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Blake’s Tone

E.P. Thompson, 28 January 1993

Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s 
by Jon Mee.
Oxford, 251 pp., £30, August 1992, 0 19 812226 8
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... for William Blake historical contexts in abundance in Blake: Prophet against Empire (1954). It was a remarkable work of literary detection, which still dominates the field. Some Blake readers have felt that his attribution of correspondence between text and contemporaneous events was over-literal (as well ...

Short Cuts

James Meek: Voter ID, 4 May 2023

... The government​ is making it harder to vote. As of 4 May, when local elections take place in some parts of England, and in all British elections after that, everyone who votes at a polling station will have to show photographic proof that they are who they say they are. Some have made the comparison with voter suppression in the US, where Republicans impose onerous ID requirements to keep the vote down among those least likely to have suitable documents – namely the poor, who are assumed to lean Democrat ...

Progress Past

Paul Langford, 8 November 1990

The Idea of Progress in 18th-Century Britain 
by David Spadafora.
Yale, 464 pp., £22.50, July 1990, 0 300 04671 5
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George III and the Satirists from Hogarth to Byron 
by Vincent Carretta.
Georgia, 389 pp., £38.50, June 1990, 0 8203 1146 4
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... It is customary to claim the idea of progress as one of the distinguishing features of Western civilisation: indeed the very success of the West is sometimes attributed to confidence in its own destiny in this respect. Its peculiar saving mission, that of liberating mankind by means of the creation of wealth, would make little sense without some underlying faith in the prospect, perhaps even the certainty, of limitless improvement ...

Shtum

John Lanchester: Alastair Campbell’s Diaries, 16 August 2007

The Blair Years: Extracts from the Alastair Campbell Diaries 
edited by Alastair Campbell and Richard Stott.
Hutchinson, 794 pp., £25, July 2007, 978 0 09 179629 7
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... There is a structural flaw in British politics. In theory, we have a representative democracy: we the electors vote for members of Parliament, whose job is to represent us, and who, collectively, are the sovereign power. In practice, though, it doesn’t quite work like that. We the electors vote for MPs, who regard their primary role as being representatives of their political party, and who pay just enough attention to their electorate in order to get re-elected ...

Dudes in Drapes

Miranda Carter: At Westminster Abbey, 6 October 2022

... The last monarch​ to have a funeral at Westminster Abbey was George II in 1760. It was the first time chairs were set out for an audience. Horace Walpole recorded that the duke of Newcastle arrived weeping noisily and pretended to faint. When the archbishop of Canterbury offered him smelling salts, the duke leaped up and ran around the church with a spyglass to see who ‘was or was not there ...

Homeric Cheese v. Technophiliac Relish

David Cooper: GM food, 18 May 2000

... will also find their way onto the grocer’s shelves.’ These might have been predictions from a utopian tract by some 1930s technophile – H.G. Wells, perhaps, or J.B.S. Haldane. However, change the tense and replace ‘wonder’ by ‘genetically engineered’ and ‘grocer’ by ‘supermarket’, and you have ...

Ach so, Herr Major

Nicholas Horsfall: Translating Horace, 23 June 2005

Horace: Odes and Epodes 
edited by Niall Rudd.
Harvard, 350 pp., £14.50, June 2004, 0 674 99609 7
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... At Mrs H.G. Wells’s funeral on 22 October 1927, Virginia Woolf was surprised that HGW’s ‘typewritten sheets’ were read by ‘a shaggy, shabby old scholar’, T.E. Page. In 1981, Niall Rudd wrote a short biography of the scholar and controversialist, who taught classics at Charterhouse, was once seen by Osbert Lancaster accompanying Lady Asquith down Bond St, and died a Companion of Honour and a trustee of the Reform Club ...

Conversations with Myself

Michael Wood: Fernando Pessoa, 19 July 2018

The Book of Disquiet 
by Fernando Pessoa, translated by Margaret Jull Costa.
Serpent’s Tail, 413 pp., £9.99, August 2018, 978 1 78125 864 4
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... In​ 1968, when not too many people outside Portugal had heard of Fernando Pessoa, now regarded as one of the great Modernist poets, the linguist Roman Jakobson, in collaboration with Luciana Stegagno-Picchio, wrote an essay centring on Pessoa’s use of oxymorons. The piece was a complex formal study of a poem from Mensagem (1934), the single volume of verse Pessoa published in Portuguese in his lifetime ...

Tall, Slender, Straight and Intelligent

Philip Kitcher: Cloning and reprogenetics, 5 March 1998

Clone: The Road to Dolly and the Path Ahead 
by Gina Kolata.
Allen Lane, 218 pp., £15.99, November 1997, 0 7139 9221 2
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Remaking Eden: Cloning and Beyond in a Brave New World 
by Lee Silver.
Weidenfeld, 315 pp., £20, January 1998, 0 297 84135 1
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... to the mid-Nineties, biological orthodoxy insisted that the artificial production of animals with an identical complement of nuclear genes – clones, in the vernacular – could only be achieved by means of the transfer of nuclei from embryonic cells, and then only in non-mammalian species. There were excellent grounds for insisting on the impossibility of ...
The Lives to Come: The Genetic Revolution and Human Possibilities 
by Philip Kitcher.
Allen Lane, 381 pp., £20, April 1996, 0 7139 9129 1
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... science which it requires familiarity with advanced mathematics to understand, these are few and, as a rule, have no great relevance to public policy. Despite its prestige, high-energy physics has little obvious practical relevance to anything but the level of public funding of high-energy physics. A good sense of the ...

Then came the Hoover

Hugh Pennington: The Allergy Epidemic, 22 June 2006

Allergy: The History of a Modern Malady 
by Mark Jackson.
Reaktion, 288 pp., £25, May 2006, 1 86189 271 3
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... researches, their terms, unlike ‘allergy’, remained scientific and technical. What makes a malady modern? Some define themselves as such because they are caused by novel microbes, germs that did not exist in antiquity. The first sound evidence of an infection with the human ...

Joke Book?

A.D. Nuttall, 23 November 1989

The Anatomy of Melancholy: Vol. I 
by Robert Burton, edited by Thomas Faulkner, Nicholas Kiessling and Rhonda Blair.
Oxford, 675 pp., £70, October 1989, 0 19 812448 1
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... In the Cathedral at Christ Church in Oxford, between the recumbent knight with the false nose and the tomb of Saint Frideswide, who eluded her too amorous suitor by hiding among pigs, stands the funerary monument of Robert Burton. Already, it will be noticed, I am giving more information than is strictly necessary ...

Sunny Days

Michael Howard, 11 February 1993

Never Again: Britain 1945-51 
by Peter Hennessy.
Cape, 544 pp., £20, September 1992, 0 224 02768 9
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Churchill on the Home Front 1900-1955 
by Paul Addison.
Cape, 493 pp., £20, November 1992, 0 224 01428 5
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... Peter Hennessy has chosen for the dust jacket of Never Again a picture that exactly captures the mood of 1945. A returning British serviceman is being welcomed home by his wife and small son. ‘Home’ is a pre-fab, decked for the occasion with Union Jacks ...

Perfectly Mobile, Perfectly Still

David Craig: Land Artists, 14 December 2000

Time 
by Andy Goldsworthy.
Thames and Hudson, 203 pp., £35, August 2000, 0 500 51026 1
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... Sculpture need not be a bronze statue of a town councillor or a marble figure of a goddess, respectfully plinthed in gallery or plaza; or a curvaceous wooden form strung like a harp which we gaze at in dumbfounded silence ...

Undesirable

Tom Paulin, 9 May 1996

T.S. Eliot, Anti-Semitism and Literary Form 
by Anthony Julius.
Cambridge, 308 pp., £30, September 1995, 0 521 47063 3
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... Looking at the University of Oxford’s Informal Guide to the English faculty’s lecture list for Trinity term 1996, I find that the Professor of Poetry, James Fenton, will give a lecture on 9 May entitled Eliot v. Julius. It would be improper of me to anticipate Fenton’s approach to Anthony Julius’s compelling study, but I would hope that he will not see fit to mount another repudiation of this brilliant, passionately concentrated ‘adversarial reading’ of Eliot’s work ...

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