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“... Before the First World War the British Foreign Office claimed that it based its policy on the maintenance of the Balance of Power, and that Britain, remaining aloof from European entanglements, could use her influence to preserve that balance and to prevent any other European power from disturbing it ...”

“... My father had no gun, or any land to shoot over. So when he decided that it was time for me, then aged 15 or 16, to learn how to shoot, he had to cadge. We borrowed an old 12-bore from a local farmer, a rickety weapon the lock, stock and barrel of which were barely connected, and my father then asked his neighbour, Siegfried Sassoon, who lived in the next village, whether we could loose off a few cartridges in his woods ...”

“... so often in wrapping themselves in the Union Jack, Tory governments have an inglorious record on defence. Churchill’s notorious entry in the index to The Gathering Storm (‘Baldwin, Stanley ... confesses putting party before country’) may not have survived as an objective historical judgment, but even fifty years ...”

“... Two original and accomplished works by Alasdair Gray, self-styled ‘Caledonian promover of intelligible sapience’, are published this month. Unlikely Stories, Mostly is copiously illustrated in a style which sometimes descends to coy greeting-card formalism – inanely grinning dogs, twinkling stars, nymphs with perfectly rounded breasts and perfectly circular nipples, muscular workers, a conquistador complete with Spanish moustache, an eastern scene composed of pointy pagodas ...”

“... According to an embittered Steinbeck, literary criticism is ‘a kind of ill-tempered party game in which nobody gets kissed’. Twenty-five years after his death he receives a big wet one in the shape of Jay Parini’s biography, which comes with much fanfare designed to rehabilitate him as one of America’s great writers ...”

“... remark about him looking like a garden gnome. The Gadarene rush to Blair told the rest. What on earth was this really about? Cook is neither handsome nor ill-looking, just somewhere in between, like the rest of us. The Labour Party hadn’t cared about looks when it picked the flaccid ...”

“... terms, ‘longevity is genius.’ He comes out with this idea while discussing the case of his friend Edward Driffield, a Hardy-like figure who becomes the Grand Old Man of English Letters after seeing off late Victorian accusations ...”

“... represent a public as well as a more partisan interest. But it wasn’t always the case. For most of the 19th century, espionage was thought to be a low and foreign practice that the British – or at any rate the English – should not stoop to in any circumstances. This was for a number ...”

“... with it. They do not ‘write like that’. Phillips’s talent has developed along the lines of accomplished ventriloquism. In his last novel, Cambridge, and most of his latest, Crossing the River, he writes in a near-perfect pastiche of 18th and 19th-century English. He picks these ...”

“... square you squash. What you can’t squash you square.’ This memorable one-liner, more redolent of Chicago under Prohibition than Downing Street, was uttered by Lloyd George. The Premier was reflecting upon one of his constant obsessions: the British press. His method of dealing with ...”

“... a strong one. Taken in by the Richmond tobacco broker John Allan when left orphaned at the age of two by the death of his actress mother Eliza, brought up as a member of the family and sent to the University of Virginia, he responded by running up ...”

“... the temptation to call this story Decline and Fall, but it would not have been a bad title. On one level, the last 27 years of Evelyn Waugh’s life make melancholy reading. The book begins with Waugh’s sometimes bizarre career in the Army; it chronicles his prodigious commercial success as the author ...”

“... The notion​ that toil, ability and ambition might be enough in themselves to propel the humblest of citizens from log cabin to White House is a vital ingredient in the American Dream. Indeed, it has served as a powerful anaesthetic against the inequalities of American society ...”

“... and Cecil King had been colleagues for 15 years when Cudlipp was ejected from the editorship of the Sunday Pictorial. Though a director of the company, King made no attempt to save Cudlipp’s skin. A couple of years later the man who had toppled Cudlipp, Harry Guy Bartholomew, was ...”

“... For most of the last half-century, Britain has had two options: to be a whole-hearted member of Europe or to be a satellite of the United States. In this field there has been no ‘third way’. Full-hearted co-operation with Europe does not mean and never has meant the end of the Atlantic Alliance ...”