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“... and inventive than Warhol, who would have disdained G–G’s hard work and obvious ambition. Roland Barthes said that it is the human detail in a photograph that always catches our interest or sympathy, but these pictures have no such puncta. Even though we are shown G–G’s buttocks and penises and turds, not to mention their naked middle-aged ...”

“... of ‘where structuralism doesn’t work’, and followed by chapters contrasting the criticism of Roland Barthes and F.R. Leavis. In the former section, Strickland draws on Emile Benveniste’s critique of Saussure’s principle of the arbitrariness of the linguistic sign, which is the thing in structuralism that Strickland thinks doesn’t ...”

“... The inheritance from the past can be so oppressive that it can generate revolt. Long before Roland Barthes opposed ‘the bourgeois sacrifice of men to monuments’ (and possibly muniments as well), Thoreau favoured ‘purifying destruction’. Well might sceptics say that if rot, rust and moth did not exist they would have to be created. The ...”

“... epitaph for a generation of writers and thinkers in France. The group Derrida has in mind includes Barthes (born 1915), Althusser (born 1918), Deleuze (born 1925) and Foucault (born 1926). Three years later Lyotard (born 1924) is also dead, and Derrida (born 1930) identifies himself now as ‘the last born, and, no doubt, the most melancholic of the ...”

“... To paraphrase​ Roland Barthes, hats are worn to be seen and to be read. They are signs of who we are or want to be. Because hats, unlike shoes or coats, are worn near eye-level, they are the first item of apparel offered for view. The stranger approaching from a distance reads the hat before he sees the face or figure and, at a glance, learns a lot about the person beneath it ...”

“... de la Prose from the previous year. With his customarily fine sense of strategy and timing, Roland Barthes had published S/Z in 1970, thus announcing both the culmination of the logic of structural analysis but also, in a sense, its impending crisis. From 1970 onwards, the gulf between what Hayden White has called the ‘Absurdist’ and the ...”

“... than to deconstruct him and concentrate on the plural system of the happily emancipated text. Roland Barthes takes emancipation a step further: progressive authors must deconstruct themselves: ‘the problem facing modern writing: how breach the wall of writing, the wall of origin, the wall of ownership’. How indeed? Although ...”

“... to be found in that italicised ‘I’m cold,’ spoken by ‘the unfortunate younger boy’. As Roland Barthes wittily declared, the objet d’amour has no discourse. It is a precondition of the ending without remainder which attests J. I. M. Stewart’s craftsmanship, that the equivocal motive for the escapade, the fictional lure that has been dangled ...”

“... is fairly termed an apologist for the post-structuralist critical modes typified by the work of Roland Barthes and Jacques Derrida, yet he writes without the supercilious tone of the former or the soporific word-play of the latter. Nor does Culler indulge in cheap vilification of opponents, suggesting that unwillingness to buy the whole ...”

“... it is next to impossible for the creature to open them again.’ ‘Wrestling is not a sport,’ Roland Barthes wrote in Mythologies, ‘it is a spectacle,’ and it’s a maxim the Chief heartily endorses. ‘You got to remind the mainlanders that your alligator is a no-shit dinosaur,’ he tells Ava, ‘prove to them that you can lose, so you can ...”

“... but gave the act of reading a new significance and a new promise. In that book, he openly mourns Roland Barthes, who died in 1980, Paul de Man, who died in 1983, Michel Foucault, who died in 1984, and a host of others, including Edmund Jabès (1991), Louis Marin (1992), Sarah Kofman (1994), Emmanuel Levinas (1995) and Jean-François Lyotard (1998). In ...”

“... him that Oscar Wilde – in person – was both superficial and profound. Or we believe that Roland Barthes in person – after publishing The Fashion System – was both structuralist and poststructuralist. And yet while Barthes himself, correctly, found that fictional characters seem realistic only if described ...”

“... discovery of his own death? It was largely by learning the lesson of Mallarmé that critics like Roland Barthes came to speak of ‘the death of the author’ in the making of literature. Rather than seeing the text as the emanation of an individual author’s intentions (always a probabilistic and speculative enterprise), structuralists and ...”

“... thing or another; and sora-bashi, or, with chopsticks, putting back food you had intended to eat. Roland Barthes was eulogistic about chopsticks and the way the Japanese use them, finding in it some of the measured care that a mother uses in moving a child. ‘The instrument never pierces, cuts, or slits, never wounds but only selects, turns, shifts. For ...”

“... contribution to Britain’s invisible exports. This ‘Shakespeare’ has the characteristics Roland Barthes ascribes to myth: it turns history into nature, and thus impedes critical political analysis. Not only the Englishman’s constitution but also the English constitution are traditionally felt to be particularly ‘natural’: Shakespeare’s ...”