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“... but the quieter but still content-free manifestations of the higher fairground art in the Turbine Hall in Tate Modern – it invites comparison with the aspects of reality that in the past would have been called sublime. To enter into direct competition with a big waterfall, or the excavations of an iron ore mine, or a blast furnace seen by night, or ...”

“... nor was it to be the last. Already, in 1825, the tall tower of William Beckford’s new baronial hall. Font-hill Abbey, had collapsed without warning. A few years after the Eglinton debacle, one of the day’s leading artists, William Dyce, was commissioned to paint allegorical frescoes on Arthurian themes in the Queen’s Robing Room in the new Houses of ...”

“... to link its various trends and phases, would find themselves spontaneously reinventing Stuart Hall. Since he arrived in Britain from Jamaica in 1951, Hall has been the sort of radical they might have despatched from Central Casting. Charming, charismatic, formidably bright and probably the most electrifying public ...”

“... be early in the 16th century – it was the custom in good society for a boy to come in to the hall after supper with his face blackened, his forehead bound with white or yellow taffeta, and bells tied to his legs. He then proceeded to dance the Morisco the length of the hall, forth and back, to the great amusement of ...”

“... career (in his chapter on Marvell, Milton and Dryden) without reference to Lawrence Lipking or Richard Helgerson. The Forster-Dickens chapter makes no mention of the alternative line of Dickens biography that descends through Thomas Wright and Katherine Longley to our contemporaries Peter Ackroyd and Claire Tomalin. In his chapter on James Joyce Hamilton ...”

“... charm, after all, but just the abyss of the familiar.’ Kenneth Clark, who grew up at Sudbourne Hall, a now demolished Wyatt house near Orford, said that what made the Dark Ages so dark was ‘the isolation, the lack of mobility, the lack of curiosity, the hopelessness’. The way some of its admirers talk about Suffolk, you wonder whether it ever emerged ...”

“... of her other writing. This moment exemplifies the brilliance and perhaps the perversity of Wolf Hall. Mantel’s chief method is to pick out tableaux vivants from the historical record – which she has worked over with great care – and then to suggest that they have an inward aspect which is completely unlike the version presented in history books. The ...”

“... late 1800s the potato-eater inspired a ‘new and original coleopterous comicality’ in the music hall: ‘Its appetite is awful if it ever makes a stand/There won’t be one potato left in all of Paddy’s land.’ At least the beetle was visible, unlike the fungal blight that had descended so mysteriously on Ireland in 1845 and caused such devastation. The ...”

“... industrial squalor and urban overcrowding persists in the minds of public and planners alike,’ Richard Rogers and Anne Power argue in Cities for a Small Country, ‘and fuels an almost obsessive desire for low-density, suburban homes.’ What happened, they ask, to ‘the English love of cities’? Should we blame the town planner Ebenezer Howard for the ...”

“... scientist: between 1982 and 1996 Matthew Noble’s bust occupied a place of honour in the entrance hall at Number Ten. His stock has risen slowly and steadily; compare this with the Nasdaq-esque slumps and booms of Darwin’s posthumous standing. Like Darwin, coaxing, flattering, prodding, Faraday knew how to fashion networks of correspondence, how to maintain ...”

“... and a date: 1633. This was the year a local gentleman, Sir John Reresby of Thrybergh Hall, began to note the contents of his garden. Every peach, pear and plum is catalogued, as are herbs, shrubs, bulbs – ‘Kentish Codlings’, ‘the Granado Gilliflower’, ‘Melincholly Munkes hoode’ – and attempts at grafting and inarching. According ...”

“... with government – over minimum standards for all council housing. And although I see that both Richard Haslam and Jonah Jones credit him with authorship of the splendidly rude, punchy, near-libellous DIA Cautionary Guide to St Alban’s (1929), I am surprised that some credit doesn’t also go to what is surely the echo of that same ...”

“... with cliché and jargon: the clash of pulpit prose with racecourse slang, Shakespeare with Music Hall. Wodehouse knew that ‘exquisite Tanagra figurine’ was a cliché, but I bet that he, and Joss and Sally, thought that a Tanagra figurine was exquisite. I know better now. The passage in Quick Service made me realise that I had never to my knowledge seen a ...”

“... of the Gardens’ future. Many politicians, in particular such Radicals as Hume, Sir Benjamin Hall and Acton Smee Ayrton, saw Kew as a people’s park – an uplifting version of Battersea to which Londoners might escape by railway. The directors of Kew sought, in part, to co-operate in this, cutting vistas towards the Thames and the Pagoda, putting down ...”

“... in Paris (until 21 February), which is the third instalment (following Anselm Kiefer in 2007 and Richard Serra in 2008) of the Monumenta series organised by the Ministry of Culture – the Parisian answer to the Unilever series at Tate Modern. In daylight under the glass ceiling of the Grand Palais there’s no chance of exploiting the mystique of ...”