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“... a song from his posthumously released ‘demos’ album Love Is Overtaking Me. It’s as if Neil Young had made not just the lilting Harvest Moon and the frazzled Tonight’s the Night, but also Dead or Alive’s ‘You Spin Me Round (Like a Record)’ and Steve Reich’s Music for Eighteen Musicians into the bargain. What can they possibly have in ...”

“... The estimates for the end of the Thirties ranged from Dallin and Nicolaevsky’s ten million and Robert Conquest’s nine million (the latter figure excluded ‘criminals’) to Wheatcroft’s maximum of four to five million, Jasny’s three and a half million and Timasheff’s two million. Elaborate records in the NKVD archives reveal that about two million ...”

“... of dancing. Altogether the choruses are less richly rendered than they are in the translation by Robert Fagles, but the austerity is deliberate and this whole work is very cool and restrained. It results from an independent approach to Sophocles, and the introduction offers a personal reading of the plays which is both interesting and quite unlike the way ...”

“... eternal cliché – and thus, like all modern art, to have a special appeal, particularly to the young. In times of educational optimism and university expansion, courses in it might expect to be popular, go-ahead. But Trilling, like many American university intellectuals, expected more than that of courses in modern culture. By studying selected modern ...”

“... sponger who claims to know nothing of ‘the world’. ‘I am a child you know,’ he tells the young wards of John Jarndyce. ‘You are designing people compared with me.’ Skimpole’s main similarity to his real-life source, apart from a talent for accepting handouts, is his conversational manner, which is peculiarly fanciful, fluent and charming, but ...”

“... married an East India Company heiress in 1737, he acquired an estate in County Down, and his son Robert, Castlereagh’s father, married into the Anglican aristocracy. Castlereagh – also Robert Stewart – was largely raised by his Presbyterian grandparents, but educated ecumenically: first at the Anglican grammar school ...”

“... eyes. The market for male ‘general interest’ magazines has grown massively in the UK, as if young men suddenly needed to be celebrated and serviced in a new way, as if there were a new demand among them for reassurance about the wonders of male normalcy. They look for all this in the way people like Tony Parsons have taught them, in a spirit of ...”

“... while still an undergraduate at Columbia, where Mark Van Doren was his teacher and mentor; and Robert Penn Warren was the editor (at Southern Review) whom he first sought to impress. But if the New Critical aesthetic disciplined Berryman it also inhibited him. It gave him a good technical training, but its insistence on what he later called ‘Eliot’s ...”

“... merged into a single script. Not surprisingly, two highly successful journalists, David Holden and Robert Lacey, decided to turn their talents to an exposition of this fascinating modern legend. Unfortunately Holden, a distinguished reporter with many years’ experience of the Middle East labyrinth, never lived to complete his book. He had written the first ...”

“... in the early 1960s, she nonetheless continued picking up nubile girls with aplomb, including (says Robert Schanke) a ‘tubercular young British actress who was a waitress in a coffee shop’. Once one might have welcomed such a seduction, fang marks, TB and all. I remember much relishing de Acosta’s gossipy 1960 ...”

“... penny when no copies went off – has often been told. In 1861, two years after its appearance, a young Celtic scholar called Whitley Stokes fished several copies out of the bargain box and gave some to friends, including Monckton Milnes, Richard Burton and D.G. Rossetti. Ruskin and Burne-Jones discovered it; Meredith was bowled over by it. By the century’s ...”

“... sense. There isn’t much she hasn’t read, or doesn’t remember. Oscar Wilde, the Brontës, Robert Louis Stevenson, Tennyson, George MacDonald, Charles Reade, Jane Austen, George Eliot, Louisa May Alcott, Wilkie Collins, Mary Braddon, Conan Doyle, Du Maurier, and plenty more. Her literary memory is a compendium of every syllabus in Victorian literature ...”

“... A young man, hectic and dirty, sits on a park bench in a cold city. He is wild, nervous, seems to fiddle with his soul. Beside him, an old man is holding a newspaper. The young man begins a conversation. In its course, the old man reveals that he is blind. He asks the young man where he lives ...”

“... and all such evil behaviour as we see to be in other[s].’ In The Anatomy of Melancholy (1621), Robert Burton made the same point from the victim’s perspective: ‘A bitter jest, a slander, a calumny, pierceth deeper than any loss, danger, bodily pain or injury whatsoever.’ In 17th-century England, people across society defended their honour against ...”

“... W.1, and others. The translations were just as elastic as these cartoon-rubber composites. In the Robert Lowell version actually used by the Sunday Times, ‘Spleen’ opens: I’m like the king of a rain-country, rich but sterile, young but with an old wolf’s itchSteiner’s green-inked envelopes, on the other ...”