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“... aesthetic peccadillos. He is traced mainly through his lengthy projects as Surveyor-General of the King’s Works, the chief office he held from 1669 until his late, peremptory dismissal at the age of 86 in 1718. Thus the biography sometimes turns into a catalogue of building designs, from university commissions such as Trinity College Library to the host of ...”

“... Napoleon Bonaparte and his chief diplomat, Charles-Maurice de Talleyrand, are usually seen as the oddest of history’s odd couples. One personified boldness, ambition and overblown operatic passion; the other, subtlety, irony and world-weary cynicism. One displayed such restless physical energy that contemporaries repeatedly reached for that newly hatched adjective ‘electric’ to describe him; the other was sickly, pallid and had a club foot ...”

“... breaking out of its familiar four walls and beginning to move (quite literally, if we think of Charles-François Daubigny’s floating workspace on the river). Some studios, like Moreau’s, sloughed off any pretence of domesticity and achieved cavernous proportions. At the 1937 Paris World Fair, where the European dictatorships faced off against one ...”

“... by the career of Martin Beckman, a Swedish mercenary tasked with arranging fireworks for Charles II’s coronation in 1661; he held the post of royal fire master for the next forty years. Unfazed by confessional differences, Beckman put on great shows that lightened the royal coffers and set fire to Londoners and their homes – even after 1666, when ...”

“... went for the laugh. Jackie said it in a thoughtful, reflective way; he showed the side that made Charles a great king afterwards.’ A year later MacGowran made his London debut as the Young Covey in The Plough and the Stars, becoming friends with its author, Sean O’Casey. In 1956 in London he played – to much critical ...”

“... hair curiously similar to that of Farrah Fawcett-Majors, backed by astrology charts and holding a King Charles spaniel. One just has a drum-kit that says Blondie on it and a guitar like a horse’s neck, with veins. Harry says she had noticed in her own drawings and paintings ‘some subtle reference to my own face when I was drawing someone else. I have ...”

“... can get away with this debate as to who precisely, as between him and the future King of England, is whose dog, because the Henry IV plays give him peculiar authority. This is an authority that works not only inside the plays but outside them as well. One of the few early stories, rare but trustworthy, that come straight from Shakespeare’s ...”

“... of rural festivities, reflecting the protracted propaganda campaign on their behalf by James I and Charles I. Marcus is open to the attractiveness of the carnival sprit, which had its own radical generosity, setting aside traditional hierarchies and roles in the name of a less individualised sense of humanity. But by the 17th century, when her story ...”

“... also in self-deception. Owners of social houses aspired to make them powerhouses, to entertain the King and members of the Cabinet. But insofar as high politics remained a country-house pursuit, it was still carried on in the homes of the Derbys, Devonshires and Salisburys, who despised ‘middle-class monsters’ – be they buildings or businessmen. The ...”

“... of the ‘rules of war’, and that James II lacked legitimacy because he was no longer legal King of England. He was surely a king to the Irish who fought at the Boyne, and for that reason a threat, not only to the religious unity of the Williamite settlement, but to its whole territorial integrity. The early 18th ...”

“... in the grass behind his dugout. He arrived in France as a willing, if not eager, officer of the king. By autumn, however, he understood that the death that had overtaken a steady stream of his comrades was highly likely to come to him too. In one pathetic note to my grandfather, at that time a popular playwright, he asked him to try to use his influence to ...”

“... and illustrated by artists – beginning with the trio of William Morris, Burne-Jones and Charles Fairfax Murray, who helped launch the work after some friends came across it in a remainders box outside Quaritch’s. Two years had passed since the bookseller first published it, at the price of 1s, and not a single copy, it seems, had been sold. That ...”

“... internalised version of the mother. We can’t be sure of the effect of the lost mother on the king penguin, but we can be in no doubt that it matters greatly to England’s royal family. In his essay ‘The Place of the Monarchy’, Winnicott helps us gain traction on the problem: ‘It is in the personal inner psychic reality that the thing is ...”

“... it was full of stacking chairs. It was a depressing, institutional, impersonal sight. I thought, Charles must see this all the time. Glance sideways, into the wings, and you see the tacky preparations for the triumphant public event. You see your beautiful suit deconstructed, the tailor’s chalk lines, the unsecured seams. You see that your life is a ...”

“... banishment of straight lines and symmetry was much applauded). The most striking example of all is Charles Cressent, whom Scott does not mention at all, the daring novelties and extraordinary beauties of whose furniture and clockcases have been plausibly credited to the fact that the patronage of the Regent enabled him to ignore the guild regulations that kept ...”