Search Results

“... figures to lend him a cloak of respectability. Figures such as Haines, Bernard Donoughue and Peter Jay, the former British ambassador in Washington – some of the stars of the Labour governments of the 1970s – were happy to be signed up to Maxwell’s payroll. The case of Haines was especially striking: when Maxwell bought the Mirror, in 1984, Haines ...”

“... the middle class altogether’. But the middle class, under another name, is in again these days. Conrad Russell, Hexter’s successor at Yale and no friend of loose generalisation, has recently envisaged ‘a new social change explanation’ of the English Civil War, based on the power of the rising yeomanry, tradesmen and artificers. I think he is right: I ...”

“... start a beautiful friendship. The new work takes its title, and its spaceship’s name, not from Conrad or Greek myth but from Abraham: they are called Covenant. (It’s not clear that this title has to do with anything other than the agreement between the film’s producers and the eager audience that there will be lots of squirming, bloody creatures who ...”

“... in these pains … as one who has found great treasures.’ After her breasts are cut off, St Peter heals them (over her protests) so that she can survive to face new torments. A kind of double vision is required of the spectator: where pagan kings and their minions see only unbearable pain, martyrs experience the invisible power of God. Their legends ...”

“... with symbolic situations from the New England past, but he could not get very far along that road. Conrad had the luck to possess a ready-made ‘dense’ world in a ship and its crew, from which he could later colonise and create land life. But the problem as James had perceived it did not go away. Indeed it increased and spread. There is a sense in which we ...”

“... In the midst of this historical revolution the career of the parliamentary historian Conrad Russell, whose first book was published in 1971 and who died in 2004, seemed like a fantastical conceit on the unfashionable notion of ‘history from above’. Certainly, the bald facts of the case suggest a throwback to an era when leisured gentlemen in ...”

“... in 1886, and has been in the Everyman Library for half a century. The collection edited by Peter Quennell has some attractive photographs and two good essays, by John Bayley and Martin Amis. For the rest, there is a lot of laborious exegesis, which might have amused the recipient of the tribute, and a thought-provoking piece by Alfred Appel Jr, who ...”

“... was a fairly junior member of the Telegraph’s staff for some years. As the author of the ‘Peter Simple’ column for thirty-odd years, Wharton must be regarded as immortal. As far as I know, I never met either, although I may have swapped punches or half-pints with one or other in the mid-Fifties, when I was one of the Daily Express interlopers in the ...”

“... their own past, and of the apparently authoritative record of it in the Germania. Soon poets like Conrad Celtis and historians like Johannes Aventinus were hard at work pulling bits from Tacitus’ mosaic, rearranging them and sometimes forcing round pieces into square holes. As the Holy Roman Emperor Maximilian I and many lesser princes transformed Germany ...”

“... Four possible candidates, varying in attainments, would be T.E. Lawrence, Robert Graves, Peter Fleming (perhaps both Flemings) and Richard Hughes. It makes no difference that Lawrence was half-Irish, the Flemings mostly Scottish, and Hughes partly Welsh. The presidential or father figure of the group would be John Buchan, another Scot, whose innings ...”

“... made by the BBC, several websites and the syndication of photographic rights across the globe. Peter Firstbrook’s book is written from a very English perspective, Ghosts of Everest from a very American one: neither takes up the really important issues. The Last Climb began life as a history of all the early Everest expeditions but, once Mallory’s body ...”

“... by the recent wave of ‘revisionism’. The revisionist historians of the Stuart period, led by Conrad Russell with Kevin Sharpe in support, have sought to persuade us that, contrary to what most English historians have led us to believe, the first two Stuart kings were on the whole a good thing, the Parliamentarians a bad thing. Perhaps even more important ...”

“... Or Sternberg, Hitchcock, Hawks and Orson Welles? Their inclusion seems to me like bracketing Conrad with Edna Ferber or Dashiell Hammett – worthy enough artificers, but not engaged in mature art of the kind which deepens our lives. Uneasiness grows when Roud admits to his ‘blind spots’: Eisenstein, Murnau, Mizoguchi, Rossellini and Bergman. To be ...”

“... writers who have been trying to clean up their act during the day, but for Lawrence Durrell as for Conrad adjectives don’t come back because they never left. If there is a mystery in Conrad it’s inscrutable, if there’s a tangle in Durrell it’s inextricable. And to stay with the latter: if there’s a treasury it’s ...”

“... metaphor he had been looking for all his life, so that he was able to become something like a Conrad who had soaked himself in Beckett, or a Dashiell Hammett who had been reading Camus and Ionesco. These are wild approximations, of course. Onetti’s voice and subject-matter are his own, and their very elusiveness has played a part in his neglect. The ...”