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Stay Home, Stay Stoned

Andrea Brady: Diane di Prima, 10 March 2022

Revolutionary Letters: Fiftieth Anniversary Edition 
by Diane di Prima.
City Lights, 213 pp., £13.99, September 2021, 978 0 9957162 6 1
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... Ulysses – and the magazine continued to come out, albeit with diminishing frequency, until 1969. William Burroughs, Charles Olson, Robert Creeley, Ed Dorn and Barbara Guest all appeared in its pages. Producing the Floating Bear was an ‘endless rhythm of editing, typing, proofing, printing, collating, stapling, labelling and mailing’, but di Prima ...

Upriver

Iain Sinclair: The Thames, 25 June 2009

Thames: Sacred River 
by Peter Ackroyd.
Vintage, 608 pp., £14.99, August 2008, 978 0 09 942255 6
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... source. My bias, which I will attempt to overcome, tends towards the more cynical view ascribed to William Burroughs by Jack Kerouac. ‘When you start separating the people from their rivers what have you got? Bureaucracy!’ Having triumphantly ghosted London’s autobiography, Ackroyd’s obvious follow-up was the Thames: generator of life, origin of ...

All he does is write his novel

Christian Lorentzen: Updike, 5 June 2014

Updike 
by Adam Begley.
Harper, 558 pp., £25, April 2014, 978 0 06 189645 3
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... writers when the subject finds himself among the sons of the East Coast establishment, from William Burroughs of St Louis to Norman Mailer, the Brooklyn Jew. The Lampoon officers recognised the worker in the ‘cultural bumpkin’: he could put out the magazine single-handed while everyone else was horsing around and drinking, a vice Updike hardly ...

The Coat in Question

Iain Sinclair: Margate, 20 March 2003

All the Devils Are Here 
by David Seabrook.
Granta, 192 pp., £7.99, March 2003, 9781862075597
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... until the appointed hour for his interview with an old queen in Deal, or with the executed traitor William Joyce’s daughter, by his second wife, in Gillingham. Carry On grotesques, professional alcoholics, poets suffering with their nerves, Broadstairs fascists, economic migrants of every stamp: all the devils are here. From the areal to Ariel, Seabrook ...

Hopi Mean Time

Iain Sinclair: Jim Sallis, 18 March 1999

Eye of the Cricket 
by James Sallis.
No Exit, 190 pp., £6.99, April 1998, 1 874061 77 7
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... go out much. Place is unimportant. It’s where you live, no more than that: a stopover. How did William Burroughs finish up in a clapboard cabin in Lawrence, Kansas, with his brood of sleek, well-fed felines? The old man mumbled something unconvincing about property prices. Why did the quintessentially English Michael Moorcock nominate the second ...

Abolish everything!

Andrew Hussey: Situationist International, 2 September 1999

The Situationist City 
by Simon Sadler.
MIT, 248 pp., £24.95, March 1998, 0 262 19392 2
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... Ralph Rumney took up his camera and stalked Alan Ansen, Beat poet, paedophile and intimate of William Burroughs, publishing the finished product as a systematic collage called A Psychogeographic Map of Venice. More often than not, however, the city meant Paris. Like Benjamin, the Surrealists or indeed Baudelaire, the Situationists saw Paris as a ...

Welcome Home

Sukhdev Sandhu: Memories of Michael X, 4 February 1999

Windrush: The Irresistible Rise of Multiracial Britain 
by Mike Phillips and Trevor Phillips.
HarperCollins, 422 pp., £16.99, May 1998, 0 00 255909 9
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... black Britain. From then on he was rarely out of the news: encouraged by Alexander Trocchi and William Burroughs, he penned execrable verse, topical examples of which he sent to Chairman Mao who rapidly telexed back his response; when Muhammad Ali came to London for his championship fight with Henry Cooper, Michael X escorted him to West Indian ...

Space Wars

Fredric Jameson, 4 April 1996

The Invisible in Architecture 
edited by Ole Bouman and Roemer van Toorn.
Academy, 516 pp., $115, February 1994, 1 85490 285 7
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The Classical Vernacular: Architectural Principles in an Age of Nihilism 
by Roger Scruton.
Carcanet, 158 pp., £19.95, October 1994, 1 85754 054 9
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... would remodel itself perpetually, like a transformer or a superchangeling: an unrealisable ideal William Burroughs brought down to the affordability of ordinary people in his proposal for the cut-up book, which you could simply rearrange at home according to your fancy. But The Invisible in Architecture is closer to these ideal images than the literary ...

Secretly Sublime

Iain Sinclair: The Great Ian Penman, 19 March 1998

Vital Signs 
by Ian Penman.
Serpent’s Tail, 374 pp., £10.99, February 1998, 1 85242 523 7
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... and corner of the eye glimpses of other reports over which he had no control. Penman liked the William Burroughs moment, reading the tabloid spread as a single unit. There was something subversive, communal and hopefully dangerous, about the whole enterprise. Now all that was over. Penman had crossed the line and become a version of the thing he was ...

Big toes are gross

Hal Foster: Surrealism's Influence, 6 June 2024

Why Surrealism Matters 
by Mark Polizzotti.
Yale, 232 pp., £16.99, March, 978 0 300 25709 0
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... interpretations’, and the crazy-enough-to-be-true projections of Thomas Pynchon, Philip K. Dick, William Burroughs and J.G. Ballard (who wrote incisively about Surrealism). The afterlife of Surrealism is more active in poetry, as in the New York School of Frank O’Hara, John Ashbery and others: ‘We all “grew up Surrealist”,’ Ashbery once ...

The Paranoid Sublime

Andrew O’Hagan, 26 May 1994

How late it was, how late 
by James Kelman.
Secker, 374 pp., £14.99, March 1994, 0 436 23292 8
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... against the dark knights of the state. The difference between Kafka’s view of the state, or William Burroughs’ or even George Orwell’s, and that of James Kelman, is that Kelman believes his fiction offers a more or less literal depiction of how the state operates – it’s not a surreal thing or a symbolic thing or a thing in the mind, for him ...

Thanks for being called Dick

Jenny Turner: ‘I Love Dick’, 17 December 2015

I Love Dick 
by Chris Kraus.
Tuskar Rock, 261 pp., £12.99, November 2015, 978 1 78125 647 3
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... possessions. We were just sick of being had.’ A taxi driver rants ‘about wogs and how reading William Burroughs made him different from all the other cab drivers in Columbus and could I tell him how to make a living as an artist?’ Is it self-evident to everybody why people (e.g. ‘artworld cohorts’) are wrong to be rude to Chris, but it’s fine ...

Off-Beat

Iain Sinclair, 6 June 1996

... and early Fifties, when he sat in coffee shops and dyke bars, Horn and Hardart’s, talking at Burroughs, Ginsberg and Kerouac with feverish intensity, disconnected hipsters admired the vigour of their discourse. ‘Dig that aggression!’ Tony Torres goes out in baroque style, crucified inside a TV dish, ‘splayed and mounted like a butterfly’ by a ...

A Hit of Rus in Urbe

Iain Sinclair: In Lea Valley, 27 June 2002

... was over the name. I favoured (homage to Izaak Walton) the Lea spelling, where they went for the (William) Burroughs-suggestive Lee. Inspector Lee. Willie Lee. Customised paranoia: double e, narrowed eyes glinting behind heavy-rimmed spectacles. The area alongside the M25, between Enfield Lock and High Beach, Epping ...

Post-Modern Vanguard

Edward Mendelson, 3 September 1981

After the Wake: An Essay on the Contemporary Avant-Garde 
by Christopher Butler.
Oxford, 177 pp., £7.95, November 1980, 0 19 815766 5
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... paper. In the messier room across the hall, Karlheinz Stockhausen untunes a synthesiser, while William Burroughs randomly folds and cuts up his prose, and Robert Rauschenberg pushes a stuffed goat through an old tyre. That all these are denatured versions of Modernist practice is something Christopher Butler recognises. But, at least at the start of ...

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