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Dangerous Liaisons

Frank Kermode, 28 June 1990

Ford Madox Ford 
by Alan Judd.
Collins, 471 pp., £16.95, June 1990, 0 00 215242 8
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... his personal conduct endearing others demur. He was in many respects a mess, a creator of chaos. Ezra Pound, who liked and admired him, once said ‘that if he were placed naked and alone in a room without furniture, I would come back in an hour and find total confusion.’ Though on the whole he seems to have enjoyed his life, his health was not good ...

Just a smack at Grigson

Denis Donoghue, 7 March 1985

Montaigne’s Tower, and Other Poems 
by Geoffrey Grigson.
Secker, 72 pp., £5.95, October 1984, 0 436 18806 6
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Collected Poems: 1963-1980 
by Geoffrey Grigson.
Allison and Busby, 256 pp., £4.95, October 1984, 0 85031 557 3
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The Faber Book of Reflective Verse 
edited by Geoffrey Grigson.
Faber, 238 pp., £7.95, October 1984, 0 571 13299 5
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Blessings, Kicks and Curses 
by Geoffrey Grigson.
Allison and Busby, 279 pp., £4.95, October 1984, 0 85031 558 1
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The Private Art: A Poetry Notebook 
by Geoffrey Grigson.
Allison and Busby, 231 pp., £4.95, October 1984, 9780850315592
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Before the Romantics: An Anthology of the Enlightenment 
by Geoffrey Grigson.
Salamander, 349 pp., £5.95, September 1984, 0 907540 59 7
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... would he go to the disfiguring bother of writing, publishing and reprinting his ugly references to Ezra Pound (‘the pathos of the loony, traitorous, filthslinging poet in his cage at Pisa or in his ward in the Washington asylum’), to ‘restricted and jejune Eliot’ – Over the Missouri, over the Seine,   Over the Thames, and over the Severn, The ...

What was left out

Lawrence Rainey: Eliot’s Missing Letters, 3 December 2009

The Letters of T.S. Eliot, Vol. I: 1898-1922 
edited by Valerie Eliot and Hugh Haughton.
Faber, 871 pp., £35, November 2009, 978 0 571 23509 4
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... than add bulk, it also makes crucial corrections. Consider one example, an important letter from Ezra Pound that makes extensive comments on a quasi-final version of The Waste Land, and is dated ‘24 Saturnus’, invoking a playful calendar he had invented for the new era marked by the completion of Joyce’s Ulysses. In 1950, D.D. Paige, the editor of ...

Out of the Lock-Up

Michael Wood: Wallace Stevens, 2 April 1998

Collected Poetry and Prose 
by Wallace Stevens, edited by Frank Kermode and Joan Richardson.
Library of America, 1032 pp., $35, October 1997, 1 883011 45 0
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... boisterous seeming will, with any luck, change the nature of being.Stevens was a little older than Ezra Pound and T.S. Eliot, and died before they did; but his poems consistently read as if they were written a generation later. There must be many rather complicated reasons for this, including many reasons I don’t know. But two reasons are clear and very ...

Clean Poetry

John Bayley, 18 August 1983

Collected Poems 1970-1983 
by Donald Davie.
Carcanet, 172 pp., £5.95, May 1983, 0 85635 462 7
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... and immediacy; I have not the poet’s need of concreteness.’ The same could be said for Ezra Pound, on whom Davie has written so effectively, and who shares the same capacity for writing ‘clean’ poetry, poetry that is sculptured rather than organic, impersonal rather than wholly expressive of itself. Larkin said that a poem is like an ...

From Papa in Heaven

Russell Davies, 3 September 1981

Ernest Hemingway: Selected Letters 1917-1961 
edited by Carlos Baker.
Granada, 948 pp., £15, April 1981, 0 246 11576 9
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... then, Pos, you remember. It was the conventional sneer. Especially if a man was writing to Ezra Pound. I repudiated all this in later life. Hell, I even called my own son Gregory ‘Jew’ when he began to do arithmetic too young (he was a mathematical genius at age four). It was all jocular. You will note my friendship with Bernard Berenson who ...

‘If I Could Only Draw Like That’

P.N. Furbank, 24 November 1994

The Gentle Art of Making Enemies 
by James McNeill Whistler.
Heinemann, 338 pp., £20, October 1994, 0 434 20166 9
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James McNeill Whistler: Beyond the Myth 
by Ronald Anderson and Anne Koval.
Murray, 544 pp., £25, October 1994, 0 7195 5027 0
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... possessed artistic conscience in the highest degree. One might say the same of his fellow-American Ezra Pound; and it is no surprise that Pound modelled himself on Whistler (once having himself photographed in the pose of Whistler’s ‘Carlyle’), or that he drew so much encouragement from him. In 1912 he wrote to ...

Diary

David Gascoyne: Notebook, New Year 1991, 25 January 1996

... of F.G. Lorca from library (rather disappointing). – Picked up Humphrey Carpenter’s Ezra Pound: A Serious Character unexpectedly. – Dull TV. Sunday 13: – Had made apricot mousse to follow lamb for lunch. Vin de Pays du Gard. – Napped after lunch – News increasingly sombre. – Made successful piperade for supper. – Joely ...

The Mouth, the Meal and the Book

Christopher Ricks, 8 November 1979

Field Work 
by Seamus Heaney.
Faber, 64 pp., £3, June 1979, 0 571 11433 4
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... possessions), there is to be the imaginative activity that is alive only as verb. At least since Ezra Pound, this has been a lure for poets, a thrill and a delusion. For as Heaney’s last line acknowledges, ‘verb’ is indissolubly a noun. And the word which matters most is ‘trust’.When we come to close this book which opened with ...

On Robert Silvers

Andrew O’Hagan: Remembering Robert Silvers, 20 April 2017

... which he once lectured me on, over a proof, making reference, if I remember correctly, to Ezra Pound, Duke Ellington, Virginia Woolf, Picasso and Coco Chanel. A good editor’s interests can be as mysterious as a good writer’s style, and Silvers was always trying to work out if something was worth getting into. Colm Tóibín remembers going to ...

Enlarging Insularity

Patrick McGuinness: Donald Davie, 20 January 2000

With the Grain: Essays on Thomas Hardy and Modern British Poetry 
by Donald Davie.
Carcanet, 346 pp., £14.95, October 1998, 1 85754 394 7
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... based on the Psalms (he edited The Psalms in English for Penguin) which take their bearings from Pound’s Cantos (he also wrote two ground-breaking books on Pound and numerous essays on the Poundian tradition). Dorn’s homage is apposite, too: his poem is founded on the conviction that heretics have been persecuted ...

I gotta use words

Mark Ford: Eliot speaks in tongues, 11 August 2016

The Poems of T.S. Eliot: Volume I: Collected & Uncollected Poems 
edited by Christopher Ricks and Jim McCue.
Faber, 1311 pp., £40, November 2015, 978 0 571 23870 5
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The Poems of T.S. Eliot: Volume II: Practical Cats & Further Verses 
edited by Christopher Ricks and Jim McCue.
Faber, 667 pp., £40, November 2015, 978 0 571 23371 7
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... from the last line of ‘A Dedication to My Wife’, should have remained so. In the preface that Ezra Pound composed for Valerie Eliot’s edition of the original manuscript of The Waste Land, Pound declared, in justification of the project, that ‘the more we know of Eliot, the better.’ Possibly aficionados of any ...

Bees in a Deserted Hive

Daniel Soar: Nikolai Gumilev, 27 April 2000

The Pillar of Fire 
by Nikolai Gumilev, translated by Richard McKane.
Anvil, 252 pp., £12.95, August 1999, 0 85646 310 8
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... Eliot’s ‘Conversation Galante’. Gumilev, the charismatic authority, had a little of the Ezra Pound about him, and as with Pound, his own reputation was eclipsed by the Modernists he championed. Gumilev’s protégé was Mandelstam, of whom he said: ‘I do not recall anyone else who has so completely ...

Little Lame Balloonman

August Kleinzahler: E.E. Cummings, 9 October 2014

E.E. Cummings: The Complete Poems, 1904-62 
edited by George James Firmage.
Liveright, 1102 pp., £36, September 2013, 978 0 87140 710 8
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E.E. Cummings: A Life 
by Susan Cheever.
Pantheon, 209 pp., £16, February 2014, 978 0 307 37997 9
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... among the most admired by writers and critics. It wasn’t just the usual modernist suspects like Pound, Williams, Stevens and Marianne Moore who sang his praises, but other, very different kinds of poet too: Robert Graves, Dylan Thomas, Octavio Paz, Louis Zukofsky and Charles Olson. As did any number of critics: Edmund Wilson, Harry Levin, Jacques ...

It Didn’t Dry in Winter

Nicholas Penny, 10 November 1994

Wealth and the Demand for Art in Italy 1300-1600 
by Richard Goldthwaite.
Johns Hopkins, 266 pp., £25, July 1993, 0 8018 4612 9
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... the cradle of modern capitalism or at least of materialism; hence the revulsion felt by Ruskin and Ezra Pound, for example, at much 16th-century Italian art. In the Introduction to his book Richard Goldthwaite writes that it is an ‘enlargement of Jacob Burckhardt’s classic – and much-debated – vision of Renaissance Italy as the birthplace of the ...

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