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“... would help stimulate the economy. This flips conventional macroeconomic logic on its head; Paul Krugman dismissed it as believing in the ‘confidence fairy’. The second argument was that austerity wouldn’t make the recession worse because of the new policy of quantitative easing. The aim there was to put downward pressure on long-term interest ...”

“... agreeable thought to the new authors that their books will be selling deep into the 21st century. Paul Langford’s volume invites comparison with Basil Williams’s The Whig Supremacy, which appeared exactly fifty years ago. In many respects the new volume has the edge. It is quite beautifully produced, with some excellent illustrations and charming little ...”

“... whose views about art differed deeply from his own. He was overwhelmed on first meeting Wyndham Lewis, called him ‘a great and scandalously ignored painter’, and as late as 1932 said Lewis was ‘by far the most active force among us’. But he nursed feelings of resentment that his admiration was not ...”

“... Lewis Grassic Gibbon (the pen-name of James Leslie Mitchell) is put forward as his country’s great 20th-century novelist: the Scottish D.H. Lawrence. Gibbon’s reputation substantially rests on A Scots Quair (‘quire’ – or ‘gathering of sheets’), also called ‘The Mearns Trilogy’, Mearns being an ancient name for Kincardineshire, now itself an ancient name after the county reorganisation of 1975 ...”

“... bother to try to compute the odds against this happening, and left it as a sharp earful of what Paul Auster calls ‘the music of chance’.Salaman, Buruma and Auster are all connoisseurs of the incongruous connection, all adept stringers-along of the reader into tantalisingly incomplete networks of significance. Salaman is a practised psychological ...”

“... them into poems? It may be the sudden flash of astonished fancy or insight, as in those entries in Paul Klee’s notebooks of which one hardly knows whether they were meant to be poems or not, but which instantly become so as soon as they are isolated. It may be wit of the pungent or satiric kind, as in epigrams (in the English sense). It may be sensuous and ...”

“... America’s crazy, and so sometimes its pure products go sane. Consider the eponymous narrator of Paul Beatty’s novel The Sellout. When we first meet him, in the Supreme Court’s ‘cavernous chambers’, the sellout’s hands are cuffed behind his back. His right to silence ‘long since waived’, he sits in a ‘thickly padded chair that, much like this ...”

“... in which this scene occurs, and in which a whole series of versions of it are offered to us, is Paul Thomas Anderson’s Phantom Thread, hailed as a masterpiece by some critics and viewers and deemed an annoying waste of time by others. I would say it’s a staring contest we can’t win. But we can’t lose either. The film is too wandering and awkward to ...”

“... might almost be called thrillers, their plots resembling sensational news items. With Norman Lewis we read of plans to assassinate statesmen in Egypt and Libya, with evil American agents blackmailing honest Britishers. John Collee tells of a wonder cure for cancer devised by a Hindu mystic in a Scottish city where surgeons’ knives are used too readily ...”

“... this book I cannot explain,’ he wisely concedes.) But he has come up with a nice idea. Just as Paul Fussell set himself, in The Great War and Modern Memory, to map the mythicisation of the First World War in the popular conscience – the images and icons we remember it by, and how these are themselves symptomatic of the selective desires, prejudices and ...”

“... once called A Concise History of the Spanish Civil War – it’s no longer said to be concise – Paul Preston points out that this prelude to the Second World War has generated as many books as the Second World War itself. During the Cold War, with the CIA busy collaborating with anarchists and Trotskyists to try to obscure ‘the fact that ...”

“... Burnham, Cooper or Kendall would have. They were not, as Freedland suggested, along with Helen Lewis in the New Statesman and Janan Ganesh in the Financial Times, merely indulging a fit of narcissism or nostalgia. The party members who voted for Corbyn hadn’t suddenly thrown their toys out of the pram just because Miliband lost. This is not a story of ...”

“... part, which begins in the antebellum period, focuses on the experiences of ‘two Pauls’ – Paul Cameron, the son of Duncan Cameron, one of the largest slaveowners in North Carolina, and his slave Paul Hargress (originally named Hargis after a previous owner) – and their families. Duncan Cameron prided himself on ...”

“... make rather an unfair sort of comedy team. Not Hope-Crosby, nor Abbott-Costello, more like Martin-Lewis. As his initials suggest, F.X. is the son of a Roman Catholic mother and he is (by Tula Springs standards) almost as slick and Italianate as Dean Martin – ‘Hey, brothers, pour the wine!’ – while Bobby Pickens is as kack-handed and sincere as Jerry ...”

“... In a 1982 essay called ‘My War’ Paul Fussell described how – at the age of 20 – he became a full-time ironist: one who, by means of his experience in combat, had learned to perceive ‘some great gulf, half-comic and half-tragic, between what one expects and what one finds’. And in his book The Great War and Modern Memory, the soldier poets and memoirists who featured most prominently were those who had found themselves stranded in that same ‘great gulf’, learning firsthand how wrong they had been in their imaginings of what awaited them in France ...”