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“... reading. Archer and Jockers are interested in the pumpkin plants – writers like Stephen King, John Grisham and Danielle Steel, perennial presences on the New York Times bestseller list – and what makes them sell so well. By looking only at textual features their machine has isolated the essence of the bestseller, Archer and Jockers believe, and can now ...”

“... heroism of Franklin’s men, celebrated in that very Victorian melodrama by Dickens and Wilkie Collins, has no counterpart in the new world of Toronto, falling apart with Aids and the insidious toxins of waste dumps, ‘concealed here and there in the countryside, and masked by the lush deceitful green of waving trees’. ‘Franklin my dear, I don’t ...”

“... For Tolstoy and Hemingway, as for Homer, writing about war was the natural thing. They did not exactly worship the demands of ‘hateful Ares’, as Homer calls him; but they knew that war as hell was the proper field of the heroic, and thus of narrative itself. The story of what happens in a football match today is our equivalent of yesterday’s battle; and it can be established later, as game, in the same heroic sequence ...”

“... we’re not part of the motor industry. We’re in the toy business, making toys for big boys.’ John DeLorean intended to do the same: to build a sports car of polished steel for, as he put it, ‘the horny bachelor who’s made it’. But the toy market is demanding and capricious and the car failed to please. The Belfast factory making it had no sooner ...”

“... Julie’s domestic existence is shattered; in Enduring Love, Clarissa and Joe witness the death of John Logan as he falls from a balloon, are changed for ever, and spend the rest of the novel trying to absorb the consequences of the spectacle; Black Dogs is in part about how Bernard Tremaine, a politician, scientist and rationalist, drifts away from his ...”

“... history of the screenplay is complicated, and it seems clear that Orson Welles, Mankiewicz and John Houseman all had a hand in it. Mankiewicz signed a contract that meant he would receive payment for his work but not get a credit; later, he managed to get his name, along with Welles’s, on screen. The film’s single Oscar went to both of them. They had ...”

“... In the London Review of Books, John Maynard Smith said about scientists: ‘however interested they may be in politics or history or philosophy, their first love is science itself.’ If only I could follow this bent, and tell something of Hamilton as a mathematician. As it happens, he also wrote a good deal of poetry, but his poems lack the magic of his equations, which seem more beautiful and moving now than when they were imagined 150 years ago ...”

“... Why has it taken a century to bring this about? In giving notice of her death her husband, John Walter Cross, who had married her in St George’s, Hanover Square, scarcely eight months before, alluded to her wish to be buried here. Of her many famous friends, Tennyson, Browning and Trollope would certainly have written to Dean Stanley urging it, and ...”

“... a good ‘marquee’ personality. The camera likes them and they give a good interview. Like Jacky Collins, Jacqueline Susann and Tom Tryon (best-sellers all) Sheppard was previously an actor. His credits, admittedly, are grander than theirs – RADA, Old Vic and National Theatre; he was, apparently, auditioned for the lead in the film version of The Day of ...”

“... a wan light on pews reserved for the use of MPs in St Margaret’s, Westminster, are untypical of John Piper. Normally, his stained glass seethes, particularly in Coventry Cathedral, where a Piper sunburst behind the boulder that serves as a font irradiates a great wall of clunky fenestration. In Westminster though, in a building studded with fanciful ...”

“... Hardy decided, ‘really belonged to the literary school of such poets as Tennyson, Gray and Collins, rather than to that of the old unpremeditated singers in dialect’. Both Hardy and Hopkins come near to acknowledging that the dialect, and the markings of it in the text, belong to the packaging and promotion of the product, not to the product ...”

“... no flagrantly unconventional union of the Lewes-Eliot kind. Trollope did not, like Wilkie Collins, steep himself in laudanum and keep two mistresses. He did not, like Bulwer Lytton, lock his wife in a lunatic asylum. He did not die tragically young like the Brontës or poor, like Charles Lever. He did not become Prime Minister of England, like ...”

“... At the Netherfield ball our heroine has had to endure two clumsy turns of the floor with Mr Collins, before enjoying a dance with an unnamed officer who has conversed happily about Mr Wickham’s popularity among his fellow militia members. She is talking to Charlotte Lucas when she finds herself ‘suddenly addressed by Mr Darcy who took her so much by ...”

“... peglegs: all press-ganged upstream with Adam Dalgleish’s impersonator, Roy Marsden, for the Long John Silver show at the Mermaid. James is left with a heritage trail of selective quotations, a London Dungeon of waxwork crimes exhibited in authentic locations. This is an empty set, a set defined by its architecture (where even Mandy the Temp, in her ...”

“... years of Africa as I had months – almost After Casement’s arrest in 1916, Conrad wrote to John Quinn in New York: We never talked politics ... He was a good companion: but already in Africa I judged that he was a man, properly speaking, of no mind at all. I don’t mean stupid. I mean that he was all emotion. By emotional force (Congo ...”