaking a familiarity with the science of iron-carbon alloysthe Chinese developed alongside the Dao,he’s believed to anticipate the licethat will infest his nest by stitching intoits brush-pile the egg sacs of lice-eating spiders.This ‘time-release packet’ is just one example of what Muldoon describes elsewhere in the collection as ‘future-proofing’ (‘Once we relied on a hoard//of seed that had been sacked/and saved ...”

“... in a way that could not be done with real American poets – Carlos Williams, Wallace Stevens, John Ashbery. She even places Lowell inside a critical trope. ‘The New Critical doctrine that every poem is a little drama built around a central paradox is ... in the very fabric of their lives ... especially Lowell, whose life is the emblem of New ...”

“... Laudanum, Kenelme Sexnoth Pope, H.N. (Helga Nevvadotoomuch, c/o Lord Godmanchester (Gumster), The John Peelcroft Hadmanchester Podgoets, Night Slide Clubb, P.O. Box 1AA, BBC-wise, W.1, and others. The translations were just as elastic as these cartoon-rubber composites. In the Robert Lowell version actually used by the Sunday Times, ‘Spleen’ opens: I’m ...”

“... most successful of these. Szirtes is a poet with a very definite idea of what poetry is. Part of John Ashbery’s charm is his self-deprecating uncertainty about the whole business: ‘Some certified nut/ Will try to tell you it’s poetry,’ begins an often-quoted passage from the right-hand column of ‘Litany’. A poem from Houseboat Days entitled ...”

“... Bronx. O’Brien is one of a long line of hicks from upstate who made their way to the big city. John Ashbery, whose work O’Brien disapproved of (‘the poetry of programmatic inconsequence’), had arrived in NYC 15 years earlier, from a farm near Lake Ontario. Many of O’Brien’s poems could be characterised as pastoral. This is ‘East ...”

“... bias towards quickness. Koch, in his poem ‘A Time Zone’, talks about his collaborations with John Ashbery on some more or less light-hearted – and certainly light – verse. These collaborations, which again put us in mind of Auden, feature the following (unpunctuated) lines: ‘He is not writing much this year but he likes to collaborate/So do I ...”

“... is of a blinding, shadowless transparency, in which nothing is unexamined; this is perhaps what John Ashbery was talking about when he said, in a 1961 essay, that in reading Roussel one needs ‘some sort of protective equipment’. Cocteau’s characterisation of Roussel’s work as genius in the ‘pure state’ is misleading, though, since many of ...”

“... avoiding paraphrasable meaning altogether. One need only point to the work of Wallace Stevens or John Ashbery to show how successfully some of it sustains our expectations while ultimately refusing to deliver the semantic goods. Having extracted a poem’s point, runs the usual defence of such teasing evasions, readers will have no further use for the ...”

“... close of World War II. He attended Harvard, where he began a close friendship with his classmate, John Ashbery. After a year (1950-51) in Michigan writing and translating poetry, he moved to New York, where he rejoined his Harvard friends and their friends – among them the poets Kenneth Koch, James Schuyler and Barbara Guest – becoming part of a ...”

“... one of his flâneurial rambles from Greenwich Village to the United Nations, reflections on a John Ashbery poem. Plainly he has read a lot of books. This one abounds with arresting quotations and alludes learnedly and appositely to philosophers, theologians, historians, political theorists, artists, architects, novelists and poets. Yet it is no mere ...”

“... he moved to France with his wife and their infant daughter, Laura.Paris was where Mathews met John Ashbery, then a Fulbright Scholar. It was 1956. Ashbery introduced him to the work of the eccentric procedural writer Raymond Roussel, which reignited Mathews’s literary imagination. In 1959 he came into some money ...”

“... ends with a flourish. The ‘defining presences’ for many of these poets are, apparently, Auden, Ashbery, Bishop and Mahon. From these writers, we are told, the selected poets have learned to write ‘a poetry that understands that before it is moral, representational or empirical, it is above all sceptical.’ But first of all, the editors can’t mean both ...”

“... we are as the double almond concealed in one shell,’ he broods in ‘Colloquy with John Keats’, going on to predict his own equally untimely demise in harsh demotic terms – ‘Look! My number is up!’ After his cremation at Rookwood Cemetery Ethel opened his trunk and set about disposing of his pitiably meagre possessions; in the process ...”

“... his first book, from 1958, and republished it in 2001, with an introduction by his friend John Ashbery.* Schuyler is first and last a poet, but the other books shed interesting light on the poetry. ‘For readers of his poetry, the idea of the Diary of James Schuyler might almost seem like too much of a good thing,’ begins Nathan Kernan’s ...”