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“... wrote a fulsome poem for the front of the book, paid for its publication, presented it to the King, and reviewed it in the Royal Society’s journal, which he himself edited. He made a profit of at least £10 out of the sales of the book. Few others got a look behind the scenes of this amazing work. Its impenetrability, and that of its author, became ...”

“... that the affairs of the borough are not decided in the borough; but that a man belonging to the king, an intendant, administers them, alone and at a distance.’ Conversely, an 18th-century burgher visiting a 12th-century town would find a model of local self-government. ‘The burghers tax themselves, elect their magistrates, judge and punish, and assemble ...”

“... of all Hogarth’s extant portraits. Many of course are already very well known – Garrick as Richard III on the eve of the Battle of Bosworth, Garrick and his wife Eva-Maria Veigel, the painting known as The Shrimp Girl, the self-portrait of Hogarth with his unfortunately named pug Trump – but to see all the portraits together is a revelation, and ...”

“... Whoroscope, billed as ‘Mr Samuel Beckett’s first separately published work’. Cunard and Richard Aldington had announced a competition – with a prize of £10 and publication – for ‘the best poem on TIME’. The best poem not about time might have been more of a challenge, but the young Beckett, for once letting optimism get the better of ...”

“... the category we have come to know, and take for granted, as ‘public opinion’. In the 1970s, Richard Sennett’s The Fall of Public Man made Habermas’s argument more concrete and detailed: late 17th and 18th-century coffee houses ‘naturally were places where speech flourished’. When a man went into one, he paid an entrance fee of a penny, was told ...”

“... puts this stale little homily in the mouth of the Duke of Norfolk in the ridiculous first scene of Richard II where two young lords spoiling for a fight, Norfolk and Bolingbroke, swagger before their monarch. No one explains the reason for their quarrel. Norfolk, rather like some of Mr Carter-Ruck’s clients, seems to be an over-sensitive upper-class ...”

“... good and ill, we’re continually in excess of ourselves. Culture is reckoned into our nature. King Lear is much concerned with this ambiguity. Since the material production that gives birth to culture is racked by conflict, bits of this culture tend to be used from time to time to legitimate the social order that strives to contain or resolve the ...”

“... it’s fuzzy, sometimes it’s a matter of perspective. Does my daughter believe that the king is the head of state? Well, does that require her to distinguish the state from the government? Or that she understand how the United Kingdom differs from Great Britain? Determining what someone believes is often more like determining whether Hamlet is an ...”

“... seeking support for the Civil Rights movement in the South and in particular for Martin Luther King. The text deplored what the Police and other elements of the then dominant white segregationist forces in the South had done to peaceful protesters against racial discrimination. It said that Dr King had been arrested ...”

“... dense with social detail, and doesn’t represent a comfortable ‘mystification’ any more than King Lear does. What other English novelist evokes the world of work and community within a palpable landscape as Hardy does? Or is less patronising to working people like Gabriel Oak or Tess or even Diggory Venn? Snell’s isn’t the whole story, even if ...”

“... In the evenings, after dinner in hall, groups would take shape informally in the quad. There was Richard Cobb’s lot, making for the buttery and another round of worldly banter. There was this or that sodality, taking a cigarette break or killing time before revision. There was my own cohort, usually divided between the opposing tasks of selling the ...”

“... knitted yellow stockings, he was always quick-witted, a story-teller, an enchanter. Introducing King George VI to the Snowdon skyline, he pointed to the peak of Cnicht, remarking, ‘That bit there, Your Majesty, is my own’; then, recalling his prior duty to the idea of a Snowdonia National Park, quickly added: ‘but keep it under your Crown.’ Jonah ...”

“... set within a shopping mall, Grand Central, which blurs into another shopping mall, the Bull Ring. Richard Vinen, writing the first serious history of Birmingham in a long while, is aware of how hard it is to pin the city down, to explain what it is or what it is for. Planners in the 1960s, he says, ‘were sometimes perplexed as to why Birmingham had been ...”

“... producer, and he later brought in Norman Mailer to write the book. He showed himself to be the king deal-maker and media broker, the chief documenter, of grand-scale American tragedy. Wherever there has been sensational news in America over the last thirty years, there you will invariably find Lawrence Schiller. Schiller has helped all manner of American ...”

“... Rain, Steam and Speed’ (1844) J.M.W. Turner’s​  Rain, Steam and Speed: The Great Western Railway hangs in a corner of Room 34 at the National Gallery on Trafalgar Square. The painting remains close to where it was first exhibited in 1844 when the Royal Academy occupied the gallery’s east wing. ‘There comes a train down upon you,’ Thackeray wrote after seeing the painting ...”