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“... Quennell – and he seems to enjoy being generous to other reviewers, as when he justly praises John Updike. He is full of gratitude to literary editors, commemorating Ian Hamilton’s work on the New Review in terms only this side of idolatry. Such writers and editors do the work he wants to help with – they keep going some intelligent conversation ...”

“... of that year, Louis MacNeice, Stephen Spender, Geoffrey Grigson, Michael Roberts, Bonamy Dobrée, John Hayward and Graham Greene had nominated Auden as the new voice. The six odes and the epilogue of The Orators, Greene said, justified Auden’s ‘being named in the same breath as Lawrence’.But Greene had some misgivings. ‘The subject of the book,’ he ...”

“... dim sense of underachievement. ‘Celebrity is a mask that eats into the face,’ wrote John Updike in Self-Consciousness, a metaphor which gives a startling tilt to our assumptions about fame and its consequences. In a bravura feat of imaginative reconstruction Gordon Burn has taken the idea of celebrity-as-affliction a step further and ...”

“... plots, Lone Ranger clichés and gushing emotions to psychological acuity of the kind you find in John le Carré, whom he’s unlikely to have read. Mai Jia has no interest in the tradition of espionage literature (in a promotional video for Penguin he mentioned only James Bond and Mission Impossible). ‘I read very little,’ he explains, ‘so I have the ...”

“... of them are plotting murder. Nutshell-Hamlet’s father is a poet and publisher of poets called John Cairncross, living away from the marital home in hopes of a reconciliation with Trudy, though all he achieves is easier access to her bed for his rival. (The surname has a noble ring, though it is made up of two things that can mark a grave.) The house is a ...”

“... beautifully. ‘We live as we dream – alone.’ Conrad’s sombre aphorism earns its place too. John Updike, in a passage from Couples that Stephen Brook has also collected, looks at the situation from another angle, that of the excluded other person: ‘A morning later, Nancy described her first dream, the first remembered dream of her life [about ...”

“... the stories in Black Tickets, these ones provide a somewhat over-cultivated performance, such as John Updike is famous for. But there are black tickets to another kind of performance, where the story is indeed all performance, in one of the modes of post-modernist fiction, and voluntarily severs itself from the old modes of observation or criticism of ...”

“... the preserves of serious fiction’, is clarifying.He quotes a disparaging review by John Updike of the English translation of Abdel Rahman Munif’s Mudun al Malh, or Cities of Salt (in his own review, Ghosh called it a ‘work of immense significance’; here, as throughout the book, his shift of focus away from the West is both salutary ...”

“... out of the author’s control the more adjectives and adverbs he throws after them. In past years John Updike and Isaac Bashevis Singer, among others, have made large claims on Schulz’s behalf. While his imaginative vigour is indeed comparable with that of his great European predecessors, his work lacks their ruthless logic, the stern, paternal ...”

“... seems to be alone in hinting, if cartoonishly, at its power; as the post-9/11 efforts of John Updike and Martin Amis show, it is easier to reduce ideological belief to pathologies of sexual frustration, or the ordeal of constipation. A self-dissolving post-ideological irony is the dominant mode of the few narratives about Americans engaged in ...”

“... hearing it spoken with his un-English, un-American accent, and reinvented as an estrangement. John Updike is a self-confessed fan, but Joyce Carol Oates, who is not, has also conducted a wonderfully ingenious argument with Nabokov in several novels including The Childwold in 1976 and her Chappaquiddick novella, Black Water, in 1992, where the ...”

“... One of John Cheever’s most famous stories is called ‘The Swimmer’. It is set, like much of his fiction, in the lawned suburbs somewhere outside New York City, and it is filled, like most of his fiction, with despair. The hero, Neddy Merrill, the father of four daughters, is sitting by a neighbour’s pool drinking gin when the idea comes to him that he might reach home by doing a lap of all of his neighbours’ pools on the way ...”

“... In the massive, magisterial The Best American Short Stories of the Century edited by John Updike, Flannery O’Connor is included with one of her much anthologised stories, ‘Greenleaf’, while McCullers and Capote are not only absent, but their absences have gone unremarked by reviewers. Fifty years ago, such a state of affairs would have ...”

“... scantily clad women and salacious cartoons, he published (or rather, mostly republished) work by John Steinbeck, Norman Mailer, Arthur Conan Doyle, Margaret Atwood, Vladimir Nabokov, Jack Kerouac, Saul Bellow, P.G. Wodehouse, Anne Sexton and John Updike. Ray Bradbury’s Fahrenheit 451 was first serialised in the ...”

“... many of these powerful stories justify the comparisons made by his admirers: most pertinently, to John Cheever and Raymond Carver (Yates falls somewhere in between). But when Yates’s stories are encountered en masse – this new edition brings together his two collections and nine previously uncollected pieces – the uniformity of experience described ...”