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The Darwin Show

Steven Shapin, 7 January 2010

... dull that it nauseated me’. But the imaginative arts lined up to pay tribute. In Cambridge, Ian McEwan and A.S. Byatt spoke about their ‘literary relationship with Darwin’. The joint Yale-Cambridge museum homage, Endless Forms: Charles Darwin, Natural Science and the Visual Arts (at the Fitzwilliam in Cambridge and the Yale Center for British ...

What Europeans Talk about when They Talk about Brexit

LRB Contributors: On Brexit, 3 January 2019

... and counsel a change of course. Diário de Notícias published a letter from Ian McEwan, Armando Iannucci, Gary Lineker, Natascha McElhone and Patrick Stewart pleading that Portugal and the EU ‘give the UK time’ for a new referendum. In the same pages, Leonídio Paulo Ferreira chastised Corbyn: ‘He limits himself to helping to ...

Motiveless Malignity

D.A.N. Jones, 11 October 1990

The Dwarfs 
by Harold Pinter.
Faber, 183 pp., £11.99, October 1990, 0 571 14446 2
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The Comfort of Strangers, and Other Screenplays 
by Harold Pinter.
Faber, 226 pp., £14.99, September 1990, 0 571 14419 5
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The Circus Animals 
by James Plunkett.
Hutchinson, 305 pp., £12.99, September 1990, 0 09 173530 0
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The South 
by Colm Tóibín.
Serpent’s Tail, 238 pp., £7.99, May 1990, 1 85242 170 3
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... have become real movies. One of them, The Comfort of Strangers, is another macabre: it adapts Ian McEwan’s novel about an Italian sadist and his subservient wife capturing and destroying two English holiday-makers in Venice. McEwan offered a ‘psychological’ reason for this motiveless malignity: it is an ...

The Price

Dan Jacobson: The concluding part of Dan Jacobson’s interview with Ian Hamilton, 21 February 2002

... chap who came from Birmingham or somewhere. Another story came in unsolicited from someone called Ian McEwan. There did seem to be these gifted people out there, so we were up and running. People I knew about, like you and Edna O’Brien, were also in the first issue and there were a couple of new things. What was coming in was nothing like as bad, on ...

The Uncommon Reader

Alan Bennett, 8 March 2007

... wherever so that it could be satisfyingly torn apart. The James Tait Black prize notwithstanding Ian McEwan had ended up like this and even A.S. Byatt. Patron of the London Library though she was Her Majesty regularly found herself on the phone apologising to the renewals clerk for the loss of yet another volume. The dogs disliked Norman, too, and ...

Wizard Contrivances

Jon Day: Will Self, 27 September 2012

Umbrella 
by Will Self.
Bloomsbury, 397 pp., £18.99, August 2012, 978 1 4088 2014 8
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... and glass domes beneath which once-fluttering thoughts had been imprisoned’. Writers like McEwan, Barnes, Amis and Hollinghurst produce novels which succumb to a form of prep-school realism, stealing modernism’s fart gags and toilet humour but ignoring almost everything else: The dominant school of fiction, still more so in Britain than in the ...

Darling, are you mad?

Jenny Diski: Ghost-writing for Naim Attallah, 4 November 2004

Ghosting 
by Jennie Erdal.
Canongate, 270 pp., £14.99, November 2004, 1 84195 562 0
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... In no particular order, and often for no very good reason, Wittgenstein, Auster, Nabokov, Barnes, McEwan, Spinoza, Amis, Aristotle, Zeno, Shakespeare, Pasternak, Banville, Dostoevsky, Frost, Cervantes, Updike, Beckett, Chekhov (and others) make guest appearances with paraphrased words of wisdom, or just words. Erdal does not wear her reading lightly. She has ...

NHS SOS

James Meek, 5 April 2018

... from far away, except that these ‘outsiders’ were born far away in time, rather than space. Ian McEwan openly expressed the motif last year when he looked forward to a more liberal future Britain in 2019, cleansed of ‘1.5 million oldsters, mostly Brexiters, freshly in their graves’. It’s odd, and not just because ...

What are we allowed to say?

David Bromwich, 22 September 2016

... those who write or speak recklessly.An echo of the aesthetic defence of Rushdie could be heard in Ian McEwan’s retrospective comment on the affair in the Guardian on 14 September 2012: ‘it seemed like the social glue of multiculturalism was melting away. We were coming apart, and doing it over a postmodern multi-layered satirical novel.’ What work ...

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