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“... The moment in the 18th century when Anglo-French relations reached their lowest point was probably 29 May 1794 – 10 Prairial, Year II, as the French then styled it. On that day, the Jacobin Bertrand Barère delivered a typically long-winded and overheated speech to France’s National Convention on his favourite subject, English perfidy. He accused English soldiers of unprecedented atrocities in Europe, North America and India ...”

“... Shakespeare one gets acquainted with without knowing how. It is part of an Englishman’s constitution.’ Henry Crawford’s comment in Mansfield Park is a reminder that ‘Shakespeare’ is more than an individual writer: ‘it’ is an institution, a body of texts whose study, from O-level to the highest reaches of academia, is a means of legitimating social advancement and whose production on the stage and on television makes a powerful contribution to Britain’s invisible exports ...”

“... People always liked Jimmy Stewart and were amazed by his good luck. In the late 1930s, he worked under contract for the studio moguls at MGM. Almost alone in the industry, he later professed to have pleasant memories of the experience. He had affairs with many of his leading ladies, including Ginger Rogers and Marlene Dietrich, as well as Norma Shearer, Olivia de Havilland and others, with no hard feelings on either side except in the case of Dietrich ...”

“... One day in 1914, Ford Madox Ford, then 40 years old and feeling it, found himself for a while in the custody of the youthful Percy Wyndham Lewis, a writer whose work had appeared in Ford’s magazine, the English Review, and who was about to launch a magazine of his own, the rather more intemperate Blast. Gripping Ford by the elbow, Lewis, who was as usual in incendiary mood, poured scorn on him and his associates ...”

“... In August 1940, Winston Churchill likened the relationship between Britain and America to the Mississippi: ‘It just keeps rolling along,’ he told the Commons, ‘full flood, inexorable, irresistible, benignant.’ In the car afterwards he sang ‘Ole Man River’ (out of tune) on the way back to Number Ten. Sixty years later, one might say the same about Ole Man Churchill, whose reputation just keeps rolling along ...”

“... What was the most significant year of the 20th century? There are three plausible candidates. The first is 1917, the year of the Russian Revolution and America’s entry into the First World War, which set in train a century of superpower conflict. The second is 1918, the year that saw Russia’s exit from the war and the defeat of the German and Austro-Hungarian Empires, which set the stage for the triumph of democracy ...”

“... On 1 February 1968 Eddie Adams took a photograph of the South Vietnamese chief of police standing in the street and shooting a Vietcong suspect in the head. The picture is listed on the web as one of the ‘100 photos that changed the world’. For years I thought that it recorded the blood spurting out of the side of the man’s head as the bullet went into his temple ...”

“... Where does it stop? The events at Abu Ghraib prison show no signs of vanishing into historical inertia. On the contrary, they seem to be replicating themselves throughout the defenceless body politic of the ‘coalition of the willing’: even the Danes now apparently have their scandal. The photographs of British misdeeds made public after a hapless soldier took his film to be developed at a shop on his local high street have given us Camp Bread Basket, another probable icon of infamy ...”

“... The politics of taxation can sometimes be gripping for a nation’s citizens, but not often: the arguments tend to be too technical when they are true, and too obviously bogus when they are false, to sustain public interest for long. By extension, the politics of another country’s tax system is unlikely to be of much interest to anyone with any sort of normal life ...”

“... The argument of this fascinating and deeply provoking book is easy to summarise: among rich countries, the more unequal ones do worse according to almost every quality of life indicator you can imagine. They do worse even if they are richer overall, so that per capita GDP turns out to be much less significant for general wellbeing than the size of the gap between the richest and poorest 20 per cent of the population (the basic measure of inequality the authors use ...”

“... France, it has often been said, is a democracy with the manners of an absolute monarchy. Think of the ceremonial splendour with which French presidents surround themselves, the haughty, distant style they tend to adopt, or the way relationships within their entourages tend to mimic, with delicious self-consciousness, patterns of favouritism and intrigue developed long ago at the court of Versailles ...”

“... Of the essays collected and excellently translated in Dissemination, the best example of Derrida’s own practice of the deconstructive criticism he fathered is ‘Plato’s Pharmacy’.* Here he pursues his question why the metaphysical tradition from Plato to the present subordinates writing to speech. Derrida is not claiming to reverse Plato and to subordinate speech acts to écriture, intentions to texts ...”

“... After a decade or more dominated by special studies of anonymous or bestselling authors now suitable for academic recovery, Philip Fisher’s Still the New World marks a return in some ways to an older and less suspicious idea of ‘classic American literature’. Fisher is a critic who has written extensively on realist prose and painting, and his new book is a commentary on Emerson, Whitman, Melville, James and Twain, among others, with significant asides on Thomas Eakins and Winslow Homer ...”

“... Question: What is the basic idea in your philosophy? Bloch: That I cannot see anything at very close quarters, anything that presents itself in front of my eyes. There has to be distance ... Proverbs express it very simply: ‘The weaver knows not what he weaves’; ‘At the foot of the lighthouse there is no light’; ‘The prophet is without honour in his own country ...”

“... At the height of Empire, and of the literature of Empire, J.K. Stephen looked forward to a time When there stands a muzzled stripling,     Mute, beside a muzzled bore, When the Rudyards cease from Kipling     And the Haggards Ride no more. The Haggards have ridden rather precariously since the decline of Empire, if at all. But the next few years promise no end of Kipling ...”