Gestures of Embrace
Nicholas Penny, 27 October 1988
Rembrandt’s Enterprise: The Studio and the Market
by Svetlana Alpers.
Thames and Hudson, 160 pp., £20, May 1988,0 226 01514 9 Show More
by Svetlana Alpers.
Thames and Hudson, 160 pp., £20, May 1988,
The Light of Early Italian Painting
by Paul Hills.
Yale, 160 pp., £20, March 1987,0 300 03617 5 Show More
by Paul Hills.
Yale, 160 pp., £20, March 1987,
Italian Paintings in the Robert Lehman Collection
by John Pope-Hennessy.
Metropolitan Museum and Princeton, 331 pp., £50, December 1987,0 87099 479 4 Show More
by John Pope-Hennessy.
Metropolitan Museum and Princeton, 331 pp., £50, December 1987,
“... representing a woman (Charity, or Caritas) with two children. While his right hand works with a hammer to fasten the metal to its base, the artist lovingly embraces the women with a huge left hand. His fingers press up against her thigh. Lest we doubt that this is meant as a gesture of embrace, note the way the goldsmith’s cheek is bent to meet hers. I ... ”