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Grail Trail

C.H. Roberts, 4 March 1982

The Holy Blood and the Holy Grail 
by Michael Baigent, Richard Leigh and Henry Lincoln.
Cape, 445 pp., £8.95, January 1982, 0 224 01735 7
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The Foreigner: A Search for the First-Century Jesus 
by Desmond Stewart.
Hamish Hamilton, 181 pp., £9.95, October 1981, 0 241 10686 9
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Satan: The Early Christian Tradition 
by Jeffrey Burton Russell.
Cornell, 258 pp., £14, November 1981, 0 8014 1267 6
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... seem, available elsewhere and the sources for which are not stated. It includes a list of the Grand Masters of the Temple: for reasons they give, the authors are convinced that this list is fuller and more accurate than any hitherto known. Because they had found this list convincing, the authors turned their attention to another list which at first they ...

Juiced

David Runciman: Winners Do Drugs, 3 August 2006

Game of Shadows: Barry Bonds, Balco and the Steroids Scandal That Rocked Professional Sports 
by Mark Fainaru-Wada and Lance Williams.
Gotham, 332 pp., $26, March 2006, 1 59240 199 6
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... more sinister slipped into the mix, how were they to know? Barry Bonds later admitted before a grand jury that he had ingested a substance supplied to him by Conte by placing a couple of drops under his tongue – the prescribed method for ingesting an undetectable steroid – but only because he was under the impression that it was flaxseed oil. Conte’s ...

Something to look at

David Sylvester, 10 March 1994

... collection. It is one of those works of art whose extreme poignancy is partly due to their being grand but dilapidated and thus both sad in mood and rich in connotation. Another allegedly Vulcian work, wonderful this time for its preciosity, is a pair of votive boots in terracotta, about 16 cm high (cat. 182). There’s a pair of early Chinese bronze animal ...

Making movies in England

Michael Wood, 13 September 1990

My indecision is final 
by Jake Eberts and Terry Ilott.
Faber, 678 pp., £17.50, June 1990, 0 571 14888 3
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... there is an interesting meeting of minds between Goldcrest’s favourite producers and directors (David Puttnam, Richard Attenborough, Hugh Hudson, Roland Joffe, John Boorman) and its financial supporters. Shadowing the whole business, of course, is the dubious issue of the revival of the British film industry, for which Goldcrest had to bear all the hopes ...

Diary

David Bromwich: A Bad President, 5 July 2012

... orations such as he offered after the Tucson shootings in 2011 have marked episodic returns to the grand style, but when you hear those speeches you wonder what office he thinks he occupies, and in what country. The dignified and commanding presentation suits a theatrical impulse that lies deep in Obama’s idea of his proper powers – an impulse he has ...

Strange Stardom

David Haglund: James Franco, 17 March 2011

Palo Alto: Stories 
by James Franco.
Faber, 197 pp., £12.99, January 2011, 978 0 571 27316 4
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... Actors don’t lodge in the culture as once they did,’ David Thomson writes in the entry on Heath Ledger in the latest edition of his Biographical Dictionary of Film. ‘They are a type of celebrity now.’ He contrasts Ledger, who died three years ago at the age of 28, with James Dean, who died 55 years ago at the age of 24 and became the standard against which all young, handsome, would-be acting geniuses in Hollywood are measured ...

At Kettle’s Yard

Eleanor Birne: The Reopening, 22 March 2018

... refit, the art is everywhere, part of the texture of the house. A Brancusi head sits on top of a grand piano; a Ben Nicholson hangs at knee height under a window; the attic is devoted to Gaudier-Brzeska sketches. While the house was being repainted and a few repairs carried out, the curators used the time to restore some of the collection. Ede’s approach ...

At the National Gallery

Peter Campbell: Pompeo Batoni, 10 April 2008

... A young Englishman of means passing through Rome on the Grand Tour in the mid to late 1700s might well have been directed to the studio of Pompeo Batoni to have his portrait painted. It would probably only have taken a couple of sessions for Batoni to get the sitter’s face onto canvas – the 12 he gave David Garrick were unusual ...

At the Royal Academy

Daniel Soar: Hockney, 9 February 2012

... The vast David Hockney show at the Royal Academy (until 9 April) is deliberately overwhelming. What it most looks like is an overblown, hyped-up, hyperreal parody of the Royal Academy Summer Exhibition, that super-English annual gathering of the amateur art establishment, to which the buying public with large pocketbooks flock from the Home Counties and beyond ...

Upstaging

Paul Driver, 19 August 1993

Shining Brow 
by Paul Muldoon.
Faber, 86 pp., £5.99, February 1993, 0 571 16789 6
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... only art to which a poet with a nostalgia for those times past, when poets could write in the grand manner all by themselves, can still contribute, provided he will take the pains to learn the métier and is lucky enough to find a composer he can believe in’. Paul Muldoon, who ranks with Auden as a poet for whom the intricacies of verse and rhyme are ...

At the Movies

Michael Wood: ‘The Social Network’, 4 November 2010

The Social Network 
directed by David Fincher.
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... David Fincher’s The Social Network, which tells the story of Facebook, is fast and intelligent and mean, a sort of screwball comedy without the laughs. It’s written by Aaron Sorkin, whose credits include The West Wing and A Few Good Men, and based on a novelised history by Ben Mezrich, The Accidental Billionaires ...

Matters of State

Alexander Nagel: Michelangelo and ‘David’, 4 February 2016

Michelangelo’s ‘David’: Florentine History and Civic Identity 
by John Paoletti.
Cambridge, 388 pp., £70, February 2015, 978 1 107 04359 6
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... seat of government in the Piazza della Signoria, he stopped in front of Michelangelo’s 15-foot David. He didn’t see in it a symbol of the Florentine nation or even identify the figure. For the abbé, it was ‘a great phantasm of white marble, well worked and all of one piece’ (‘ung grand fantosme de marbre ...

We demand cloisters!

Tom Stammers: Artists’ Studios, 29 June 2023

The Artist’s Studio: A Cultural History 
by James Hall.
Thames and Hudson, 345 pp., £30, November 2022, 978 0 500 52171 7
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... husbands, painting before an audience was a means of demonstrating autonomy. In May 1664, Cosimo, Grand Prince of Tuscany, joined the visitors who packed into Elisabetta Sirani’s studio in Bologna to watch her paint a breastfeeding scene. Having established the first secular art school for girls after inheriting her father’s studio, Sirani had a lot to ...

Homely Virtues

David Cannadine, 4 August 1983

London: The Unique City 
by Steen Eiler Rasmussen.
MIT, 468 pp., £7.30, May 1982, 0 262 68027 0
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Town Planning in London: The 18th and 19th Centuries 
by Donald Olsen.
Yale, 245 pp., £25, October 1982, 0 300 02914 4
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The English Terraced House 
by Stefan Muthesius.
Yale, 278 pp., £12.50, November 1982, 0 300 02871 7
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London as it might have been 
by Felix Barker and Ralph Hyde.
Murray, 223 pp., £12.50, May 1982, 0 7195 3857 2
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... Street and the Rue de Rivoli, merely underlined the fact that the British were amateurs in the grand manner. The city whose ‘towers, domes, theatres and temples’ Wordsworth celebrated in the rare moment of urban empathy, was more candidly described in The Prelude as a ‘monstrous ant-hill’, ‘gloomy’ and ‘unsightly’. Like the making and ...

Pal o’ Me Heart

David Halperin: Jamie O’Neill, 22 May 2003

At Swim, Two Boys 
by Jamie O'Neill.
Scribner, 572 pp., £6.99, July 2002, 0 7432 0714 9
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... of gay romance with patriotic romance. ‘To fight with your friend beside you. That would be grand,’ one of the boys says, thinking of his lover: ‘I know Doyler will be out, and where would I be but out beside him? I don’t hate the English and I don’t know do I love the Irish. But I love him. I’m sure of that now. And he’s my country.’ This ...

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