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“... with imperialism. Cromer’s rule in Egypt exemplified this. It was full of display – what David Cannadine calls ‘ornamentalism’ – designed to impress both aristocrats and peasants. He also had to compete with Egypt’s formal (or puppet) ruler, the khedive, in this field. Owen suggests that another purpose of all this showing off was to ...”

“... experts, it too will have been elected for nought.) And the platoon’s roll still goes on, with David Reynolds on 1940 (not this book’s finest chapter), Henry Pelling on ‘... and the Labour Movement’ (Commies are included), Max Beloff on ‘... and Europe’, and Sarvepalli Gopal on ‘... and India’ – Gopal unaccountably holds a grudge against ...”

“... other than human life. There’s also a masterly volume of summary and analysis by the editor, David Fisher, who dislikes paragraphs and believes in calling a bastard a bastard. Inevitably, such an exhaustive work of reference answers questions nobody is ever likely to ask. As you leaf through the 6000 double-columned pages you are sometimes overwhelmed by ...”

“... prince, has been slipping. The woman modern scholarship gives us has been neatly summed up by David Cannadine: ‘A workaday regnant queen, shorn of her glitter and her gold, her glamour and her greatness, with a false face, a disturbed psyche, a heart of stone, a barren womb and feet of clay; and as such a woman trying to do a man’s job, but not ...”

“... idle, self-pitying, cruel and unscrupulous. Nor were his brothers much better. Probably, as David Cannadine has written, the lives, loves and morals of George III’s children made them ‘the most unloved royal generation in English history’; though the previous one, the brothers of George III, must have run them pretty close. George behaved ...”

“... Africa and Asia don’t seem quite as bad. The perplexingly affirmative work of Niall Ferguson and David Armitage scants, if it doesn’t actually trivialise, the suffering and dispossession brought by empire to its victims. More is said now about the modernising advantages the empires brought, and about the security and order they maintained. There is far ...”

“... Fleming’s history is Volume II in the Penguin History of Britain, for which the general editor, David Cannadine, ‘laid down three inviolable rules’: no footnotes, no historiography (that is, no discussion of the ebb and flow of historical opinion), and make it accessible to everyone, general readers, students and professional historians alike (in ...”

“... The publisher’s launching party for David Cannadine’s Decline and Fall of the British Aristocracy in the Moses Room of the House of Lords on 22 October was the third occasion on which I had been inside that curious place since taking my seat as a hereditary member of it. The Moses Room is evidently so called because its walls depict, in tableaux more impressive for their size than their quality, the appropriate Old Testament scenes ...”

“... structure founded by Great Britain’s defeat of the French Revolution. The scholarship of David Cannadine and Linda Colley has shown how this was done and how vital the monarchy was to the process. The rejigged royal institution was the mechanism for weening an unruly, half-revolutionary people away from its own past. The defeat of France shored ...”

“... lies rather in his sly portrayal of the squad’s commanding officer as Napoleon. As the historian David Todd has argued, this foreign policy disaster exposed the hollowness of the emperor’s promises to promote the trade and influence of France throughout the world. After Napoleon’s overthrow in 1870 and death in exile at Chislehurst in Kent, the fate of ...”

“... and time horizons – and a quite extraordinary proliferation of specialist journals. David Cannadine, in an influential but pessimistic article, has argued that this is a sign of the subject’s decadence: that it involves knowing more and more about less and less. I prefer to see it as a sign of history’s generosity, and its readiness to ...”

“... in a delicate copperplate hand, ‘The daughter of Admiral Walker’, followed by a signature: ‘David Wilkie f-t 1840’. Near her there used to hang another portrait, of a fantastical fellow in a high tarbush with a long, dangling plume, his chest puffed out in his dress uniform, with prominent epaulettes, medals at his throat and a long scimitar cradled ...”

“... I mistake it, witnessing in England the gradual disappearance of the old landed classes.’ As David Cannadine remarks in The Decline and Fall of the British Aristocracy, ‘five hundred years of patrician landownership had effectively been halted and reversed in seventy.’ True, if you draw up a list of the great property owners today, the same ...”