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“... of the DNB in its early years had a particular predilection for biographers, but they did not read the signs of the times so well as to believe that the careers of women, perhaps especially of feminists, would be of interest to future generations. Mary Hays was excluded, along with her feminist contemporaries, Mary Ann Radcliffe, author of the polemical ...”

“... between 1918 and 1925, when they married, has been edited by a niece and a nephew, Polly Hill and Richard Keynes, who rightly believe that it will be ‘of value and interest and will not offend their ghosts’. In an excellent introduction they admit that Lydia, in the early stages, must have worn herself out in flattering Maynard. She had abandoned her ...”

“... level there is much in late Degas that cannot be explained by age and eyesight. On these matters Richard Kendall’s excellent catalogue of Degas beyond Impressionism is highly instructive, and informative and unintrusive in its judgments. It tests your instincts and answers questions without invading the space between you and the pictures. Some questions ...”

“... by the massive 1988 exhibition of Degas’s work, and by the publication in the same year of Richard Thompson’s magisterial primer, Degas: The Nudes. Feminist art criticism, in particular, has added richness and edge to debates about the relationship between form and meaning. That relationship is the focus of Anthea Callen’s study of the ...”

“... three are now available in English (superbly translated by Michael Henry Heim, Bernard Johnson and Richard Williams). In their determination that the very worst be said, they are grim but not depressing – exhilarating, even. Each novel is quite different in structure and tone; what they share is a radical narrative fragmentation, moving rapidly back and ...”

“... him keep appearing: literary and philosophical essays by Jean-Claude Milner (2003), Jean-Pierre Richard (2006) and Eric Marty (2006), a gossipy biography of his last years by Hervé Algalarrondo (2006), a chapter about his piano-playing by François Noudelmann (2008). And now we have two new/old texts by Barthes himself, transcriptions of his notes on the ...”

“... him in Berlin and admitted that he was very much a product of that culture. He cited lyrics from a Richard Tauber song from Lehár’s Land of Smiles that had remained with him all these years – ‘Always smiling and always cheerful’ – and implied that this was part of his own persona too. His new book is much like that. The darker side of Modernism is ...”

“... of her own generation or slightly older – figures such as Robert Morris, Sol LeWitt and Richard Serra – and then with the promotion, through the journal October, which she co-founded in 1976, of a somewhat younger group of postmodern artists who substituted photographic imagery for painting, among them James Coleman, Louise Lawler and Cindy ...”

“... first published piece of fiction was a long short story, ‘The Farcical History of Richard Greenow’ (collected as the first story in Limbo, 1920). It opens with the Greenow children being showered with presents by their rich Aunt Loo – a woman with an immense bosom and high ideals. These gifts will eventually, in mysterious ways, poison the ...”

“... they were. I couldn’t really talk to them, to be honest. All I could do was stay with them, and read the sutras and conduct the ceremonies. That was the thing I could do.’ Amid this numbness and horror, Kaneda received a visit from a man he knew, a local builder whom I will call Takeshi Ono. Ono was ashamed of what had happened, and didn’t want his real ...”

“... Senators, is a cheap clothing store and a neon sign winking ‘Crazy Eddy’s’. London, 4 March. Read Winnie the Pooh to an audience of children at the Tricycle Theatre, Kilburn. Many have never been in a theatre before. I battle against the crying of babies and the shouts of toddlers and end up screaming and shouting myself. It is Winnie the Pooh as ...”

“... socialists, and another about the Spanish Civil War that some reviewers praised but nobody read. Six hundred of the 1500 print-run for Homage to Catalonia were unsold when Orwell died in January 1950. Later fame has blurred the fact that few of his contemporaries regarded Orwell’s writing highly in the Thirties, or took his ideas seriously. And this ...”

“... 2000 that he or she start with Militant, to get properly into the mood. It is a compellingly good read, and what is more, as far as one can tell, a model of fair and unbiased reporting. The weightier volume, with its tables and statistics and psephological analyses, will be for the long days in the library that follow. It is sobering to realise that that ...”

“... and imperishable, which one might label “God”.’ This tilt makes the book a curious one to read for much of the time, at least for this reader, inclined to believe that the supposed deep question is not a question at all, but an imposing phantom cast up by certain habits of mind. Holt quotes plenty of people who feel this way; he knows that worrying ...”

“... limits of bourgeois morality, but The Accidental Woman is clearly the work of a young man who’s read Murphy, Watt and First Love. The allegiance to Beckett is chiefly signalled by a studied disdain for the conventions of realism (‘Here you are to imagine a short scene of family jubilation, I’m buggered if I can describe one’), along with some suitably ...”