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“... fires, scrambler bikes and wavering golden beds of reeds. My instinct was to follow the example of Patrick Wright, whose television journey, The River: The Thames in Our Time (1999), starts on the open sea, with the offshore forts, before making landfall on the Isle of Grain. Ackroyd believes that ‘the source is the place of enchantment, where the ...”

“... inhabitants avidly practise. Purdy, whose earlier novels include 63: Dream Palace and Cabot Wright begins, once seemed tailor-made as a prototype of the self-conscious American novelist, playing with themes of writing and identity, and questioning reality and character-consistency. In On Glory’s Course the playful and self-conscious touches have ...”

“... form of concrete poetry, for the accompanying catalogue, which was designed by IG member Edward Wright (who went on to create Scotland Yard’s revolving sign). It was this spiral bound scrapbook, with a cobalt blue cover and cheap offset lithography, that made Richard Hollis want to be a graphic designer. Wright’s ...”

“... and sinking plane, the Amazons repel the Germans, although not before Diana’s loved aunt (Robin Wright), the militarist counterpart to her pacifist mother, has been killed. The date is early 1918, and Trevor’s goal is to end the war that was supposed to end all wars. He means something pragmatic, like saving a certain number of lives. Diana thinks he is ...”

“... Charing Cross Road’. Occasionally, the day’s work done, he goes to pubs and meets poets: David Wright, ‘a literary instrument of precision’, and a long-time friend and supporter; Patrick Kavanagh, who was to be approached ‘with a large whisky in one’s outstretched hand’; George Barker, first seen ‘wearing a ...”

“... won’t find, for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon ...”

“... him. But his book will attract a wide and lay readership for the same reasons that made Lawrence Wright’s delightful history of the lavatory, Clean and Decent (1960), a perennial best-seller. And for the reader only mildly interested in French history, Corbin, like Wright, supplies a wealth of fascinating tidbits: for ...”

“... that is the minimal entry qualification for being considered ‘great’. In a memorialaddress, Patrick Blackett likened Florey’s achievement to that of Jenner, Pasteur and Lister: but the public were so little aware of him that when Macfarlane first approached publishers with the notion of a biography, they wondered if he would not do better to write on ...”

“... government’s suspicion that none of the Unionists could be trusted. Even now, Godson says, Patrick Mayhew, Northern Ireland secretary at the time, describes Trimble’s performance at Drumcree as ‘undoubtedly triumphalist’. He aroused great hostility in nationalist Ireland and among what Godson calls ‘mainland progressive opinion’, which helped ...”

“... was found in the US mailbag at 46 Lower Belgrave Street in London there has been no new evidence. Patrick Marnham’s only novelty is the evidence from Taki, the Spectator gossip-columnist, to the effect that he knew Lucky Lucan had a powerboat and had made dummy runs with an eight-stone sack to the coast. That fits with Lucan’s remarks to Greville Howard ...”

“... officials and documents distinguish his family’s community from the Turks. From Sir Denis Wright, Mayers’s successor in Mersin, O’Neill learns that contrary to his family’s self-presentation as pillars of Turkish society, the Syrians were in fact ‘disliked, mistrusted and envied by the Turks because of their origin, their religion and their ...”

“... current Brechtology has a subject, it is Brecht’s relationship to that process. Elizabeth Wright’s Post-Modern Brecht (1989) sought simply to claim him as an embryonic Post-Modernist, on the superficially bizarre basis that the Marxist-Leninist playwright was ‘sceptical of what Lyotard called the great narrative, the great danger, the great ...”

“... start draining the land for ploughing. The only way he could be stopped was by a direct order from Patrick Jenkin, the environment secretary. Cabinet papers released recently show a furious squabble between Jenkin and his counterpart at the Ministry of Agriculture, Michael Jopling. Jenkin wanted to make the order, rather than lose part of the ‘traditional ...”

“... in Barcelona, Wagner and Hoffman in Vienna, Guimard and Horta in France and Belgium, Frank Lloyd Wright in the US – of which he finds Clough, and the AA generally, unaware. I am not at all sure, either about the unawareness or about this ferment being the only one available. After all, Clough was plumb in the middle of the excitements of the Cottage ...”

“... land drawn around London with seeming foresight in the 1930s. Because of such planners as Patrick Abercrombie and Raymond Unwin, who believed the countryside was virtuous and cities should be contained, Londoners like me can still relish and appropriate scenes that New Yorkers, Angelenos and even Parisians, Romans and Milanese must go further to ...”