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“... plot. A writer telling it according to the calendar, in Hynes’s manner, must desperately envy Simon Schama, in his Citizens, where irreversible changes in the national consciousness seem to be happening almost every other week. There are of course other plot-elements in Hynes’s narrative, less directly measured by the calendar: for instance, a ...”

“... the sage of Walden’s dismay at the damp and mossy woods of Maine (in a posthumous book quoted by Simon Schama in Landscape and Memory): the swamps and the slopes pockmarked with bears’ dens were ‘the most treacherous and porous country I ever travelled’, the bare summits desolate and savage, ‘made out of Chaos and Old Night ... It was ...”

“... Self as a ‘stylisation of freedom’, produced out of an ‘aesthetics of existence’. When Simon Schama, in the overture to The Embarrassment of Riches, finds himself rather unconcerned about the actual existence of ‘the drowning cell’, in which, according to travellers’ tales, the incorrigibly idle were required to pump themselves away from ...”

“... of what he thought were like-minded professional historians to advise him. Niall Ferguson was one; Simon Schama was hired to convene a committee to produce a draft. But Gove wasn’t satisfied. Ferguson wanted the curriculum to have a global dimension, which wasn’t what Gove wanted at all; the proposals put forward by ...”

“... as history has become more popular both on the page and on the screen. The doyen of TV historians, Simon Schama, is in a league of his own and his political viewpoint not in the forefront, but the new breed of historian – Niall Ferguson, Andrew Roberts and Norman Stone – all came to prominence under Mrs Thatcher and share some of her ...”

“... of the Great Powers, 1988 (subtitle, ‘Economic Change and Military Conflict, 1500-2000’), or Simon Schama’s Citizens, 1989. At first glance it looks as if the reader gets a smaller return, a mere 15 years of history at a point when, on the face of it, nothing dramatic was happening. In fact, the big problems Johnson offers to explain prove ...”

“... in the strain of contemporary cultural documentary-making in which celebrity broadcasters such as Simon Schama or Grayson Perry are filmed gazing at an artefact they admire. The camera often lingers just as long on the presenter’s entranced face as on the object itself, as if the real clues to its value lie not in its form or colour, but in the facial ...”

“... nothing by those currently celebrated as the leading presenters of the nation’s history, such as Simon Schama or David Starkey (the payments for contributions, it should be said, were meagre). One cannot help wondering about the combination of self-restraint and sly wit which led Sir Keith Thomas, chairman of the dictionary’s supervisory committee ...”

“... goes like clockwork – no problems, no mistakes – though there’s a twist at the end. Simon Mann’s Cry Havoc might seem like a copy of this scenario – same place, roughly the same plot, thirty years later – but it’s much more fun because Mann’s attempted coup turned out to be, in his words, ‘a swashbuckling ...”

“... he have recycled himself as a sympathiser, a non-party independent communist? Asked by his admirer Simon Schama in 2012 why he had never handed in his card, Hobsbawm said that he should answer ‘To hell with you.’ This was ‘a Cold War question’, he explained, and therefore ‘redundant’. So Hobsbawm remained in the party, a fact that still haunts ...”

“... Revolution and its legacy from neo-liberal historians and ideologues; outside France it produced Simon Schama’s passionate manifesto against violence in the form of a history of the Revolution as a catalogue of horrors. And historians today are a good deal nearer to the Russian Revolution than to the French, especially when we take into account the ...”

“... opponents. Burton makes matters worse by drawing far too heavily, for the early period, on Simon Schama’s evocative Citizens (1989), which treated the French Revolution from start to finish as a ghastly, bloody mistake. He repeats many of Schama’s best stories, including the one about the giant ...”

“... changed much since Orwell’s day. In the non-Francophone world, the bicentennial was dominated by Simon Schama’s Citizens, which does not challenge comfortable preconceptions. Schama uses his narrative skill and his wealth of illustration to confirm people in the belief they already hold, which is that the Revolution ...”