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“... was also very good at turning childish inadequacy to imaginative account. A year after William’s death in 1910, he set out to edit a selection of William’s letters only to end up producing a remarkable self-portrait. Though he had intended to preface the letters with a short history of their family, recollection soon ...”

“... are fed to a privileged coterie of writers or journalists on the far right. In Pincher’s work the two obsessions chase each other’s tails: the alleged need to protect national security legitimates the compulsive secrecy, while the need to expose Communist infiltration legtimates attempts to pierce that ...”

“... the fatal tendency of the Conservative governments to which Britain has been subjected since 2010. David Cameron’s declaration in January 2013 that, if the Conservatives won the next election, they would offer a referendum on membership of the EU – which wasn’t a significant concern, never mind a priority, for British ...”

“... genius and renown, the British and American mass audience was thrilling to the reborn version of David Lean’s Lawrence of Arabia. The movie, which is the closest investigation most English people have made of their country’s long, intense, misunderstood encounter with Islam, is ...”

“... who have got to know the hard way where the limits of their theories lie. Donald Davie’s new sequence of poems, ‘Three for Water-Music’ (which fills the first third of his Carcanet paperback), refers not only to pleasant 18th-century entertainments by water, but to something like Yeats’s ‘words for music, perhaps’: or like Eliot’...”

“... Africa​ , it’s said, is the mother of modern civilisation, but it’s probably more accurate to say that Congo is. Consider your mobile phone. Before it was assembled in a Chinese factory, the coltan in its capacitors may have been dug by miners in the Eastern Congo, where millions have died in a series of wars over ‘conflict minerals’, though we give this no more thought than previous generations of Westerners gave to the Congolese origins of the ivory in their piano keys, the rubber in their tyres, the copper in their bullet casings or the uranium in their bombs ...”

“... Bryan Carsberg of Oftel smiles up in soft brown light as he dangles in the mirror on a green office wall. Michael Meyer of Emess Lighting is dissected by the blinds that cut across him and then reassembled from outside – his shirtsleeved figure looming like a target in the formulaic eye of some Hollywood assassin ...”

“... In 1865, a year after John Clare’s death in the Northampton General Lunatic Asylum, Frederick Martin, a former amanuensis of Thomas Carlyle, published the first biography of the ‘peasant poet’. It laid the foundations, Jonathan Bate says in his new Life, ‘for both the enduring myths and some of the key truths about Clare ...”

“... So:​ the last London. It has to be said with a climbing inflection at the end. Every statement is provisional here. Nothing is fixed or grounded. Come back tomorrow and the British Museum will be an ice rink, a boutique hotel, a fashion hub. The familiar streets outside will have vanished into walls of curved glass and progressive holes in the ground ...”

“... delay. I hadn’t looked at the book in front of me in more than thirty years – Norman Mailer’s Miami and the Siege of Chicago, his two convention pieces from 1968 – and just as my phone began to buzz my eye landed on a sentence: ‘The reporter was a literary man – symbol had the power to push him into actions more heroic than himself.’I picked ...”

“... meeting of the member states that fund and supervise the WHO. The opening session of this year’s assembly, forced online by the worldwide lockdown, was anchored from WHO headquarters in Geneva. We were led on a claustrophobic internet tour of ministerial offices and oppressively large desks in three dozen world capitals, some of the speeches crackling and ...”

“... all meat v. no meat at all, GM v. organic, long haul v. local, dirty v. ‘environmental’ and so on; how we prepare a dish, how Heston Blumenthal does it. What makes these conversations possible is the abundance we’re now accustomed to: plenty is the medium in which our anxieties, our pleasures and even our ‘ethics’ thrive. ...”

“... experts using sophisticated numerical methods in Cambridge and the strengths of computerisation. So we have chapters in which the figures of events and base population are built up, and then chapters in which social and economic conclusions, based on these figures, are worked out. The figures are tucked away into an enormous structure of appendices, 16 in ...”

“... Françoise​ Gilot wasn’t impressed when she first saw Guernica, aged 15, at the 1937 World’s Fair in Paris. She appreciated the painting as a political act, but ‘was not so crazy, aesthetically or technically, about Picasso’. Six years later, she spotted him across the tables of Le Catalan, a restaurant on the Left Bank, and was equally underwhelmed ...”