At the Royal Academy
James Davidson: ‘Bronze’, 11 October 2012
“... Benvenuto Cellini’s famous account of casting his giant Perseus for the Loggia della Signoria in Florence or Tarkovsky’s terror-stricken bell-maker in Andrei Rublev are not wholly inaccurate testaments to the high stakes involved, but it is also a technique that provides bronze with some surprising flashes of delicacy. On some of Degas’s bronzes, for ... ”