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“... will believe almost anything else: that Thomas More was a martyr for freedom of conscience, that Anne Boleyn was a witch, and that the monasteries were dissolved by men on horseback who rode in mob-handed and decapitated monks with battle-axes. It is a long time now since triumphalist Protestantism held sway, either in academic or popular belief. Among ...”

“... of ‘the eternal’, art may sign away its epic prestige, surrendering its totalising power to what Lukács would later lament as the ‘kaleidoscopic chaos’ of modern narrative impressionism. Ford’s Hardy combines in this way – if complicatedly – the eternal and the modern. The ‘half a Londoner’ he brings into relief is the young man ...”

“... a round or oval portrait a couple of inches wide. The diminutiveness, of course, is part of its power. A miniature exemplifies the compositional ideal of multum in parvo, a lot in a little: ‘A hand or eye/By Hilliard drawn is worth an history/By a worse painter made,’ John Donne wrote in 1597. By a ‘history’ he means one of those ...”

“... a tenuous similarity of shape) that Scott actually used the tomb as his model. But such is the power of the Soane legend that his inspiration is taken for granted; and the red kiosk is illustrated time and again in studies of Soane, as proud proof of his legacy to modern Britain. Soane’s architecture, no less than ‘Soane the man’, has always provoked ...”

“... was to transform Jews into historical actors: sovereign, legitimate, endowed with a sense of power and agency. But the tendency of Israeli Jews to see themselves as eternal victims, among other habits of the diaspora, has proved stronger than Zionism itself, and Israel’s leaders have found a powerful ideological armour, and source of cohesion, in this ...”

“... the beginning, the index of a mental force unmatched in these early Histories. Richard’s real power surely emanates – as the sinister wooing of Anne will at once make plain – from the symbolic (though of course historical) crookback in itself: from the oddly undeceptive, doggish body that humps and thumps its way ...”

“... is only by putting it into words that I make it whole; this wholeness means that it has lost its power to hurt me; it gives me, perhaps because by doing so I take away the pain, a great delight to put the severed parts together.’ These diaries encourage one to seek out connections between the ways in which Virginia Woolf found her life, her feelings, her ...”

“... relevant that Berryman, like other self-creating poets, had to invent a persona – that of ‘Anne Bradstreet’, or ‘Henry Pussycat’ – in order to become his real self set down in words. Lowell had no need for that: his self and his persona were both absolute Lowell. Yet he did share with his peers the general characteristics stated by Auden to be ...”

“... to go about their work. Talk must be men’s concern, all of them, and mine especially, for the power in the house is mine.’The anxious young man asserts himself here in a remarkable way. He virtually quotes an earlier hero, and that makes it particularly hard to assess the tone of his speech. In Book 6 of The Iliad Hector told his wife, Andromache, to go ...”

“... also quoted the artist Molly Crabapple’s thoughts on turning a mere thirty: ‘Staying alive has power. The years should give you competence and toughness along with the battle scars. You’ve survived.’ I’m not about to write to Mss Clune and Crabapple telling them they’re pathetic for thinking of themselves as ageing. It’s right and proper that ...”

“... financial, but Timon’s fall would have seemed to many to reflect a shift in wealth and power towards the merchants and bankers. Even more challenging is the sequence in which the bankrupt protagonist digs up a cache of gold and gives it away to whores and bandits as recklessly as he had earlier lavished gifts on his friends. As the tragedy becomes ...”

“... and moss, rifles downwards, to share in the joke. For me, it was an education in the proximate power of the sovereign.Balmoral seems to transcend its own locality in these moments. Politicians who would not otherwise be interested in a pilgrimage to rural Scotland revere it as a mark of having arrived in other places that matter. The newly elected leader ...”

“... drawing on classical iconography, Renaissance architecture, the curbing of magnate power and a consolidation of boundaries. These processes developed in Scotland as a result of James V’s residence in France, his French marriages and susceptibility to Gallic culture. The Scottish historian Roger Mason has said that the 1550s saw the ...”

“... and contrasting an ironic private humanity with the petty vanities and great harm of established power. Their narrative frequently centred on the difficulty of being a moody, clever, thin-skinned – and occasionally alcoholic – literate man who commands the devotion of a comely, plucky, self-denying younger woman … In the characterisation of women, the ...”

“... in case de Staël’s vengeance should light on them. Meanwhile, he appealed to his generous aunt, Anne de Nassau, to write to de Staël, begging her to give him his freedom. ‘He has been weak enough to put up with that servitude out of consideration for the pain you claim to be suffering and your histrionic grief,’ Madame de Nassau wrote. It was a good ...”