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“... the South Pole. From 1913, when the news arrived of his death in the snow, until the late 1970s, Robert Falcon Scott’s reputation was frozen as the apotheosis of duty, Britishness and the selfless, good death. Then, just in time for the arrival of Margaret Thatcher’s brash, commercial vision of what ‘British’ was supposed to mean, Roland Huntford ...”

“... a liberal reform of the franchise in 1870, Russia’s town halls continued to be run by small self-interested circles of wealthy merchants and patricians, who stalled urgent social expenditures to keep taxes low. By the turn of the century, the working-class districts of Russia’s great cities looked more like Bombay than Berlin. Poor and overcrowded ...”

“... their napkins. Usvatov is not a hypocrite, indeed he hardly has the strength for it, but he is self-deceiving almost beyond redemption. He is supposed to be a playwright, although his plays are written for him by an obsequious young colleague, always on tap, and when a distinguished old horror of a guest toasts his ‘creativity’ he even manages a few ...”

“... that a former propagandist should take their formal recitation of Leninist phrases at face value. Robert Service’s Lenin trilogy is a work of a very different kind. The final volume covering the period from the spring of 1918 to Lenin’s death has benefited from access to some of the sources used by Volkogonov, though far from all, which is a pity since ...”

“... in certain purification rites could be thrown outside the sanctuary of the god. Robert Parker is the first scholar to have considered all these different aspects of pollution, and to show how they relate to one another, and he does so without trying to impose on them a conceptual framework that would give priority either to the physical or ...”

“... stands aside from the general course of imaginative fiction. It is probably meant to do so. Robert Stone is also engaged with political disaster. His earlier novel Dog Soldiers was about the legacy of corruption left to America by the Vietnam War. In A Flag for Sunrise the theme is American incursion into the Third World. The scene is the small corrupt ...”

“... of art, Gombrich turns his attention to the ceiling painting, an ‘Allegory of Truth’ by Robert Streeter. By a fortunate chance he has an ideal text ready to hand in a contemporary description of Streeter’s picture by Robert Whitehall, which ends with the words: That future ages must confess they owe To Streeter ...”

“... to illuminate their understanding of old familiar scenes. Among the professionals must be included Robert and Monica Beckinsale; among the self-confessed amateurs, Richard Muir. The Beckinsales – one native to the north Cots-wolds and the other to the Vale of the White Horse – present what is for them the English ...”

“... enough – to celebrate Cobden’s rejection of armed intervention whatever the cause, his self-chosen role as an international man. But it was as a Manchester man that Cobden came to be most generally regarded. Before and after the Second World War, a succession of books presented him as a spokesman for the industrial North, as a prime exemplar of ...”

“... my father and married my mother – but would not be confined to it, and this is the kind of plot Robert Belknap is most interested in. He doesn’t neglect causality, but he likes it best when it goes what he calls ‘fractal’, when narrative turns take further turns, as ‘a fractal curve has kinks, and kinks on the kinks, and smaller kinks on those ...”

“... At first glance the new series was just as disconnected from public concerns. James Comey and Robert Mueller might be on people’s minds, but on Twin Peaks the salient FBI boss is still Gordon Cole, a hearing-impaired, gee-whizzily cryptic character played by Lynch himself. We first caught up with him in a conference room, where a subordinate showed him ...”

“... Robert Stone​ was the feral child of American literature. He arrived in the world with no one to explain or defend him, except his mother, Gladys. About her we know only stray bits of personal history. The chief evidence that Stone’s father existed is the fact of Stone himself. All other claims – that he was a railroad detective, was a Greek or a Jew, had been killed by a bomb in Shanghai in 1937, even that his given name was Homer – are hearsay, most of them floated by Gladys one day, taken back the next ...”

“... Charmian (an ‘infantile’ mate-woman, as Stone portrayed her), and ultimately to suicide from a self-administered overdose of morphine. Stone based his suicide thesis on interviews and on some alleged notes by the dying man’s bed. ‘Uremia’, Stone alleged, was a cover-up by Charmian and her pliant doctors. Stone’s Sailor on Horseback remains both ...”

“... of Lesley Dunn in 1981 (of which, curiously, only 21 are included here) have been compared by Robert Nye to the poems written by Thomas Hardy after the death of his wife, and by Jonathan Raban to In Memoriam. The subject is a precarious one for poetry, and Dunn has not always succeeded in avoiding the pitfalls. Poems like ‘Dining’ and ...”

“... If you were​ throwing a pity party among American playwrights, the antisocial, alcoholic, self-dramatising misery named Eugene Gladstone O’Neill would win the door prize. At the age of 21, already making a myth of his sense of doom, O’Neill was calling himself ‘the Irish luck kid’. By then, he’d been thrown out of Princeton (‘Ego’ was his nickname), fathered a son with his divorced first wife, caught syphilis in his wanderlust around South America as a merchant seaman, and attempted suicide in a Greenwich Village fleabag called ‘the Hell Hole’ by its permanently pie-eyed denizens ...”