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“... Hardy or Nabokov). The most determined will arrange to disappear from the face of the earth, like Thomas Pynchon, a major force in modern fiction who is, to all biographical intents and purposes, a cipher. The morbid secretiveness of authors as a class compared, say, to film-stars, sportsmen or pop-musicians is mysterious. Are they ashamed of their ...”

“... and suddenly Smith was the epigone of ‘hysterical realism’, the misbegotten progeny of Thomas Pynchon and Salman Rushdie. When he repeated the charge in the Guardian after the 11 September attacks, she responded that the term was ‘painfully accurate’, and mounted a defence of David Foster Wallace and Don DeLillo, as if the prescriptive ...”

“... what really distinguished Gray’s epic postmodernism from the work of, say, John Fowles or Thomas Pynchon was the absolute lucidity of his approach. Lanark was – and remains – intensely readable, combining the narrative hooks of science fiction with the solid satisfactions of the Victorian novel: read the first chapter of Lanark, in which the ...”

“... roster of American writers, including Robert Coover, Don DeLillo, Philip K. Dick, Joseph Heller, Thomas Pynchon, Ishmael Reed, Philip Roth and Garry Wills – whose analyses of Nixon, Reagan and Wayne blazed the trail for Nixon at the Movies – took him on as a character. Pundits have searched for literary antecedents (Uriah Heep, Tartuffe, Richard ...”

“... and retellings of ancient myth. Everett shares his taste for marrying comedy and philosophy with Thomas Pynchon and the Joseph Heller of Catch-22 and Good as Gold. But there’s only one writer who resembles him in any significant way. Like Everett, J.M. Coetzee was a student of logic who turned to fiction. ‘My name is Eugene Dawn,’ the narrator of ...”

“... and downs to which flesh is heir. He may not have the ‘heart’ of writers aching to be loved (Thomas Wolfe howling to the heavens), but his cool eye has proved an invaluable instrument. From his precocious debut with the war novel Williwaw, in 1946, up to the present moment, his focus has been keen, individual and unwavering. A thoroughbred workhorse, he ...”

“... strikes many young readers as a chestnut, maybe even an obstacle on the road to Virginia Woolf, Thomas Pynchon and Alice Walker, while the later novels just look ‘weird’. On the one hand, the author of Women in Love is too damn serious, too damn end-of-the-world to be any fun in a world of MTV; on the other hand, the creator of The Woman who Rode ...”

“... of delirious associations and interpretations’, and the crazy-enough-to-be-true projections of Thomas Pynchon, Philip K. Dick, William Burroughs and J.G. Ballard (who wrote incisively about Surrealism). The afterlife of Surrealism is more active in poetry, as in the New York School of Frank O’Hara, John Ashbery and others: ‘We all “grew up ...”

“... 60, Ruth Prawer Jhabvala (1984) at 57, Susan Sontag (1990) at 59, Ernest J. Gaines (1993) at 60. Thomas Pynchon was a relatively young 51 when he won, but by 1988 already the author of his major works. The Foundation nonetheless took a big punt on the genius of Richard Powers, who was awarded his MacArthur in 1989, aged only 32. I haven’t checked, but ...”

“... by the resurgent Marxism and feminism of the 1960s, engaged scholars including T.J. Clark, Thomas Crow, Linda Nochlin and Griselda Pollock asked difficult questions about class, audience, gender and sexuality, questions that were soon rumbling through other fields as well. Yet disruptive though these inquiries were, they mostly continued to insist on ...”

“... community in America. But the American canon does include Philip Roth, as well as Don DeLillo and Thomas Pynchon, in whom Bloom found dark offshoots of the gnostic belief that the self is a shard of light which has its origins outside the creation, a belief he regarded as the foundation of the greatest American writing. A chapter is given to the wilful ...”

“... usually run by the CIA, are a familiar plot device across the spectrum, from literary fiction (Thomas Pynchon, David Foster Wallace) to mass-market movies (The Ipcress File, The Parallax View, Jacob’s Ladder, the Bourne franchise) and TV (The X-Files, Stranger Things). The story is always the same: mind control is real, and those who know its ...”

“... Bret Easton Ellis has said that ‘it renders most other fiction meaningless. One can imagine Pynchon and Ballard and Stephen King and David Foster Wallace bowing at Mark Danielewski’s feet, choking with astonishment, surprise, laughter and awe. I feel privileged to be among its first readers. Will I ever recover?’ House of leaves has at least three ...”

“... At one moment in Thomas Pynchon’s novel named after them, Mason and Dixon pause to wonder what history’s verdict on their most famous work is likely to be, its ‘assessment of the Good resulting from this Line, vis-à-vis the not-so-good’. A voice, apparently coming from nowhere, says: ‘You wonder? That’s all? What about “care”? Don’t you care?’ The surveyors explain to the voice that surveying is what they do ...”

“... part of an author’s mystique, whether that invisibility is absolute (B. Traven), relative (Thomas Pynchon) or precarious (Elena Ferrante), but there has to be a readership in place first. These days self-promotion, the business of presenting to the world your trauma or cheekbones (ideally both), is not optional, as real-life examples can ...”