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“... the interplay between a bourgeois hanging on to an ageing modernity and the counter-culture,’ Philip Mann writes in The Dandy At Dusk: Taste and Melancholy in the 20th Century (2017), ‘that makes the 1970s.’As Kraftwerk developed their new, distinctive sound, they also evinced a talent for supplying quotes of the sort that on-the-make young music ...”

“... do so. For much of the 18th century, these were limited in number, comprising a handful of small, short-lived institutions. London’s first commercial showcase of contemporary art, organised in 1760 by a group calling itself the Present Artists, included work by Katharine Read and the future Academician Mary Moser; exhibitions held subsequently by two rival ...”

“... and unconvinced, marred in their judgments by a ‘fatal distaste for self-criticism’, as Philip Martin puts it. In J.M. Coetzee’s Disgrace, the dodgy English professor David Lurie’s seduction of his student is bound up with his admiration for Byron’s poetry, Lara in particular.It’s easy to forget, in this context, that Byron was the same poet ...”

“... to the drug companies made its way back into the pockets of haemophilia clinic doctors. Blood, in short, became part of an elaborate, global biofiscal infrastructure with a life – many lives – of its own. Part 3, ‘Blood Money’, charts the history of this economy. There were of course national variations within the global market. In Japan, collections ...”

“... an examination of ideas and their influence might be Felix Holt, the Radical. On the surface, this short novel has quite a lot in common with the novels I have been discussing in these lectures, especially Crime and Punishment and The Red and the Black. The hero is a Radical of independent mind. He comes from the lower middle class, is poor, indifferent to his ...”

“... revolutionary and poetic’. He said he devoted thousands of hours to astrology. He once cast Philip Larkin’s horoscope, probably an underappreciated service. All of which implies cultural history painted with the broadest of brushes: the villain of the piece is the Renaissance, that catastrophe of individualism, which gave birth at once to the hubris ...”

“... to a farming apprenticeship in Uganda. The First World War took him to the Western Front. In his short, unpublished memoir, ‘Scenes from My Life’, he describes how, ‘thoroughly fed up with the mud of France’, he took advantage of some leave in London to visit the War Office and request any posting which would take him out of the trenches. For the ...”

“... they seem faintly to shadow, but more private intensities of self-contemplation: they work, in short, as ritual games and puzzles, effective by their exclusions – their interesting mix of violence and nullity the opium, perhaps, of the English rectory and manor-house during the troubled inter-war period. With an extraordinary unanimity, good ...”

“... no doubt, is a complex figure, though less so than that strange mixture of villainy and conscience Philip (Junius) Francis, who aided Burke in the indictment, possibly out of repentance, and attended his funeral in 1797; he was a true sociopath, here unforgettably described in the most remarkable secondary portrait in the book. Seven years of great oratory ...”

“... M.G. Lewis, Thomas Lodge, Henry MacKenzie [sic], Thomas Malory, Charles Maturin, Walter Scott, Philip Sidney, Horace Walpole ... twenty, plus the recognised fathers of the novel ... Daniel Defoe, Henry Fielding, Samuel Richardson, Tobias Smollett and Lawrence [sic] Sterne; generosity indeed to double the number!’ A list so nakedly daft obviates detailed ...”

“... They were supplied forthwith: Titian’s ‘Rape of Europa’; Rembrandt’s 1636 self-portrait; a Philip IV by Velazquez; Rubens’s Earl of Arundel – all for what seemed at the time phenomenal, that is to Say, ‘American’ prices. The proceeds from this stupendous bonanza enabled Berenson and his wife to instal themselves in I Tatti, already dreaming ...”

“... threats and intellectual gestures, seems far away, but almost as distant is the world of Philip Larkin, with all its equally carefully set-up shabbinesses, contrivances and confidences which only ten years ago seemed an exact and honest image of the way people actually lived. To the poetry of every age its dream and image of itself, but there seems ...”

“... Carleton, is probably lost on most British readers, but it is a striking choice: Carleton’s short story ‘The Lough Derg Pilgrim’ (1828) portrays the business of the pilgrimage as, in Foster’s words, ‘a squalid racket’, depicted with the special vehemence of one who had been raised in the Catholic faith but abandoned it for the better bet of ...”

“... daughter (aged eight during the school closures that year) was sometimes required to read the same short passage five days in a row and to perform different tasks in relation to it. Presumably the idea was for her to learn how specific sentence constructions work, in the hope that she would be able to apply that knowledge elsewhere – but the invitation to ...”

“... his introduction to the Penguin Freud Reader, a very rich selection of Freud’s writing, long and short, which includes the letter to Romain Rolland, ‘Dora’, ‘The “Wolfman”’, ‘Mourning and Melancholia’, ‘Beyond the Pleasure Principle’ and many less well-known pieces. ‘We are all Freud readers now,’ Phillips says, shifting the meaning ...”