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I just worked it out from the novel

Michael Wood, 24 April 1997

Tomorrow in the Battle Think on Me 
by Javier Marías, translated by Margaret Jull Costa.
Harvill, 313 pp., £8.99, October 1996, 1 86046 199 9
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The Club Dumas 
by Arturo Pérez-Reverte, translated by Sonia Soto.
Harcourt Brace, 368 pp., $23, February 1997, 0 15 100182 0
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... In such a mood your memory itself becomes a double agent, and you may be ready, like the hero of Orson Welles’s Mr Arkadin, to hire a private eye to explore your own past or, like the hero of Arturo Pérez-Reverte’s The Club Dumas, to welcome the devil as your research assistant. You could also just read one of the formidably intelligent works of ...

A Little Bit of Real Life

Michael Wood: Writing with Godard, 9 May 2024

The Cinema House and the World: The ‘Cahiers du Cinéma’ Years, 1962-81 
by Serge Daney, translated by Christine Pichini.
Semiotext(e), 600 pp., £28, September 2022, 978 1 63590 161 0
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Footlights: Critical Notebook 1970-82 
by Serge Daney, translated by Nicholas Elliott.
Semiotext(e), 212 pp., £16.99, December 2023, 978 1 63590 198 6
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Reading with Jean-Luc Godard 
edited by Timothy Barnard and Kevin J. Hayes.
Caboose, 423 pp., £35, November 2023, 978 1 927852 46 0
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... best-known films, The Home and the World. Daney is at his brilliant best when writing about Orson Welles, whose films ‘begin where others end; when all has been won, the only thing left to do is unlearn everything … yesterday Quinlan, today Falstaff.’ ‘Everywhere, always, power is in the wrong hands. Those who possess it don’t know ...

Who takes the train?

Michael Wood, 8 February 1990

Letters 
by François Truffaut, edited by Gilles Jocob, Claude de Givray and Gilbert Adair.
Faber, 589 pp., £17.50, November 1989, 0 571 14121 8
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... of a group of young critics at the Cahiers, busily tearing apart the old French cinema, promoting Welles and Hitchcock; worked as Rossellini’s assistant, and plotted his first movie. After the first three films, he experienced a sense of sterility and disarray, took to seeing two or three Hitchcock movies a week (‘There’s no doubt at all, he’s the ...

A Life of Its Own

Jonathan Coe, 24 February 1994

The Kenneth Williams Diaries 
edited by Russell Davies.
HarperCollins, 827 pp., £20, June 1993, 0 00 255023 7
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... entertainments which actually earned him his living. His few brushes with seriousness came when Orson Welles cast him in a production of Moby Dick, when he played the Dauphin in St Joan, and when he appeared in Shaffer’s The Public Eye; he sustained close friendships with Robert Bolt and the German scholar Erich Heller, and was never happier than ...

Pretty Letters

Megan Marshall: The Death of Edgar Allan Poe, 21 February 2008

Poe: A Life Cut Short 
by Peter Ackroyd.
Chatto, 170 pp., £15.99, February 2008, 978 0 7011 6988 6
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... leading the way for Jules Verne and H.G. Wells – not to mention the great 20th-century hoaxer, Orson Welles. He wasn’t to be trusted. But what was never in question was his talent – or genius, as he rightly preferred to call it. Born into a down-and-out theatre family and left an orphan at the age of two, Poe was adopted by a childless Richmond ...
Bowie 
by Jerry Hopkins.
Elm Tree, 275 pp., £8.95, May 1985, 0 241 11548 5
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Alias David Bowie 
by Peter Gillman and Leni Gillman.
Hodder, 511 pp., £16.95, September 1986, 0 340 36806 3
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... for him to become a cuddly family entertainer: for all his changes of pose, he is as type-cast as Orson Welles. The generally interesting thing about his style-setting is the influence he has had on the rock-music industry. Jerry Hopkins, an insider, takes this modern institution for granted, but the Gillmans, on the outside, have thought of some of the ...

Styling

John Lanchester, 21 October 1993

United States 
by Gore Vidal.
Deutsch, 1298 pp., £25, October 1993, 0 233 98832 7
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What Henry James Knew, and Other Essays on Writers 
by Cynthia Ozick.
Cape, 363 pp., £12.99, June 1993, 0 224 03329 8
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Sentimental Journeys 
by Joan Didion.
HarperCollins, 319 pp., £15, January 1993, 0 00 255146 2
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... memorialise (in essays in this book) his friends John Kennedy, Tennessee Williams, Italo Calvino, Orson Welles, Eleanor Roosevelt, Anaïs Nin ... In this kind of summary Vidal’s life sounds almost comically glamorous and eventful. One of the secrets of his social and professional success lies in the combination of class circumstances into which he was ...

His v. Hers

Mark Ford, 9 March 1995

In Touch: The Letters of Paul Bowles 
edited by Jeffrey Miller.
HarperCollins, 604 pp., £25, October 1994, 0 00 255535 2
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... Bowles earned his living mainly by writing film scores, incidental theatre music (for such as Orson Welles, William Saroyan and Tennessee Williams), ballets and music reviews. His interest in fiction developed only after his marriage to Jane Bowles (née Auer), and specifically out of the experience of assisting her to shape her gloriously original ...

This is America, man

Michael Wood: ‘Treme’ and ‘The Wire’, 27 May 2010

The Wire 
created by David Simon.
HBO/2002-2008
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Treme 
created by Eric Overmyer and David Simon.
HBO/April
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... is a set of inventive answers to this question. I think of Marlene Dietrich’s epitaph for the Orson Welles character in Touch of Evil: ‘He was a great detective and a lousy cop.’ He understood crime, that is, but didn’t care about the law. The detectives in The Wire are, mainly, goodish detectives and excellent cops, but the law doesn’t help ...

Nothing like metonymy when you’re at the movies

Michael Wood: ‘The Third Man & Other Stories’, 8 November 2018

The Third Man & Other Stories 
by Graham Greene.
Macmillan, 342 pp., £9.99, July 2017, 978 1 5098 2805 0
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... a bit of the Vienna we see in The Third Man was artfully re-created in English studios, and that Orson Welles, in particular, spent very little time in the unsimulated sewer. Both story and film make a point of their Vienna not being the old, happy one. Greene writes of the ‘smashed dreary city’, ‘a city of undignified ruins … where the Prater ...

Perfectly dressed

Peter Campbell, 7 November 1991

Moving Pictures 
by Anne Hollander.
Harvard, 512 pp., £15, April 1991, 0 674 58828 2
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... the technique of cinema advanced the sequences of framed ‘pictures’ which make Eisenstein and Orson Welles such a gift to compilers of illustrated film histories (and connections with painting easy) became a less important part of film vocabulary. Technology has brought a fluidity to shots like the one which follows Ray Liotta through a restaurant ...

I’m all for it

R.W. Johnson, 30 March 2000

Hitler’s Pope: The Secret History of Pius XII 
by John Cornwall.
Viking, 430 pp., £20, September 1999, 0 670 87620 8
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... as decadent. When T.S. Eliot came for a private audience Pacelli lectured him on literature. When Orson Welles came he pretended to a vast knowledge of Hollywood gossip. Similarly, he claimed to be fluent in almost every European language, though Evelyn Waugh noted that all he could really do was parrot a few well rehearsed little speeches and that it ...

Gorgon in Furs

D.D. Guttenplan: Paula Fox, 12 December 2002

Borrowed Finery: A Memoir 
by Paula Fox.
Flamingo, 256 pp., £12, August 2002, 0 00 713724 9
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... Interesting, perhaps; but significant? No more than the fact that Fox once delivered a book to Orson Welles, passed Harpo Marx in the hallway of a friend’s apartment building, or spent an hour dancing with the young John Wayne, all of whom are mentioned in her memoir – unlike Courtney Love, Fox’s granddaughter by the daughter she put up for ...

Sight, Sound and Sex

Adam Mars-Jones: Dana Spiotta, 17 March 2016

Innocents and Others 
by Dana Spiotta.
Scribner, 278 pp., £17.95, March 2016, 978 1 5011 2272 9
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... of the screen, now reduced to voiceovers and chat show appearances (someone who can only be Orson Welles), before going on to interview him and eventually becoming his companion and lover, while telling her parents she was joining a filmmaking collective in upstate New York. It’s left to the reader to decide whether this tall tale is simply a ...

Bardicide

Gary Taylor, 9 January 1992

... Caesar which restored this scene took place in 1937, when books were being burned in Germany: Orson Welles portrayed the plebeians who murder Cinna as Fascist Brown-shirts. In 1937, in 1599, Julius Caesar dramatised an attack on a poet, at a time when poets were being attacked outside the theatre. Act Three, Scene Three of Julius Caesar is ...

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