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The Special Motion of a Hand

T.J. Clark: Courbet and Poussin at the Met, 24 April 2008

... in the confines of oil on canvas, delighting in procedure, hiding there from principalities and powers. Wildly different as the two men were temperamentally, their art shares an expository tone. They are both concerned to spell out the true nature and proper province of their craft. Therefore the impossible question ‘What is painting?’ tends to occur in ...

Swiping at Suburbs

Andrew Saint: The course of British urbanism, 31 March 2005

Building Jerusalem: The Rise and Fall of the Victorian City 
by Tristram Hunt.
Weidenfeld, 432 pp., £25, June 2004, 0 297 60767 7
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... self-consciously intellectual’ politicians such as Hugh Gaitskell, Douglas Jay and Michael Foot. Here is unmasked the latent snobbery of the anti-suburbans. The great merit of the garden suburb is that it brought order, grace and amenity to something that would have happened anyway. True enough, the centres of Letchworth and Hampstead Garden ...

Is the particle there?

Hilary Mantel: Schrödinger in Clontarf, 7 July 2005

A Game with Sharpened Knives 
by Neil Belton.
Weidenfeld, 328 pp., £12.99, May 2005, 0 297 64359 2
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... and easy extrapolation. Belton is not one of them; he is as fastidious, though not so succinct, as Michael Frayn in his play Copenhagen. Heisenberg said in his memoirs that ‘science is rooted in conversations.’ He seemed to open the door, in the friendliest fashion, for the novelist and the playwright. Schrödinger’s formulation was darker: ‘Science is ...

Horrid Mutilation! Read all about it!

Richard Davenport-Hines: Jack the Ripper and the London Press by Perry Curtis, 4 April 2002

Jack the Ripper and the London Press 
by Perry Curtis.
Yale, 354 pp., £25, February 2002, 0 300 08872 8
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... the Criminal Law Amendment Act of 1885. Afterwards, in 1887, he persuaded the police to use their powers under this Act to close brothels in Tower Hamlets. In the words of Charrington’s admiring biographer, ‘our “Valiant-for-Good” began a furious, God-inspired onslaught upon the dens of East London, which actually resulted in the closing of 200 ...

The Slightest Sardine

James Wood: A literary dragnet, 20 May 2004

The Oxford English Literary History. Vol. XII: 1960-2000: The Last of England? 
by Randall Stevenson.
Oxford, 624 pp., £30, February 2004, 0 19 818423 9
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... postmodernist concern with language and form continued to highlight the still wider powers, in their age, of commercial, political, or other media interests. Authors who drew most attention to their own form and language – novelists such as John Berger, Doris Lessing, or Rushdie himself; poets such as J.H. Prynne – were in this way among the ...

Species-Mongers

Steven Shapin: Joseph Hooker and the Dead Foreign Weeds, 20 November 2008

Imperial Nature: Joseph Hooker and the Practices of Victorian Science 
by Jim Endersby.
Chicago, 429 pp., £18, May 2008, 978 0 226 20791 9
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... were activities hugely dependent on the navies, armies and trading companies of the big imperial powers. The mutiny on the Bounty ruined a mission in imperial botany: Lieutenant William Bligh’s task had been to secure breadfruit trees from Tahiti, then carry them to the Caribbean to provide cheap food for slaves on the sugar-cane plantations. (The trees ...

A Positive Future

David Simpson: Ernst Cassirer, 26 March 2009

Ernst Cassirer: The Last Philosopher of Culture 
by Edward Skidelsky.
Princeton, 288 pp., £24.95, January 2009, 978 0 691 13134 4
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The Symbolic Construction of Reality: The Legacy of Ernst Cassirer 
edited by Jeffrey Andrew Barash.
Chicago, 223 pp., £26.50, January 2009, 978 0 226 03686 1
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... in Austerlitz W.G. Sebald discusses the bureaucratese of genocide. In emphasising the formative powers of language and the irrational lure of supercharged meanings, Cassirer aligns himself with a familiar principle of cultural critique. But these late thoughts never developed into a sociology. The English translations of the three volumes of The Philosophy ...

Capitalism in One Family

Jan-Werner Müller: The Populist Moment, 1 December 2016

... The vote​ for Donald Trump may well have been what Michael Moore called the ‘biggest fuck-you ever recorded in human history’, delivered by the white working class to spite ‘the establishment’. But it isn’t just the size of the fuck-you that matters; it’s also who delivers it. A fuck-you can be sent via satirical parties (Iceland’s Best Party won the election for mayor of Reykjavik; Hungary’s Two-Tailed Dog Party had a hand in sabotaging Viktor Orbán’s recent anti-refugee referendum), or subversive parties (the Pirates), or grassroots movements turned parties (Podemos ...

Squeegee Abstracts

Malcolm Bull: Gerhard Richter’s Dialectic, 10 August 2023

Gerhard Richter: Painting after the Subject of History 
by Benjamin H.D. Buchloh.
MIT, 661 pp., £40, September 2022, 978 0 262 54353 8
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... painted in the same year that Damien Hirst organised the Freeze exhibition and Jeff Koons created Michael Jackson and Bubbles – the year that Gorbachev announced the withdrawal of Soviet troops from Eastern Europe.For Richter, the seeming inevitability of capitalism only made it a better subject. He has never been an artist who asks questions of the world ...

Wedded to the Absolute

Ferdinand Mount: Enoch Powell, 26 September 2019

Enoch Powell: Politics and Ideas in Modern Britain 
by Paul Corthorn.
Oxford, 233 pp., £20, August 2019, 978 0 19 874714 7
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... stories he told. Only four days after the Birmingham speech, Ann Dummett, wife of the philosopher Michael Dummett and a community relations officer in Oxford, wrote to the Times that the anecdote about the widow from Wolverhampton had been recounted to her in Oxford recently, but about an old lady in London: ‘Almost every circumstantial detail was the ...

Which play was performed at the Globe Theatre on 7 February 1601?

Blair Worden: A Play for Plotters, 10 July 2003

... it. The deposition of Richard II was a sensitive subject. In 1599, and again in 1600, the poet Michael Drayton, in preparing fresh editions of his England’s Heroical Epistles, cautiously excised lines bearing on Richard’s uncrowning and Henry’s usurpation. The edginess surrounding the topic was largely caused by a tract of 1593-94, A Conference about ...

What’s It All About?

Tom Lubbock, 6 April 1995

Shark-Infested Waters: The Saatchi Collection of British Art in the Nineties 
by Sarah Kent.
Zwemmer, 270 pp., £19.95, November 1994, 0 302 00648 6
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The Reviews that Caused the Rumpus, and Other Pieces 
by Brian Sewell.
Bloomsbury, 365 pp., £12.99, November 1994, 0 7475 1872 6
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... the 1993 Prize, an actual dispute about contemporary art was staged at the Tate – defending, Michael Craig-Martin, leading light at Goldsmiths’ College; prosecuting, Hilton Kramer, editor of the New Criterion (it’s telling that there was no obvious British champion on this side). It was made a condition that the speakers should not address each ...

My Year of Reading Lemmishly

Jonathan Lethem, 10 February 2022

... Memoirs – had covers easily recognisable as ‘SF art’. The jackets were designed by Richard Powers, whose unmistakable paintings were usually found on Ballantine mass-market paperbacks by Isaac Asimov, Frederik Pohl, Clifford Simak and others. Powers’s designs screamed of the ‘paraliterary’, of ...

Heir to Blair

Christopher Tayler: Among the New Tories, 26 April 2007

... however. Steve Hilton, his friend and chief strategist, is an enthusiast for the transformative powers of capitalism rather than a Conservative from the Shires; he’s also said to have voted Green in 2001. Michael Gove, another ally, is not a toff either and would fit in well at a neocon thinktank. With the help of an ...
Rationalism in Politics, and Other Essays 
by Michael Oakeshott, edited by Timothy Fuller.
Liberty, 556 pp., $24, October 1991, 0 86597 094 7
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... partly because of the commotion caused by the change of national leadership, the passing of Michael Oakeshott did not attract much public notice. Even the Spectator, which might have been expected to mark the event with a full salute, ignored it for half a year, before carrying a curiously distracted piece by its editor, reporting strange losses in the ...

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