The Coldest Place on Earth
Liam McIlvanney: Colm Tóibín’s ‘Brooklyn’, 25 June 2009
“... access to Eilis’s thoughts. The great virtue of free indirect style is immediacy; it dips us straight into a character’s mind, making their experience more vital and direct. But this is why Tóibín prefers to avoid it. What the sometimes fastidious syntax tells us is that his focus is not on the incidents themselves but on Eilis’s response. ‘It ... ”